Cornelis de Bondt
Cornelis de Bondt (born 9 December 1953) is a Dutch composer. Born in The Hague, de Bondt attended the Royal Conservatory there and currently teaches composition and music theory at the same institution.[1]
In 2011 all of de Bondt's scores were withdrawn by the composer as a protest against arts funding cuts in the Netherlands. He has stated that he now sees the orchestral "score", the music in fixed notated form, as a symbol of neo-liberalism, and is therefore exploring non-fixed notational methods.[2]
Works
Compositions by Cornelis de Bondt include the following:
- Bint, written for Hoketus (1979-1980)
- Karkas, for large ensemble (1981-1983, first performed Holland Festival, 10 June 2002)[3]
- The Broken Ear, cycle of works (1984-1996)
- Bloed, for voices and orchestra (1997–2001)
- Bloed II, written for the Hilliard Ensemble and Netherlands Wind Ensemble (1997–98)
- Die wahre Art, piano concerto (2000)
- Gli toccha la mano, written for Cristina Zavalloni, Orkest de Volharding and Icebreaker (2002)
- Gran Sinfonia – Il tempo giusto, for orchestra (2010)
gollark: Sure. That doesn't imply that all moral systems are basically religion.
gollark: Also, non-modern-western moral systems exist.
gollark: Are the same thing, as far as I know? It's like saying "C++ is simply a more developed version of C so technically we could say that C and C++ are equivalent".
gollark: That's not how equality works.
gollark: I am currently an atheist due to not having any good reason to believe anything else.
References
- "Bondt, Cornelis de". Donemus Webshop. Donemus. Retrieved 22 August 2016.
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