Don Sleet

Donald Clayborn Sleet (November 27, 1938 – December 31, 1986) was an American jazz trumpeter. He was a member of Howard Rumsey's Lighthouse All-Stars and Lenny McBrowne and the Four Souls. Widely considered a gifted musician, compared to the likes of Art Farmer and Kenny Dorham, Sleet had a short career as a result of his drug abuse, recording only one album as a leader.

Don Sleet
Birth nameDonald Clayborn Sleet
Born(1938-11-27)November 27, 1938
Fort Wayne, Indiana, United States
DiedDecember 31, 1986(1986-12-31) (aged 48)
Hollywood, California, United States
GenresJazz, hard bop
Occupation(s)Musician, bandleader
InstrumentsTrumpet
Years activec. 1954-1964
LabelsPacific Jazz, Riverside
Associated actsTerry Gibbs, Howard Rumsey, Lenny McBrowne, Shelly Manne

Life and career

Early years

Sleet was born in Fort Wayne, Indiana, on November 27, 1938.[1] His father was a music teacher at school from whom he began to take lessons at age nine.[2] His family moved to San Diego, California, when he was ten years old. There he took piano lessons for four years before taking up the trumpet.[2] Buddy Childers was his mentor for a year in Hollywood, before studying with Daniel Lewis in San Diego, where he was part of the San Diego State College Jazz Band. In addition, he studied with Shorty Rogers in Los Angeles, where he became a member of Terry Gibbs's big band. He also studied classical music, playing for the San Diego Symphony for three years.[1]

Sleet fronted a small jazz combo in the mid 1950s, winning the Easter Week Jazz Festival at the Lighthouse Café in Hermosa Beach in 1956 and 1957.[2] In 1959, he joined Lenny McBrowne and the Four Souls, with whom he recorded an album in early 1960.[3] In the summer of 1960 he became a member of Howard Rumsey's Lighthouse All-Stars.[2][4] In October 1960, Sleet went to New York with The Four Souls to record their second and final album, Eastern Lights, supervised by Ornette Coleman.[5]

All Members

Sleet's only session as a leader took place on March 16, 1961. Recorded in New York under the supervision of Orrin Keepnews, All Members also featured the musicians Jimmy Heath (tenor saxophone), Wynton Kelly (piano), Ron Carter (double bass) and Jimmy Cobb (drums). The album was released by the Jazzland label (a subsidiary of Riverside) and was described as "outstanding" by Down Beat.[6] AllMusic's Alex Henderson described the album as a "fine hard bop date" where Sleet "shows himself to be a captivating soloist".[7] The album was reissued in 2001 as part of Fantasy Records' Original Jazz Classics series.[1]

Later years and death

After the release of his album, Sleet began to abuse recreational drugs, which forced him to quit playing.[8] In the summer of 1964, Sleet played in Shelly Manne's My Fair Lady with the Un-original Cast, his last session.[2] He would subsequently join the Synanon drug rehabilitation program, but for the rest of his career he would only sporadically play gigs.[8] He died on December 31, 1986, at his home in Hollywood due to a lymphoma that he had been battling for three years.[8][9]

Style

An "expressive, swinging player", Sleet was influenced by Chet Baker, Miles Davis and Kenny Dorham amongst others.[1][7][8] He has also been compared to Art Farmer due to his "smooth tone".[1]

Family

Sleet got married in the 1970s but never had children.[8] His younger brother David was a professional drummer in the 1960s and a member of the National Association of Rudimental Drummers.[8]

Discography

As leader
  • 1961: All Members (Jazzland)

As sideman

With Lenny McBrowne and the Four Souls

  • Lenny McBrowne and the 4 Souls (Pacific Jazz, 1960)
  • Eastern Lights (Riverside, 1960)

With Shelly Manne

gollark: Like how in theory on arbitrarily big numbers the fastest way to do multiplication is with some insane thing involving lots of Fourier transforms, but on averagely sized numbers it isn't very helpful.
gollark: It's entirely possible that the P = NP thing could be entirely irrelevant to breaking encryption, actually, as it might not provide a faster/more computationally efficient algorithm for key sizes which are in use.
gollark: Well, that would be inconvenient.
gollark: Increasing the key sizes a lot isn't very helpful if it doesn't increase the difficulty of breaking it by a similarly large factor.
gollark: I'm not sure what P = NP would mean for that. Apparently doing that is non-polynomial time, and a constructive P = NP proof would presumably let you construct a polynomial-time algorithm.

References
  1. Henderson, Alex. "Don Sleet - Biography". AllMusic. Rovi. Retrieved September 26, 2015.
  2. Evensmo, Jan (April 1, 2013). "The Trumpet of Donald Clayborn Sleet" (PDF). JazzArcheology. Retrieved September 26, 2015.
  3. Mitchell, Tillie (1960). Lenny McBrowne and the Four Souls (liner notes). Los Angeles, CA: Pacific Jazz.
  4. Gioia, Ted (1998). West Coast Jazz: Modern Jazz in California, 1945-1960. New York, NY: Oxford University Press. p. 224.
  5. Albertson, Chris (1960). Eastern Lights (liner notes). New York, NY: Riverside.
  6. "All Members: Don Sleet". Down Beat. 28: 33. 1961.
  7. Henderson, Alex. "All Members - Don Sleet". AllMusic. Rovi. Retrieved September 26, 2015.
  8. Sleet, David (November 24, 2009). "My Brother, Don Sleet". JazzWax. Retrieved September 26, 2015.
  9. "Obituaries". Cadence. 13: 93. January 1987.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.