Dana Awartani

Dana Awartani (born 1987) is a Palestinian-Saudi artist born and raised in Jeddah, Saudi Arabia where she lives and works today.[1][2][3]

Education

Awartani graduated with a bachelor's degree in Fine Art from Central Saint Martins, London.[4] She then received a Master's in Traditional Arts from The Prince's School, London. At The Prince’s School she learned how to work in stained glass, miniature painting, and gilding - various traditional techniques from cultures all over the world. However, she couldn’t gain a degree in the traditional illumination of texts there, so she found an instructor in Turkey to help her to master this discipline.[5]

Work

Awartani employs a variety of media in her work, including painting, video and sand mosaics.[6] Her work is unique in that it seeks to incorporate the traditional methods of Islamic art into a contemporary world.[7] Rich in geometric patterning and the most intricate of details, Dana’s work often integrates the patterning styles of Islamic art.[8][9] Specialising in geometry as well as illumination, tile-work and parquetry, Awartani's work explores the relationship between geometry and nature, as well as how truths can be translated through art using geometric principles, visualising a sacred language through a symbolic and multi-layered aesthetic.[10][11] Her method that emerged over 1,000 years ago as a substitute for the forbidden depiction of divine figures. It is still being practiced, although less and less, today, by specialists such as Dana.[5] On Arabs and art Dana said: ″As Arabs we’re raised around this fine art, we’re surrounded by it in every corner but we’re not aware of it. You can see geometry all around you like in mosques for example. I was looking for a track to follow and looking deep down inside I felt a yearning for it until I’ve discovered it. There is an inner and outer beauty behind it telling a story behind every structured piece, there is no randomness when it comes to creating such pieces.″[12] On the Islamic art, she said: ″Islamic Art is firstly not made for the sake of making art. It is a sacred spiritual practice that is used as a way to worship God and for God. It teaches one sabr (patience) and respect and as an Islamic artist, my work is a form of prayer and dhikr (remembrance). I need to be 100% focused and in a good mood to be able to do it, otherwise it doesn’t work."[13]

gollark: I think you're oversimplifying the things, umnikos.
gollark: If a trillion bacteria want some sugar a human is eating, say.
gollark: What about when those things conflict between entities?
gollark: And has all the bad things like "kill suffering things".
gollark: > suffering is bad. anything which suffers should have its suffering lessened where possible.is basically what negative utilitarianism is, no?

References
  1. "Dana Awartani biography". athrart. Retrieved 20 March 2018.
  2. Nihal, Mariam (2 March 2018). "Dana Awartani turned history into mesmerizing works of art".
  3. "Saudi-Palestine artist's creative genius wows KMB".
  4. "How the Saudi art scene is determined to keep up with the changes of its country".
  5. "Towards A Sublime Art". Harper's Bazaar Arabia. Retrieved 20 March 2018.
  6. "Beyond the veil: Saudi women making their presence". Financial Times.
  7. "Dana Awartani and the universal language of sacred geometry". 15 December 2016.
  8. Post, The Jakarta. "Jakarta Biennale: A new understanding of contemporary Indonesian art".
  9. "How Saudi artists are capturing the spirit of a kingdom in the process of radical reform". 10 March 2018.
  10. "Dana Awartani". Edge of Arabia. Retrieved 20 March 2018.
  11. "Exhibition 1". The Brooklyn Rail.
  12. RAWAN, RADWAN. "Dana Awartani: Decoding Islamic art". Arab news. Retrieved 20 March 2018.
  13. "Dana Awartani: Transforming Faith Into Sacred Islamic Art". nahlaink.com. Retrieved 20 March 2018.
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