Deborah Dancy

Deborah Dancy, also known as Deborah Muirhead[1] (born 1949),[2] is an American painter of large-scale abstractions in oil; she is also a printmaker and mixed media artist.[2][3] Her work is also known to encompass digital photography. In 1981, she began to teach at the University of Connecticut, Storrs, where she taught painting for thirty-five years until her retirement in 2017.[4][5] She has received awards such as a John Simon Guggenheim Foundation Fellowship,[6] Women’s Studio Workshop Studio Residency Grant,[7] and a YADDO fellowship.[5]

Deborah Dancy
Born1949 (1949)
Nationality American
EducationIllinois Wesleyan University, Bloomington, Ill. - BFA (1973); Illinois State University, Normal, Ill. - MS in Printmaking (1976), MFA in Painting (1979)
Known forPainting, drawing, printmaking, photography, artist's books
MovementContemporary art, abstract art
Awards1985 - YADDO Fellowship
1997 - John Simon Guggenheim Foundation Fellowship

Early Life & Education

Dancy was born in 1949 in Bessemer, Alabama.[2] She was born into an African American family who treasured their heritage and ancestry. Dancy received her BFA from Illinois Wesleyan University in 1973,[1] as well as an MS in printmaking and MFA in painting from Illinois State University in 1976 and 1979, respectively.[4]

Career

Her painting "Seed Travel" appeared in the Stamford Museum and Nature Center.[8] Dancy taught painting at the University of Connecticut, Storrs for thirty-five years before retiring in 2017.[4]

Dancy’s works are in the permanent collections of numerous galleries and academic institutions, some of which include the Museum of Fine Arts Boston,[3] the Birmingham Museum of Art in Alabama,[2] and the Baltimore Museum of Art. Dancy was also nominated for a Connecticut Children's Book Award for Illustration for The Freedom Business as an illustrator and co-author.[9]

Deborah Dancy was the art director and the illustrator of The Freedom Business, a book by her friend, Marilyn Nelson.[10]

Public Collections

Awards & Honors

Bibliography

  • Armstrong, Kathleen, et al. “Children's Literature Reviews: 2008 Poetry Notables.” Language Arts, vol. 86, no. 6, 2009, pp. 468–472. JSTOR
  • “Book Design, Digital Imaging and Photography.” Clarellen, Clarellen and Cary Graphic Arts Press, New York, 2001[17]
  • Danza, Emmie. “Deborah Dancy, Chasing the Light.” Gallery Artist Deborah Dancy Reviewed on The Drawing Center Column, "Annotations.", The Drawing Center, 27 June 2013
  • Edwards, Jeff. “‘It’s a Constant Struggle to Keep the ‘Thingness’ at Bay’: An Interview with Deborah Dancy.” Artpulse, 2015[18]
  • “Front Matter.” African American Review, vol. 41, no. 3, 2007 [19]
  • “Flatfile Collection, Queen Bea.” Artspace New Haven. 2016[20]
  • King, Leslie. “Gumbo Ya Ya : Anthology of Contemporary African-American Women Artists.” Hathi Trust Digital Library, Midmarch Arts Press, 1995[21]
  • McNALLY, OWEN. “Painter Muirhead peers through a history, darkly.” Courant.com, Hartford Courant , 13 Sept. 2018
  • Mercer, Valerie J., et al. “Examining Identities.” Bulletin of the Detroit Institute of Arts, vol. 86, no. 1/4, 2012, pp. 66–87. JSTOR, www.jstor.org/stable/43492326.
  • Mobilio, Albert. “The Bookness of Not-Books: Modern and Contemporary Artists' Books,” The Paris Review, 22 Jun 2017[22]
  • Nelson, Marilyn. “The Freedom Business (Ca. 1790).” Venture Smith and the Business of Slavery and Freedom, edited by James Brewer Stewart. by James O. Horton, University of Massachusetts Press, 2010, pp. 257–258. JSTOR, www.jstor.org/stable/j.ctt5vk4gq.16.[23]
  • Perosino, Bruno. “Marking 35 Years: The Work of Deborah Dancy.” The William Benton Museum of Art, 18 Jul 2017[24]
  • Raynor, Vivian. “Spirit in the Wood/Paint.” The New York Times, Sunday, 26 Feb 1989
  • Raynor, Vivian, “Stamford Museum.” The New York Times, Sunday: 2 May 1989
  • Robert, Kiener. “In Works with a Visceral, Spontaneous Feel, Deborah Dancy Explores the Amorphous Zone between Abstraction and Representation.” New England Home Magazine,
  • Robin Kahn. ROBIN KAHN, 1 Jan 1970.
  • Rosoff, Patricia. “Small Vistas, The 10-Year Show at 100 Pearl.” Hartford Advocate, 15 Jul 2004.
  • Zimmer, William. “ART; A Glimpse of Contemporary Taste.” The New York Times, The New York Times, 25 Feb 1996.
  • Zimmer, William. “Connecticut Biennial.” The New York Times, 14 Apr 1991.[25]
gollark: And if you fall into water, your phone will also break.
gollark: Then you would have other problems.
gollark: Perhaps we need some way to get people to not do that...
gollark: You could probably make a bootleg version with a cheap transparent screen (these must surely exist) and a small computer and battery attached to a hat or something.
gollark: There seems to be a bunch of stuff which could have been cool but never got polished enough/people disliked it. Like Google Glass.

