Deborah Wong

Deborah Anne Wong (born 1959) is an American academic, educator, and public musicologist. Her scholarship is in the field of ethnomusicology, where she is known for her studies of Asian American and Thai music. She identifies herself as Chinese-American, Asian-American, and multi-ethnic.

Deborah Wong
Born1959 (age 60–61)
NationalityChinese-American
Alma materUniversity of Michigan (Ph.D., 1991), University of Pennsylvania (BA, 1982)
Known forStudy of music in Thailand, Asian American music, ethnomusicology and public musicology.
Scientific career
FieldsEthnomusicology, Southeast Asian studies, Asian American studies
InstitutionsUniversity of California, Riverside
ThesisThe Empowered Teacher: Ritual, Performance, and Epistemology in Contemporary Bangkok (1991)
Doctoral advisorJudith Becker
WebsiteFaculty profile

Early life and education

Wong was born on the East Coast of the US, and now lives in California. She earned her Bachelor of Arts in anthropology and music at the University of Pennsylvania in 1982. Wong later attended the University of Michigan where she earned her master's degree and then her PhD in 1991.[1]

Scholarship

Wong has taught as a Professor of Music at the University of California, Riverside since 1996. She has served as President of the Society for Ethnomusicology, and also founded the Committee on the Status of Women with Elizabeth Tolbert in 1996. Wong is also the president of the Board of Directors for the Alliance for California Traditional Arts. She is committed to her public sector work, and has served on the advisory council for the Smithsonian Center for Folklife and Cultural Heritage since 2011.[2] Wong's focus is on Asian American issues and activities; she has addressed these issues in curriculum and students’ needs.[3] Wong was nominated to be a member of the National Council on the Humanities by President Barack Obama in December 2015.[4]

Taiko drumming

Wong has studied Taiko, Japanese American drumming, and is part of Satori Daiko, a performing group in Los Angeles. Taiko provides a space that allows women to talk about their performances together and talk about what drumming provides them. The physicality and powerful sounds of Taiko are what moved Wong to discover drumming. She said that music practices, like Taiko, have helped to build community. About 75% of Taiko players are women, most of them Asian American. Wong has said that Asian American women come from family environments where they are encouraged to be quiet and respectful, and Taiko is a way of breaking out of this silence — musically, socially, and politically.[3]

Asian American studies

Wong focuses on Asian American performance and the way it intersects with the racial imagination in America. She says, race is very much a part of our lives, America has racist structures that drive it, and looking at race when studying music is a different approach.[3] She used a $10,000 grant from the California Council for the Humanities to help fund the research for the site, www.asianamericanriverside.ucr.edu.[5] She wanted to spread the word about the little-known story of the city's lively Asian community. "Asian American Riverside" is a resource for local schools and the community. The project will help support interethnic understanding and strengthen community in Riverside.[6]

Selected bibliography
  • Wong, Deborah (2001). Sounding the Center: History and Aesthetics in Thai Buddhist Ritual. Chicago and London: Univ. of Chicago Press. ISBN 0226905853. Wong's first book is about ritual performance and its implications for the cultural politics of Thai court music and dance in Bangkok in the late twentieth-century.[1]
  • Wong, Deborah (2004). Speak it Louder: Asian Americans Making Music. New York: Routledge. ISBN 0415970393. This book focuses on music and identity by looking at case studies.[1]

Wong's other publications investigate Chinese American and Japanese American jazz, Asian American hip-hop, and Southeast Asian immigrant musics to name a few.[1]

Research collectives

Wong has been a part of the oral history collective project Women Who Rock: Making Scenes, Building Communities.[7]

gollark: You should just get a Pi and stick a screen and small keyboard on it.
gollark: I'm not one to buy expensive stuff with massively less power than my phone.
gollark: Yeeess...
gollark: You could make krist shops on another server with OC, but nobody would bother.
gollark: It has a web API. It's just that lemmmy also made a kristpay plugin for ingame use.

References
  1. "Deborah Wong". Department of Music, University of California, Riverside. Retrieved 18 August 2014.
  2. "APPROVED RESOLUTIONS OF THE JANUARY 31, 2011, MEETING OF THE BOARD OF REGENTS" (PDF). Smithsonian Institution. 31 January 2011. Retrieved 18 August 2014.
  3. "Deborah Wong - Women Who Rock Oral History Archive". Women Who Rock. University of Washington. Retrieved 18 August 2014.
  4. "President Obama Announces More Key Administration Posts". 17 December 2015. Retrieved 28 December 2015.
  5. "UC Riverside Hosts New Web Site on Asian Americans in Riverside". Newsroom. University of California, Riverside. 19 May 2006. Retrieved 18 August 2014.
  6. Wong, Deborah. "About Asian American Riverside". University of California, Riverside. Retrieved 18 August 2014.
  7. "Women Who Rock Oral History Archive :: Deborah Wong". content.lib.washington.edu. Retrieved 2015-12-18.
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