Daniel Graham (apothecary)

Daniel Graham (c. 1695 - 1788) was apothecary to King George II, King George III and Chelsea College Hospital. He was the son of Thomas Graham (c. 1666 - 1733) who was apothecary to King George I and George II, and was apothecary general to the British army.

The Graham Children, 1742, William Hogarth. Oil on canvas, National Gallery, London.[1]

The Graham Children
Main article: The Graham Children

Around 1742, Daniel Graham commissioned William Hogarth to paint a portrait of his children. Hogarth produced The Graham Children, one of his most successful conversation pieces (an informal group portrait of family or friends, often engaged in conversation or some other kind of activity[2]). From left to right in the picture are Thomas, born 1740 and dressed in skirts as was typical for small boys until they were breeched, Henrietta, Anna Maria and Richard.[3]

The painting is noted for its many references to mortality, the passing of time and the fragility of life as Thomas had died by the time the painting was completed. It remained in the ownership of Richard Robert Graham, depicted on the far right of the painting, at least until his death in 1816. It then had several owners before it was acquired by Lord Duveen who presented it to the British National Gallery in 1934.[4]

gollark: Mostly fine, although for some odd reason my neck hurts slightly if I turn it left.
gollark: What if everyone is clones of Oscar after plastic surgery?
gollark: What if this is one of those unreliable narrator scenarios and Oscar actually killed whoever it was and stole their identity?
gollark: Actually, "behind", not "for".
gollark: I guess you could say "the reasoning for someone's suspicion" too.

References
  1. The Graham Children. The National Gallery. Retrieved 7 December 2014.
  2. Glossary: Conversation Piece. The National Gallery. Retrieved 7 December 2014.
  3. Note the children are misidentified in Einberg's Manners & Morals, corrected in her Hogarth the Painter.
  4. The Tate Gallery: An Illustrated Companion to the National Collections of British & Modern Foreign Art. London: Tate Gallery, 1979, p. 15. ISBN 0905005473


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