Dennis Nurkse

Dennis Nurkse is a poet from Brooklyn.

Life

Nurkse is the son of the eminent Estonian economist Ragnar Nurkse. He has taught workshops at Rikers Island, and his poems about prison life appeared in The American Poetry Review, Evergreen Review, The New Yorker, The Paris Review, TriQuarterly, The Kenyon Review, and other magazines. He has taught at The New School University and Columbia University, and is currently on the faculty at Sarah Lawrence College.[1][2] He has translated anonymous medieval and flamenco Spanish lyric poems and has written about the Spanish pastoral poems by contemporary Giannina Braschi. His work has appeared in The Evergreen Review, The New Yorker, The Atlantic Monthly, Poetry, The American Poetry Review, The Kenyon Review, The Times Literary Supplement, Ploughshares, The Paris Review. His subject have included mental health, trauma, and September 11 terrorist attacks.[3]

Honors and awards
  • 2007 Guggenheim Fellow
  • 1990 Whiting Award
  • NEA fellowship
  • NYFA fellowships

Bibliography
This list is incomplete; you can help by expanding it.

Poetry
Collections
  • Staggered Lights, Owl Creek Press, (July 1990), ISBN 978-0-937669-42-6
  • Voices Over Water, Graywolf Press (July 1993), ISBN 978-1-55597-188-5
  • Leaving Xaia, Four Way Books
  • The Rules of Paradise, Four Way books
  • The Fall, Knopf
  • Burnt Island. Alfred A. Knopf. 2005. ISBN 978-1-4000-4350-7.
  • The Border Kingdom, Alfred A. Knopf, August 8, 2008
  • A Night in Brooklyn, Alfred A. Knopf, 2012.
List of poems
Title Year First published Reprinted/collected
The body 2020 Nurkse, D. (January 13, 2020). "The body". The New Yorker. 95 (44): 50–51.
Letter from Pico 2007
Novel to be read with closed eyes 2007
Anthologies
gollark: Weird. I would have said it was a marker for the heads of something, but I doubt it would have to be dots for that.
gollark: People sometimes say that they can't learn properly without experiencing the real world or whatever, but text is very information-dense and there is a *lot* of it.
gollark: So far.
gollark: There's no *known* reason you couldn't get them all the way to human performance. It might not be possible or it might be hilariously inefficient, but as far as I know the lines on the graphs remain straight.
gollark: Apparently this tends to improve with scale. I'm not sure if the details of Delphi are available anywhere.

References
  1. http://www.slc.edu/undergraduate/study/arts/writing/faculty.html
  2. "Archived copy". Archived from the original on 2010-05-24. Retrieved 2009-12-24.CS1 maint: archived copy as title (link)
  3. "Mina Loy", Surrealist Painters and Poets, The MIT Press, 2001, ISBN 978-0-262-27007-6, retrieved 2020-04-18
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.