Dara Hobbs

Dara Kristin Hobbs is an American operatic soprano, who has appeared internationally, mostly in European opera houses. Her repertoire has focused on dramatic soprano roles in operas by Wagner and Strauss such as Isolde and Ariadne.

Dara Hobbs
Born
Dara Kristin Hobbs

Williams Bay, Wisconsin
EducationNorthwestern University
OccupationOperatic soprano
OrganizationTheater Krefeld und Mönchengladbach
Websitewww.darahobbs.com

Career

Born in Williams Bay, Wisconsin, Hobbs studied at Northwestern University, graduating with a Bachelor of Arts in European history in 1994 and Master of Music in 1997. She studied on a scholarship from the American Institute of Musical Studies in Graz in summer 2005, and at the Vocal Arts Symposium in Spoleto, Italy, in summer 2006.[1][2]

She was a member of the Theater Krefeld und Mönchengladbach from 2007 to 2012, where she performed title roles such as Verdi's Aida, Puccini's Tosca and Suor Angelica, and Ariadne auf Naxos by Richard Strauss. Other major parts included the Countess in Mozart's Il nozze, Lisa in Tchaikovsky's Pique Dame, and Elisabeth in Verdi's Don Carlos.[1] From 2012, she has worked as a freelance singer.[3]

Hobbs has appeared at the Bayreuth Festival from 2013 as Ortlinde in Die Walküre.[1] She performed at opera houses in Europe and the US, often in parts by Richard Strauss and Richard Wagner. She performed Ariadne at the Leipzig Opera, the Staatsoper Hannover and the Fundação Calouste Gulbenkian in Lisbon.[1] She appeared as Senta in Der fliegende Holländer at the Sarasota Opera in Florida, as Sieglinde in Die Walküre at the Frankfurt Opera, and as Isolde in Tristan und Isolde at Theater Bonn, Theater Chemnitz, Theater Regensburg, Stadttheater Minden, Theater Gera and at Schloss Neuschwanstein.[1] The performance in Minden, staged by Matthias von Stegmann and played by the Nordwestdeutsche Philharmonie conducted by Frank Beermann, with Andreas Schager as Tristan, received international recognition.[4] A reviewer from Vienna wrote called her performance sensational and described in detail her voice as well-trained, clear, full, and at the same time mellow and with metal luster in high range ("bestens durchgebildete, klare, große Stimme, zugleich weich, warm, voll und mit Metallklang in den Höhen, wo gefordert"), a voice to express the dramatic situations.[5] She appeared as Brünnhilde in Der Ring in Minden from 2016 to 2019.

gollark: Airport security is not ACTUALLY secure.
gollark: Well, yes, because it would be impractical to not do that, they're useful.
gollark: Well, I say we should aim to reduce suffering/harm, not just keep people being injured but conveniently not entirely dead.
gollark: Also, you can't conveniently separate out things like that.
gollark: It also means they, you know, get harmed, and they may NOT survive and may have permanent damage etc.

References
  1. "Dara Hobbs". Bayreuth Festival. Retrieved 10 June 2017.
  2. Northwestern University (19 June 1998). One Hundred and Fortieth Annual Commencement, p. 28
  3. Absalon, Agnes (1 August 2012). "Sopranistin Dara Hobbs – die Wagner-Spezialistin". Westdeutsche Zeitung (in German). Retrieved 10 May 2017.
  4. Fryer, Paul, ed. (2014). Opera in the Media Age: Essays on Art, Technology and Popular Culture. McFarland. pp. 49–53. ISBN 9781476616209. Retrieved 10 June 2017.
  5. Pfabigan, Sieglinde (16 September 2012). "Minden: Tristan und Isolde". Der Neue Merker (in German). Retrieved 7 May 2017.
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