Domenico Fischietti

Domenico Fischietti (1725–1810) was an Italian composer.

He was born in Naples and studied at the Conservatory of Sant'Onofrio Porta Capuana under the leadership of Leonardo Leo and Francesco Durante.

His first opera, Armindo, premiered in 1742 at the Teatro dei Fiorentini in Naples, though there are doubts about whether he could have started composing at such a young age - it may have been by his father. In 1755 he was in Venice to present Lo speziale (the apothecary), the first opera with a libretto by Carlo Goldoni. He followed this success with La ritornata a Londra (The Return to London) in 1756, Il mercato di Malmantile (The Market of Malmantile) in 1758, Il signor dottore (The Doctor) also in 1758, and La fiera di Sinigaglia in 1760. These works, all drammi giocosi, represent Fiscietti's chief claim to fame.

In 1764, he moved to Prague where he was associated with the impresario Giuseppe Bustelli at the Divadlo v Kotcích (German "Kotzentheater"). Besides a number of operas, it is known that Fischietti's oratorio La morte d'Abel was staged in this theater in 1763. In 1766 he became the master of the chapel court and the director of sacred music in Dresden. Here he worked with Johann Gottlieb Naumann. In 1772, he left Dresden and first travelled to Vienna and then to Salzburg where he became a master of the chapel of the prince-archbishop, Count Hieronymus von Colloredo. He died in Salzburg in 1810.

Operas

  • Armindo (libretto by Paolo Saracino, 1742, Naples)
  • L'abate Collarone (libretto by Pietro Trinchera, 1749, Naples)
  • Il pazzo per amore (1752, Naples)
  • La finta sposa (1753, Palermo)
  • La Sulamitide (1753, Florence)
  • Artaserse (libretto by Pietro Metastasio, 1754, Piacenza)
  • Lo speziale (libretto by Carlo Goldoni, 1755, Venice)
  • Solimano (libretto by Giovanni Ambrogio Migliavacca, 1755, Venice)
  • La ritornata di Londra (libretto by Carlo Goldoni, 1756, Venice)
  • Il mercato di Malmantile (libretto by Carlo Goldoni, 1758, Venice)
  • Il signor dottore (libretto by Carlo Goldoni, 1758, Venice)
  • Semiramide (libretto by Pietro Metastasio, 1759, Naples)
  • La fiera di Sinigaglia (libretto by Carlo Goldoni, 1760, Rome)
  • Tetide (1760, Vienna)
  • Siface (libretto by Pietro Metastasio, 1761, Venice)
  • Olimpiade (libretto by Pietro Metastasio, 1763, Prague)
  • La donna di governo (libretto by Carlo Goldoni, 1763, Prague)
  • Alessandro nell'Indie (libretto by Pietro Metastasio, 1764, Prague)
  • Vologeso, re de Parti (libretto by Apostolo Zeno, 1764, Prague)
  • Il dottore (revision of Il signor dottore, 1764, Crema)
  • Nitteti (libretto by Pietro Metastasio, 1765, Prague)
  • Les metamorphoses de l'amour, ou Le tuteur dupé (1769)
  • Il bottanico novellista (revision of Lo speziale, 1770, Treviso)
  • Talestri, regina dell'amazzoni (libretto by Maria Antonia Walpurgis of Bavaria, 1773, Salzburg)
  • L'isola disabitata (libretto by Pietro Metastasio, 1774, Salzburg)
  • Gli orti esperidi (libretto by Pietro Metastasio, 1775, Salzburg)
  • Il creso (1776, Naples)
  • Arianna e Teseo (libretto by Pietro Pariati, 1777, Naples)
  • La molinara (libretto by Filippo Livigni, 1778, Venice)
gollark: 128 kilobytes
gollark: You know what would be good and not bad? Combat programming, meaning combat done via writing code very fast.
gollark: It's where values drift.
gollark: Wait, are the communication things stored in *memory* or on disk?
gollark: BEE you.

References

    • Libby, Denis (1992), 'Fischietti, Domenico' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7

    Some of the information in this article is taken from the Italian Wikipedia article.


    This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.