Cynthia Daignault

Cynthia Daignault (born 1978) is a painter who lives and works in Brooklyn. Her work is often described as rigorous and intense.[1][2] Daignault is also a writer[3] and musician[4] and curator.[5]

Cynthia Daignault
Born1978 (age 41–42)
Baltimore, Maryland
NationalityAmerican
EducationStanford University

Biography

Daignault was born and grew up in Baltimore, Maryland.[6][7] She attended Stanford University and graduated with distinctions and honors and a BA.[7] Instead of pursuing an MFA, as many modern American painters often do, Daignault chose to work with established artists, including Kara Walker,[8] in more traditional models of mentorship.[1]

Daignault has a reverence for the tradition of painting, yet her work speaks to a sense of the modern, according to the Modern Art Museum of Fort Worth.[9] Her process of painting relies less on exact visual realism, than on ideas and feelings.[1] Daignault works with light and time and strives towards a sense of the universal. She feels that painted objects are like "concrete word poetry"[1] and she has been called "a poet of a painter" by the New Yorker.[10] Often, her works exist in the divide between abstraction and figuration.[11]

Daignault's paintings are often installed in series. The work, I love you more than one more day (2013) consists of 365 small oil canvases.[12] This piece was described as lyrical and existing on the "verge of transcendence."[13]

Daignault took a few years to paint alone in the woods.[14] She has said that the experience strengthened her resolve as an artist and that painting is her "life's practice."[1] Daignault is also a published art writer and editor, including the monograph "Improbable History" about painter Sean Landers published by JRP|Ringier in the Fall of 2011,[15] and the founder and editor of the publication A-Z.

Awards
  • Rema Hort Mann Foundation (2011)
  • MacDowell Colony Fellow (2010)
  • White Columns Curated Artist Registry (2009)
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References
  1. Valli, Marc; Dessanay, Margherita (2014). A Brush with the Real: Figurative Painting Today. London: Laurence King Publishing Ltd. pp. 5, 142–147. ISBN 9781780672830.
  2. Spence, Rachel (11 October 2012). "Taste for the Anti-Frieze". Financial Times. Retrieved 12 March 2015.
  3. Ha, Paul, Cynthia Daignault and Michelle Reyes Landers, eds. Sean Landers: 1990–1995, Improbable History. Zürich: JRP|Ringier Kunstverlag AG, Contemporary Art Museum St. Louis, 2011.
  4. Johnson, Ken. "An Ode to a Borough's Creativity". NYTimes.com. New York Times.
  5. Istomina, Tatiana (26 July 2014). "Eric's Trip at Lisa Cooley's Gallery". Arte Fuse Magazine. Retrieved 12 March 2015.
  6. "Artist of the Week: Cynthia Daignault". LVL3 Media. 6 February 2014. Retrieved 12 March 2015.
  7. "Cynthia Daignault". Lisa Cooley Gallery. Archived from the original on 2 April 2015. Retrieved 12 March 2015.
  8. Rosenberg, Karen (14 June 2014). "The Antidote to Sweet".
  9. "Cynthia Daignault". Modern Art Museum of Fort Worth. 18 March 2014. Retrieved 12 March 2015.
  10. "Goings on About Town" (PDF). The New Yorker: 8. 20 September 2013. Archived from the original (PDF) on 2 April 2015. Retrieved 25 March 2015.
  11. Wilson, Michael (21 September 2011). "White Columns". Artforum International. 50 (2): 317. ISSN 1086-7058. Retrieved 12 March 2015.
  12. Yerman, Marcia (31 October 2014). "Crossing Brooklyn: Art From Bushwick, Bed-Stuy, and Beyond". Huffington Post. Retrieved 12 March 2015.
  13. Halle, Howard (9 September 2013). "Time Out New York" (PDF). The New Yorker. Archived from the original (PDF) on 2 April 2015. Retrieved 12 March 2015.
  14. Donnelly, Kate. "From Your Desks". From Your Desks. Retrieved 10 September 2014.
  15. Ha, Paul, Cynthia Daignault and Michelle Reyes Landers, eds. Sean Landers: 1990–1995, Improbable History. Zürich: JRP|Ringier Kunstverlag AG, Contemporary Art Museum St. Louis, 2011. ISBN 9783037641781
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