References

  1. "Deborah Dancy". N'Namdi Contemporary Miami. 2016.
  2. "Sarah - Deborah Muirhead". Birmingham Museum of Art.
  3. "Untitled". Museum of Fine Arts Boston. December 23, 2018.
  4. Mercer, Valerie J.; et al. (2012). "Examining Identities". Bulletin of the Detroit Institute of Arts. 86 (1): 66–87. doi:10.1086/DIA43492326. JSTOR 43492326.
  5. Perosino, Bruno (July 18, 2017). "Marking 35 Years: The Work of Deborah Dancy | The William Benton Museum of Art".
  6. "Deborah Dancy". John Simon Guggenheim Memorial Foundation.
  7. "Deborah Dancy". Women's Studio Workshop.
  8. Raynor, Vivian (May 21, 1989). "In Stamford Exhibit, Art Imitates Life". The New York Times.
  9. Lindsay, Nina. “The Freedom Business.” School Library Journal, vol. 54, no. 10, October 2008, p. 173. EBSCOhost, http://search.ebscohost.com/login.aspx?direct=true&db=aph&AN=34682169&site=ehost-live&scope=site.
  10. "A conversation with Marilyn Nelson".
  11. "Document". Allen Memorial Art Museum.
  12. "DAC Collection Object Information: Nameless - Deborah Muirhead". Wesleyan University - Davison Art Center.
  13. "Document, 2002". Detroit Institute of Arts.
  14. "American Art". Fine Arts Gallery - Vanderbilt University - College of Arts and Sciences.
  15. "Welcome to the Spencer Collection". Spencer Museum of Art.
  16. "Present and Former Creative and Performing Artist and Writer Fellows". American Antiquarian Society. January 15, 2013.
  17. "Clarellen - Digital Book Design and Publishing". www.clarellen.com. Retrieved April 1, 2019.
  18. https://art.uconn.edu/wp-content/uploads/sites/1528/2016/02/DEBORAH-DANCY.pdf
  19. "Front Matter". African American Review. 30 (2): 161–164. 1996. JSTOR 3042351.
  20. "Deborah Dancy". Artspace New Haven. Retrieved April 1, 2019.
  21. Morgan, Ann Lee (1995). "jstor". Art Journal. 54 (3): 102–107. JSTOR 777610.
  22. Mobilio, Albert (June 22, 2017). "The Bookness of Not-Books". The Paris Review. Retrieved April 1, 2019.
  23. the freedom business.
  24. Perosino, Bruno (July 18, 2017). "Marking 35 Years: The Work of Deborah Dancy | The William Benton Museum of Art". Retrieved April 1, 2019.
  25. Heller, Jules; Heller, Nancy G. (December 19, 2013). Connecticut Biennial. ISBN 9781135638825.
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