Dhafer Youssef

Dhafer Youssef (Arabic: ظافر يوسف; born 19 November 1967) is a composer, singer and oud player.

Dhafer Youssef
ظافر يوسف
Dhafer Youssef, Oslo Jazzfestival 2015
Background information
Birth nameDhafer bin Youssef bin Tahar Maarref
Born (1967-11-19) 19 November 1967
Teboulba, Tunisia
Origin Tunisia
GenresEthno jazz, world fusion, Sufi, qawwali, jazz fusion, new-age, jazztronica
Occupation(s)Musician, singer
InstrumentsOud
Years active1990–present
LabelsEnja, Justin Time, Jazzland, EmArcy, Okeh
Websitewww.dhaferyoussef.com

Biography

Dhafer Youssef was born in Téboulba (a small village of coastal Tunisia); his grandfather was a muezzin. He calls the radio "the most important school" for him.[1] He developed an interest in jazz at an early age and clandestinely listened to it during his education at a Qur'anic school.[2] He later left Tunisia to start a jazz career and has lived in Europe since 1990, usually in Paris or Vienna. He also works in avant garde and world music where he has been nominated for awards.[3] He has released six albums of his own and created notable work with Sardinian trumpeter Paolo Fresu and the Norwegian guitarist Eivind Aarset. He has an affinity for the music of India and Nordic music. He was a guest artist on the Norwegian jazz artist Bugge Wesseltoft's album FiLM iNG. Youssef has performed with Ustad Zakir Hussain, Uri Caine, Tigran Hamasyan, Jon Hassell, Markus Stockhausen,[4] Nguyên Lê, Omar Sosa and Hüsnü Şenlendirici.

In 2001, he recorded Electric Sufi with the ex-Sugar Hill Gang and Tackhead rhythm section of Will Calhoun and Doug Wimbish.

In 2015, Youssef opened the Sligo Jazz project with a quartet act at the Hawk's Well Theatre at Connacht, Ireland.[1]

Youssef released Diwan of Beauty and Odd in 2016 which won quite a bit of praise from critics.[5]

Discography

Solo albums

  • 1999: Malak (Enja)
  • 2001: Electric Sufi (Enja)
  • 2003: Digital Prophecy (Justin Time)
  • 2006: Divine Shadows (Jazzland)
  • 2007: Glow (Material), with Wolfgang Muthspiel
  • 2010: Abu Nawas Rhapsody (EmArcy)
  • 2013: Birds Requiem (Okeh) (FR: #191)[6]
  • 2016: Diwan of Beauty and Odd (Okeh) (FR: #105)[7]
  • 2018: Sounds of Mirrors

Collaborations

  • 1997: Blue Planet – Peace for Kabul (Blue Flame World Music), with Lenny MacDowell and Hakim Ludin
  • 1998: hot ROOM (Extraplatte), also featuring Otto Lechner, Wolfgang Puschnig, Achim Tang
  • 2003: Exile (Enja), with Gilad Atzmon & The Orient House Ensemble feat. Reem Kelani & Dhafer Youssef
  • 2005: Odem (with Wolfgang Puschnig and Jatinder Thakur) (EmArcy), with Wolfgang Puschnig and Jatinder Thakur
  • 2006: Homescape (ACT), with Nguyên Lê Duos Paolo Fresu
  • 2008: Jo & Co (Universal Music Polska), with Anna Maria Jopek feat. Richard Bona and Mino Cinelu
  • 2008: Latitudini – Omaggio Alla World Music (Casa Del Jazz), with Paolo Fresu and Eivind Aarset
gollark: According to my badness determination metrics.
gollark: What I am saying is that deliberately designing an electoral system and then messing with it so that a particular group consistently gets outsized amounts of power is bad, and that it isn't particularly justified based on "cultural differences" because there are lots of culturally different groups.
gollark: There are cultural differences based on different factors, though.
gollark: There are divisions other than rural/city. Why pick that one and muck with the system to favour one side of it?
gollark: I don't think that's what the electoral college does.

References

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