David Hammond (director)

David Hammond is an American director and acting teacher. He trained for the theatre at the American Academy of Dramatic Arts and received his M.F.A. from the Carnegie Mellon University Drama Department. He did his undergraduate studies at Harvard University and graduated Magna Cum Laude with a concentration in Elizabethan literature. He taught at the Juilliard School, the American Conservatory Theater, and the Yale School of Drama and later became the artistic director of the PlayMakers Repertory Company.

David Hammond
Born (1948-06-03) June 3, 1948 [1]
New York, NY[1]
Occupationdirector, acting teacher, playwright

Hammond has continued to teach, at New York University's Graduate Acting Program at Tisch School of the Arts, the American Repertory Theater/Moscow Art Theater School Institute for Advanced Theater Training at Harvard University, and recently at Guilford College.

Hammond also serves as the 6th Congressional District Chair for the LGBTQ Democrats of North Carolina.[2]

Education

Hammond trained at the Jules Faber Studio and the American Academy of Dramatic Arts in New York and received an M.F.A. from Carnegie-Mellon University's Drama Department. He also attended Harvard College and graduated magna cum laude with a concentration in Elizabethan literature.[3]

Teaching, Directing, Writing

Hammond was a teacher at the Juilliard School, the American Conservatory Theater in San Francisco, and the Yale School of Drama,[4] specializing in Shakespeare and the performance of classic texts, and he directed numerous productions for A.C.T. and the Yale Repertory Theatre, including a production of George Bernard Shaw's Philanderer, which was an "effective" production of a hundred year old play because it "exposed patriarchal assumptions that still influenced most of the audience".[5] His 1989 direction of Henrik Ibsen's "The Master Builder" was called "sound and respectful of the text" and led the New York Magazine's John Simon to state "Our theater could use more Hammonds".[6] He subsequently spent 22 years at the PlayMakers Repertory Company at the University of North Carolina at Chapel Hill, 14 of which as artistic director. In 1989 at the PRC, he rescripted the framing material in Taming of the Shrew, cutting some speeches, but adding jugglers and clowns and a drastic scene change to signal the play as being Sly's dream and allowing for a doubling of the Sly/Petruchio and Lord/Vincentio characters which "provided a distinctly different perspective".[7] He also served as a professor and Head of UNC's Professional Actor Training Program.[8] While at PlayMakers, he staged the United States premieres of Simon Bent's A Prayer for Owen Meany and Nick Stafford's Luminosity.[9] Upon his retirement from UNC Chapel Hill as Professor Emeritus in 2006, he was named Artistic Director Emeritus of PlayMakers Repertory Company. He has both written and adapted plays, and his theatre version of The Nutcracker has been staged at numerous theatres in the United States and Canada.[10] He contributed an essay to Standard Speech: Essays on Voice and Speech on the methods of Edith Skinner.[11]

He has also taught at the American Repertory Theater/Moscow Art Theater School Institute for Advanced Theater Training at Harvard University and the New York University Graduate Acting Program at Tisch School of the Arts.[12] He joined the faculty of Guilford College as Professor of Theatre Studies in 2007[13] and served as Arts Division Chair and Theatre Studies Chair before retiring as Professor Emeritus in 2017.[14]

Hammond has directed operas for the San Francisco Opera, the Aspen Music Festival, the Carmel Bach Festival, and the Opera Company of North Carolina and has directed or coached Shakespeare productions for theatres throughout the United States and Latin America. He has also traveled extensively as a Cultural Specialist for the United States Information Service, directing and teaching in Mexico, Argentina, Chile, and Uruguay. He directed Ibsen's The Master Builder for New York's Roundabout Theatre in 1983 and Thornton Wilder's unpublished version of Ibsen's A Doll's House at Guilford College in 2007.[15] In 2011 he directed Hamlet for Empirical Rogue in New York and in 2012 As You Like It for the American Repertory Theater in Cambridge, Massachusetts. He directed Hedda Gabler for Telon Rojo in Montevideo, Uruguay in 2014[16] and Cat on a Hot Tin Roof for Uruguay's Comedia Nacional in 2015.[17]

Chicago's Polarity Ensemble-Theatre presented his adaptation of Fielding's Tom Jones in March 2012.

