Deb Margolin

Deb Margolin is an American performance artist and playwright. She came to prominence in the 1980s in the feminist political theatre troupe Split Britches, which she co-founded with Lois Weaver and Peggy Shaw.[1] Margolin has since created a string of one-woman shows. A compilation of her texts, Of All The Nerve: Deb Margolin SOLO, was published in 1999 by Cassell/Continuum Press. Literary theorist Lynda Hart edited and wrote a commentary on each piece.[2]

Deb Margolin
OccupationPerformance artist and playwright
NationalityAmerican
Website
www.debmargolin.com

Margolin was the recipient of a 1999-2000 Obie Award for Sustained Excellence in Performance. In 2005, Margolin won the Kesselring Prize for her play, Three Seconds in the Key, a multi-character play which reflected her own experiences with Hodgkin's Disease.

She currently teaches playwrighting and performance as an associate professor at Yale University. Her work includes O Yes I Will, a detailed account of her experiences and insights on being under general anaesthesia.

Margolin was forced to revise her 2010 play Imagining Madoff after legal threats from Elie Wiesel, who is one of Bernard Madoff's victims and had called Madoff a "scoundrel" but had refused to allow a character representing him and using his name to be used in the play.[3]

Works
  • The God Show (1982)
  • Coupla Weirdos (1986)
  • In a Vacuum (1988)
  • What's with Hamlet? (1989)
  • Of All the Nerve (1989)
  • You Don't Even Know Where the Strike Zone Is (1990)
  • 970-DEBB (1990)
  • Gestation (1991)
  • Lesbians Who Kill (1992)
  • The Breaks (1993), written with Rae C. Wright
  • Of Mice, Bugs and Women (1994)
  • Carthieves! Joyrides! (1995)
  • Bearing Witnesses (1996)
  • O Wholly Night & Other Jewish Solecisms (1996)
  • Critical Mass (1997)
  • Bringing the Fishermen Home (1998)
  • Three Seconds in the Key (2001)
  • Rock, Scissors, Paper (2002)
  • Three Seconds in the Key (2002)
  • Why Cleaning Fails (2002)
  • Index to Idioms (2003)
  • Three Seconds in the Key (2004)
  • The Rich Silk Of It (2005)
  • Time Is The Mercy of Eternity (2006)
  • Clarisse and Larmon (2006)
  • O Yes I Will (2006)
  • Imagining Madoff (2010)
  • The Actor and the Text: Macbeth[4]
gollark: https://slatestarcodex.com/2015/06/06/against-tulip-subsidies/ (a blog post, not by me) summarises my thoughts pretty well.
gollark: They have a limited budget, but are also not very averse to wildly throwing money at things.
gollark: If someone says "I am going to this university" and the government has to say "yes", it will break horribly.
gollark: If they go for "fund whatever college stuff people want", then no.
gollark: ĦEŁŁØ

References
  1. Sue-Ellen Case (5 November 2013). Split Britches: Lesbian Practice/Feminist Performance. Routledge. pp. 6–. ISBN 978-1-136-16559-7.
  2. Yale University lecturer description.
  3. Healy, Patrick. "The Play on Madoff, Without Wiesel", The New York Times, July 19, 2010. Accessed July 19, 2010.
  4. https://yaledailynews.com/blog/2017/12/01/thesis-project-re-envisions-macbeth/



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