Daniel Neofetou

Daniel Neofetou (born 1 February 1989) is a British writer and theorist. He is the author of the books Good Day Today: David Lynch Destabilises the Spectator (2012) and the forthcoming Rereading Abstract Expressionism, Clement Greenberg and the Cold War (2021). He is a regular contributor to The Wire and Art Monthly, and has written for Mute, Complex, Flash Art and Le Phare, the journal of Le Centre culturel suisse.[1][2][3][4][5] He has also published academic journal articles in Journal of Contemporary Painting and Quarterly Review of Film and Video.[6][7]

Daniel Neofetou
Daniel Neofetou, May 2016
Born (1989-02-01) 1 February 1989
Leamington Spa, England
NationalityBritish
Alma materGoldsmiths, University of London

Early life

Neofetou was born in Leamington Spa, England on 1 February 1989. He studied at University of Warwick, University of Edinburgh and Goldsmiths, University of London, at which he completed a PhD entitled Eyes in the Heat: The Question Concerning Abstract Expressionism, initially under the supervision of Mark Fisher, and subsequently under the supervision of Josephine Berry and Marina Vishmidt.[8]

Career

His first book, a monograph on David Lynch entitled Good Day Today: David Lynch Destabilises the Spectator (2012), was published by Zero Books.[9][10][11] In 2018, he curated Divine Cargo, an evening of performance art at South London Gallery.[12] In 2018, he contributed to ‘The Annotated Reader’, a publication and exhibition curated by Ryan Gander. In early 2019, he contributed a short essay to the King's College London project "Technologically Fabricated Intimacy."[13]

His second book, Rereading Abstract Expressionism, Clement Greenberg and the Cold War, is forthcoming in May 2021 with Bloomsbury Publishing.[14]

Bibliography
  • Good Day Today: David Lynch Destabilises the Spectator. Zero Books, 2012. ISBN 978-1-7809-9767-4
  • Rereading Abstract Expressionism, Clement Greenberg and the Cold War. Bloomsbury Visual Arts, 2021. ISBN 978-1-5013-5838-8

References
  1. Krogh Groth, Sanne; Schulz, Holger. The Bloomsbury Handbook of Sound Art. NY: Bloomsbury Academic, 2020. ISBN 978-1-5013-3881-6
  2. Neofetou, Daniel. "Art Investigation". Art Monthly, 17 June 2018. Retrieved 26 July 2020
  3. Clark, Tom. "Consistency (or indexicality)" Research.tomclrk.com, 2018. Retrieved 26 July 2020
  4. Neofetou, Daniel. "Brief and Wholly Concrete Moments". Mute, 28 October 2015. Retrieved 26 July 2020
  5. Neofetou, Daniel. "Damn Good Coffee: David Lynch Adverts Up There With Twin Peaks?". Complex UK, 8 October 2014. Retrieved 25 July 2020
  6. A world for us: On the prefiguration of reconciliation in Barnett Newman’s painting. Ingenta Connect. Retrieved 25 July 2020
  7. "Laughing and Crying and Dancing: The Limits of Human Behavior in Swing Time (1936)". Taylor & Francis online, 30 January 2014. Retrieved 25 July 2020
  8. "Eyes in the Heat: The Question Concerning Abstract Expressionism". Goldsmiths, University of London. Retrieved 25 July 2020
  9. "Good Day Today: Synopsis, Reviews". John Hunt Publishing. Retrieved 25 July 2020
  10. Buckland, Warren. "David Lynch swerves: uncertainty from Lost Highway to Inland Empire". Taylor & Francis online, 30 January 2014. Retrieved 25 July 2020
  11. "Good Day Today: David Lynch Destabilises the Spectator". Google Scholar. Retrieved 25 July 2020
  12. "Divine Cargo, Sat 11 AUG 2018, 6PM". South London Gallery, 2018. Retrieved 25 July 2020
  13. "Technologically Fabricated Intimacy". King’s Cultural Community. Retrieved 26 July 2020
  14. "Rereading Abstract Expressionism, Clement Greenberg and the Cold War". Google Books. Retrieved 26 July 2020
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