Contemporary Irish Art Society

The Contemporary Irish Art Society (CIAS) is an Irish society founded in 1962 to support the visual arts in Ireland. It purchases art works directly to donate to public galleries, as well as advising other bodies on works by living Irish artists.[1] It also collects photographs.[2]

History

The society's founders include Sir Basil Goulding, who served as the first chair, Cecil King, Gordon Lambert, Michael Scott and others.[1] The first work purchased was Large Solar Device by Patrick Scott in 1963.[3] During the 1960s and early 1970s it supported the Hugh Lane Gallery in Dublin, which received around forty works of art, including works by Gerard Dillon, Gerda Frömel, James Scanlon, William Scott and Camille Souter.[1][2][4] Rosemarie Mulcahy calls Scanlon's Study no. 2 for Miró, a stained glass donated by the society, "one of the delights" of the Hugh Lane collection.[4]

Since 1974, the society has donated works to the Butler Gallery, Irish Museum of Modern Art (IMMA), Kilkenny Castle, University of Galway and University College Dublin, among other institutions.[1][2] In 1978, the society began to collect art works on paper, and its collection of these works was first exhibited in London and Ireland in 1980.[2]

In 2005, the society held a joint exhibition with IMMA, SIAR 50, which showcased around a hundred works from the preceding 50 years collected by the society and its members.[3][5] IMMA states that the collection documents "almost all the major developments in Irish art over the past 50 years" and notes "The keen eye which its members brought to their choice of works is clearly evident in the number of artists, relatively unknown at the time of purchase, who have since gone on to become leading figures in the Irish, and indeed international, visual art arenas."[3] In a review of the exhibition, art critic Brian Fallon called the society's collecting "astute" and stated that the exhibition was "a highly representative selection of Irish art over nearly half a century."[6] He also praised the collection of sculpture.[6]

gollark: It also produces nice not-actually-static-exactly binaries, which is useful for purposes.
gollark: Anyway, Nim:- is reasonably fast (even if certain libraries are beelike)- has nice syntax- has decent library existence- is able to bind to C stuff, which I have actually used in this because cmark-gfm is very fast- is fairly pleasant to write- has cool metaprogramming- has a compiler which mostly runs bearably fastthus I am using it.
gollark: `openring`, that is, which generates the "from other blogs" bit on my website.
gollark: Also, in the past I had to write about three lines of code to make a Go project faster, because despite Go's main thing being parallelism the authors did not bother to parallelize it despite it being trivially possible to do so.
gollark: Well, in my foolish youth I actually did use it a decent bit. I also used Apple products and was excited about Windows 10, so something.

References
  1. "About CIAS". Contemporary Irish Art Society. Retrieved 21 February 2016.
  2. "The Contemporary Irish Art Society", Circa Art Magazine (13): 28–29, 1983, JSTOR 25556833
  3. Contemporary Irish Art Society exhibition at IMMA, Irish Museum of Modern Art, retrieved 21 February 2016
  4. Rosemarie Mulcahy (1995), "Review: Images and Insights: Catalogue of an Exhibition of Works from the Permanent Collection at the Hugh Lane Municipal Gallery of Modern Art, Dublin, 1993 by Barbara Dawson, Sean O'Reilly, Christina Kennedy, Crista Maria Lerm, Catherine Marshall, Daire O'Connell, Wanda Ryan Smolin", Irish Arts Review Yearbook, 11: 244–45, JSTOR 20492865
  5. "SIAR 50" Exhibition, Contemporary Irish Art Society, retrieved 21 February 2016
  6. Brian Fallon (2005), "Cias at IMMA", Irish Arts Review, 22: 108–13, JSTOR 25503301
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