Constance Hauman

Constance Hauman (born 1961) is a soprano. She attended Northwestern University. Constance Hauman is credited with having the only live recording of Alban Berg's Lulu (Chandos) in the title role; recorded in Copenhagen 1996 at the Queen of Denmark's Castle. Shifting from her longstanding classical career, Constance Hauman's first full-length release of original songs, Falling Into Now, was chosen by the Guardian UK Music Critic Caroline Sullivan as one of the top 10 best pop albums of 2015, coming in at #8 between Mark Ronson and Florence and The Machine.[1]

Constance Hauman
Birth nameConstance Anne Hauman
Born (1961-01-13) January 13, 1961
Ann Arbor, Michigan, U.S.
GenresOpera, Pop, Jazz, Soft Rock, Blue-Eyed Soul, Electronic,
Occupation(s)Singer-songwriter, opera/concert singer, actress, producer, arranger, music director, creative director
InstrumentsPiano, vocals
Years active1984–present
LabelsIsotopia, Capitol, Sony, Teldec, Chandos, Kairos
Associated actsMiss Velvet
WebsiteConstanceHauman.com

Overview

Constance Hauman has over 2000 international performances to her credit, portraying over 70 different and diverse roles.

In 2003–2004, Hauman sang the World Premiere of Alice/Renee in Olga Neuwirth and Elfriede Jelinek's stage adaptation of David Lynch's film Lost Highway. This production was a special event to honor the city of Graz, Austria as the Cultural City of Europe 2003. Performances continued in Basel Switzerland and the recording on Kairos was a recipient of France's esteemed Diaspon d'Or music award in Paris.

Leonard Bernstein handpicked Hauman to fill in on 24 hrs. notice to replace an ailing June Anderson in the only concerts where he conducted his operetta Candide himself. This performance catapulted her to over 150 performances of Cunégonde in Candide over a 6-year period.

She made her Royal Opera House, Covent Garden debut in 2000 for the re-opening of the Opera house in the role of Morgan le Fey in Harrison Birtwistle's Gawain; Berlin Philharmonic, Chicago Lyric Opera; Chicago Symphony; San Francisco Symphony; London Symphony; New York City Opera, Los Angeles Opera, Long Beach Opera, Pittsburgh Opera, Dallas Opera, Washington National Opera, Michigan Opera Theater, Miami Opera, Toledo Opera, Spoleto Festival Charleston S.C.; Canadian Opera; English National Opera, Welsh National Opera, London Sinfonietta; Opéra de Nice, Opéra de Marseille, Opéra de Tours, Opéra de Nantes, Opéra de St-Étienne, Opéra du Rhin, Opéra de Montpellier, Théâtre des Champs-Élysées, Opéra Comique, Opéra National de Paris; Opera de Roma, Teatro Communale Florence; Spoleto Festival; Spanga Festival Holland; Japan Philharmonic; Royal Danish Radio Orchestra; Hong Kong Festival; Orquesta di Lisboa, Portugal; VARA Radio Orchestra, Amsterdam.

Hauman made her theatrical debut as Florence Foster Jenkins in Souvenir, A Fantasia on Florence Foster Jenkins at The Falcon Theatre in Burbank CA, February 2009 to critical acclaim. She was nominated as best performance in a duo comedy by LA Theatre Awards.

Hauman is a Richard Tucker Award recipient, and a 2008 recipient of an Alumni Merit Award from Northwestern University.

She made her Vienna Statsoper (Vienna Opera) debut in December 2019 in the role of Queen Elizabeth in Olga Neuwirth's world premiere of Virginia Wolff's Orlando.

Exiles in Paradise

Constance Hauman is the creator, writer, producer, performer of Exiles in Paradise, a documentary film/live performance recital with string quartet which spans the history, lives and Hollywood stories of Eastern Europe's exiled composers in Los Angeles from 1932–1949. Exiles opened up the Jewish Museum in Berlin on September 10, 2001; it has been performed at the 92nd St.Y. NYC; Austrian Embassy, Washington D.C.; and in 2006 for a run of performances at the Falcon Theater (Garry Marshall) in Burbank, CA. Most recently, Exiles in Paradise was performed in Pinehurst, North Carolina, featuring soloists from the Carolina Philharmonic.

Recordings

Constance Hauman can be heard on the following record labels: American Classics (Milken Archives), Capitol (Empire of the Sun/LUX), Chandos (Lulu), Kairos (Lost Highway), Teldec (Parsifal), Sony (Madame Butterfly).

Shifting from her classical roots, Falling into Now is Constance Hauman's first full-length release on her label Isotopia Records. It is also the first album by Ms. Hauman as a singer-songwriter, pianist, arranger and producer. Featuring 14 original songs from her catalogue of over 200 songs and arrangements, Falling into Now fuses the genres of pop, jazz, orchestral and alternative blue-eyed soul. Ms. Hauman is joined by renowned drummer/percussionist Ross Pederson who also partners with Ms. Hauman as co-arranger/producer and as co-composer for the title track. Falling into Now was released on October 30, 2015 in the United States and on December 2, 2015, in UK/Europe and Asia. In July 2015, Isotopia Records became an imprint of the Irish label Heresy Records and has worldwide digital and physical distribution with Naxos. A deluxe version of Falling Into Now will be released on Spotify Oct. 8th, 2018 to coincide with the success of the album's launch to non commercial radio.

Constance is the music director, keyboardist, producer and co-arranger and co-songwriter for the indie soul, rock, funk band Miss Velvet and The Blue Wolf, producing their debut album, BAD GET SOME, at the iconic United Sound Systems Studio in Detroit, Michigan. BAD GET SOME was released on Isotopia Records Oct. 27, 2017 w/ a debut performance opening for George Clinton and Parliament Funkadelic on Halloween 2017 at BB King's NYC. After this performance George Clinton invited Miss Velvet and The Blue Wolf to join him on his final tour in 2018, opening for him in 60 US and European/UK cities. Miss Velvet and The Blue Wolf will continue to tour with the legendary icon to Hawaii, Japan and Australia in April 2019.

Constance's second solo album, High Tides, again with Ross Pederson, will be released on Isotopia/Heresy Records Jan. 25th 2019.

Films

Constance can be seen as Kate Pinkerton in Frédéric Mitterrand's critically acclaimed film Madame Butterfly (1995).

Initially commissioned for the Danish production of Alban Berg’s Lulu, Lewis Klahr's cut-out animation refigures the opera's themes in a torrent of images featuring Ms. Hauman as Lulu. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism's characteristic motifs, in the span of a pop song. The film received many awards and accolades from several international film festivals after its debut in 1996.

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References
  1. Sullivan, Caroline. "The best albums of 2015: how our writers voted". The Guardian. Retrieved 22 December 2015.


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