Reception

The New York Times called his production of George Bernard Shaw'sThe Philanderer at the Yale Repertory Theatre in 1982 "not Shavian", but notable for an exuberance that was called "engaging".[18] His production of Shaw's Caesar and Cleopatra at PlayMakers in 2005 was called "superbly cast" with "sublime" staging.[19]

He has received various theatre awards, including one for Luminosity, which was listed as one of the top ten shows of 2004 in North Carolina by Classical Voice of Carolina.[20] He received the Playmaker Award for Lifetime Achievement at the 18th annual PlayMakers Ball on October 29, 2005. He is the recipient of two Los Angeles Drama-Logue Awards and the Florencio Award of the Association of Uruguayan Theatre Critics and was the 2005 Triangle Theatre Review's Best Director and Triangle Theatre Person of the Year.[3]

Accusation of misconduct

In 1997, an accusation of sexual harassment was made against Hammond; however, a subsequent investigation cleared Hammond of any wrong doing.[21]

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References
  1. "David Hammond Biography (1948-)". filmreference. 2007. Retrieved 2007-08-18.
  2. "Executive Committee". LGBTQ Democrats of NC. Archived from the original on 3 July 2020. Retrieved 3 July 2020.
  3. "Director, playwright David Hammond to receive PlayMaker Award". News from the College of Arts and Sciences. October 19, 2005. Archived from the original on 2006-09-02. Retrieved 2006-10-02.
  4. Orla Swift (April 16, 2006). "Man of a Thousand Faces". News and Observer. Retrieved 2006-10-26.
  5. Carlson, Susan (1991). Women and Comedy: Rewriting the British Teatrical Tradition. University of Michigan Press. pp. 112–. ISBN 9780472101870. Retrieved 6 December 2012.
  6. John Simon (1983-10-24). New York Magazine - Ibsen's The Master Builder - A Flawless Masterpiece. New York Media, LLC. pp. 99–. Retrieved 7 December 2012.
  7. Dessen, Alan C. (2002-06-20). Rescripting Shakespeare: The Text, the Director, and Modern Productions. Cambridge University Press. pp. 191–. ISBN 9780521007986. Retrieved 6 December 2012.
  8. Robert C. Page III (December 25, 2005). "Hammond ankles as PlayMakers a.d. Stage man will return in the fall with emeritus status". Variety. Retrieved 2006-10-02.
  9. Kenneth Jones (October 13, 2003). "PlayMakers Rep Has U.S. Premiere of Owen Meany Oct. 15-Nov. 30; Tandy Cronyn is Mrs. Meany". Playbill.com. Archived from the original on September 30, 2007. Retrieved 2006-10-12.
  10. "The Nutcracker". University of Michigan Music Department. January 1, 2006. Archived from the original on September 7, 2006. Retrieved 2006-10-25.
  11. Rocco Dal Vera, ed. (2000). Standard Speech: Essays on Voice and Speech. Hal Leonard. pp. 131–. ISBN 9781557834553. Retrieved 6 December 2012.
  12. Byron Woods (January 4, 2006). "$150 theater tix in '06?". The Independent Weekly. Archived from the original on September 26, 2007. Retrieved 2006-10-09.
  13. "Guilford Welcomes 23 New Full-time Faculty for 2006-07 Academic Year". Guilford College, August 18, 2006. Retrieved 2018-10-1. https://web.archive.org/web/20070928063801/http://www.guilford.edu/about_guilford/news_and_publications/releases/newfaculty06-07.html
  14. "Guilford Celebrates Spring Awards Ceremony". Guilford College. April 27, 2018. Retrieved 2018-10-1. https://www.guilford.edu/news/2018/04/guilford-celebrates-spring-awards-ceremony
  15. "Guilford's Theatre Studies Department to Present "A Doll House" Beginning Feb. 16". Guilford College. February 16, 2007. Archived from the original on August 27, 2007. Retrieved 2007-08-18.
  16. Alvaro Laurreiro (25 Septiembre, 2014). 'El adentro y el afuera". Brecha. Retrieved 2018-10-1. https://brecha.com.uy/el-adentro-y-el-afuera/
  17. "Un espectaculo recommendable, intensivo y emotivo". 25 Septiembre, 2015. El Pais, Retrieved 2018-10-1. https://www.tvshow.com.uy/teatro/espectaculo-recomendable-intenso-emotivo.html
  18. Mel Gussow (December 9, 1982). "STAGE: 'THE PHILANDERER'". The New York Times. Retrieved 2006-10-12.
  19. Robert W. McDowell (January 1, 2005). "REVIEW: PlayMakers Repertory Company: Caesar and Cleopatra Ends PRC'S 2004-05 Season on a Very, Very High Note Indeed". Classical Voice of North Carolina. Retrieved 2006-10-09.
  20. Robert W. McDowell; Scott Ross; Alan R. Hall (January 1, 2004). "ARTICLE: Robert's Reviews Chooses The 10 Best Shows of 2004". Classical Voice of Carolina. Retrieved 2006-10-25.
  21. "UNC Professor". January 14, 1998. Retrieved September 15, 2018.
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