Domingos Caldas Barbosa

Domingos Caldas Barbosa
Domingos Caldas Barbosa
	A gravure depicting Barbosa
Born	1739; Rio de Janeiro City, Rio de Janeiro, Portuguese Colony of Brazil
Died	November 9, 1800 (aged 60–61); Lisbon, Kingdom of Portugal
Pen name	Lereno Selinuntino
Occupation	Poet, musician
Nationality	Portuguese Empire
Alma mater	University of Coimbra
Literary movement	Neoclassicism
Notable works	Viola de Lereno "A Doença" "A Vingança da Cigana"

Domingos Caldas Barbosa (1739? — November 9, 1800) was a Colonial Brazilian Neoclassic poet and musician, famous for creating the modinha. He wrote under the pen name Lereno.

Barbosa is the patron of the 3rd chair of the Academia Brasileira de Música (Brazilian Academy of Music).

Life

Domingos Caldas Barbosa.

Barbosa's date of birth is unknown. It is most accepted to be in 1739, in Rio de Janeiro, to a Portuguese man and a liberated Angolan slave woman. Trained at the Jesuit college in Rio de Janeiro, he developed a power of literary improvisation which he indulged at the expense of the Portuguese whites and thereby stirred them up against him. His enemies had him forcibly enrolled in a body of troops setting forth for the Colonia del Sacramento,[1] where he remained until 1762. Returning to Rio Janeiro he soon embarked for Portugal, and there obtained the patronage of two nobles of the Vasconcellos family, the Conde de Pombeiro and the Marquez de Castello Melhor. Taking minor orders he received a religious benefice, being attached as chaplain to the Casa da Supplicaçáo.

Although he was a mulatto, he obtained entrance into high society in the Portuguese capital: he could improvise cantigas and play his own accompaniment on the viol. Hence the condescending nickname cantor de viola which was given to him. Well aware that his social status was uncertain, he retained his self-possession even in the face of the insulting attitude of the poet Bocage and others.

With most of the Portuguese poets of the time he had good relations, consorting with them in one or another literary academy. His cantigas acquired great popularity. He was a minor poet with facility, able to express himself simply, and to avoid bombast and sensuality. His poetical definition of the characteristically Portuguese quality of saudades remains famous.

Barbosa's poems were published posthumously, in 1825, under the name Viola de Lereno (Lereno's Viol).

Sources

This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Domingos Caldas-Barbosa". Catholic Encyclopedia. New York: Robert Appleton Company.

Edition of his poems published under his academic name of Lereno, Viola de Lereno: collecçao das suas cantigas, etc. (Lisbon, 1825);
De Varnhagen, Francisco Adolfo: Florilegio da poesia brazileira (Lisbon, 1850), I, II, III (Madrid, 1853);
Wolf, Ferdinand: Le Brésil littéraire (Berlin, 1863) (online);
Romero, Sylvio: Hist. da litt. brazileira (Rio de Janeiro, 1902)

gollark: I think this should explain the problem?

gollark: It's a weird Macron thing.

gollark: They mean half double factorial.

gollark: ! is just the kind of a runtime compile error exception.

gollark: Some stages of the process are even lossless!

References

Beattie, Peter M. (2001): The Tribute of Blood: Army, Honor, Race, and Nation in Brazil, 1864-1945. Duke University Press, 2001. ISBN 9780822327431. pp. 1-7. (visited May 7, 2016)

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[Beattie-1] Beattie, Peter M. (2001): The Tribute of Blood: Army, Honor, Race, and Nation in Brazil, 1864-1945. Duke University Press, 2001. ISBN 9780822327431. pp. 1-7. (visited May 7, 2016)