Daniel Reed (actor)
Daniel A. Reed (July 12, 1892 – February 9, 1978) was an American actor, playwright, and screenwriter.[1][2]
Daniel Reed | |
|---|---|
 Circa 1952 | |
| Born | July 12, 1892 |
| Died | February 9, 1978 (aged 85) |
| Occupation | Actor, playwright, screenwriter |
| Spouse(s) | Isadora Bennett |
| Children |
|
Biography
Reed was born July 12, 1892 in Denver, Colorado.[3] He took to theatre in 1912. He developed his own one-man show based on Edgar Lee Masters Spoon River Anthology. In Chicago he married Isadora Bennett in 1918. Together they founded Town Theatre in Columbia, South Carolina.
In 1930, he was a MacDowell colonist.[4] He spent a few years in Hollywood as a dialect coach, eventually settling in New York in 1936 as an actor.[1]
He was awarded the Outer Critics Circle Award in 1950 for his role as the Postman in Come Back, Little Sheba.
Plays
- Black April, an adaptation of the novel by Julia Peterkin
- Scarlet Sister Mary (1929), an adaptation of the Pulitzer Prize winning novel by Julia Peterkin
- Goodbye in the Morning (1930)[1]
Filmography
Film credits
- Maybe It's Love (1935) (dialogue director)
- Madame DuBarry (1934) (dialogue director) (uncredited)
- The Dragon Murder Case (1934) (dialogue director)
- Fog Over Frisco (1934) (screenwriter, dialogue director)
- Young Man of Manhattan (1930) (screenwriter, dialogue director)
- Jimmy the Gent (1934) (dialogue director)
- Queen High (1930) (dialogue director)
- The Sap from Syracuse (1930) (dialogue director)
Television appearances
- Kiss Her Goodbye (1959) (actor)
- "Goodyear Television Playhouse" (1 episode, 1951) (actor)
- "Armstrong Circle Theatre" (1 episode, 1950) (actor)
- "The Chevrolet Tele-Theatre" (2 episodes, 1950) (actor)
gollark: (ping was in the output, blame the ineffable machinations of it)
gollark: > to have some sort of extremely powerful thing.<|endoftext|><@!341618941317349376> Are you meant to be "regular" or "regular" or something, instead of "subsidies"?<|endoftext|>Also, it seems to have been increasingly disconnected from the whole system.<|endoftext|>It seems like just saying that in the sense of "don't know how to make it", which has fallen out a lot of the time (most of which are not necessarily doing anything) and not having some sort of weird interaction which seems to have fallen out in my eyes when it's not necessary, and which I actually can't actually do anything about it for really long term calls, which need some sort of weird thing.<|endoftext|>So, I have a bunch of cases for different kinds of things, and some of the "smart" lights (with some sort of weird thing where you can't have one) and a bunch of cases for really weird reason.<|endoftext|>I think one of the most deeply nested ones seems to just be some sort of weird interaction between what happened to some network, and to some extent that some of the people involved
gollark: Hmm, looks like it just varies wildly I guess.
gollark: 🐝, the loss function spiked massively just now somehow?
gollark: Indeed.
References
- "Obituaries: Daniel Reed". Variety. 290 (2): 87. February 15, 1978.
- "Daniel Reed Filmography". Fandango.
- Daniel Blum, ed. (1952). Theatre World (1951–1952). VIII: 221. Missing or empty
|title=(help) - Quay, Joyce Crosby (1995). Early Promise, Late Reward: A Biography of Helen Hooven Santmyer, author of "...And Ladies of the Club". Knowledge, Ideas and Trends. p. 106.
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