Comus (Handel)

The masque Comus, or There in the Blissful Shades (HWV * 44) is a short version of John Milton's Comus, based on a libretto earlier made by John Dalton for composer Thomas Arne's own Comus (Arne). The sixty-year-old Handel composed the setting in 1745 for the pleasure of other guests during his summer recuperation at the country seat of the Earl of Gainsborough.[1] Some of the music was later recycled by Handel, for example as the tenor aria Then will I Jehovah's praise from the Occasional Oratorio.[2]

Recordings
gollark: Wasn't that one kind of terrible? Tiny sample size and an actively involved experimenter?
gollark: Milgram obedience experiments?
gollark: So just use 6 important people.
gollark: If you have differences you're testing two things at once, people's importance rankings *and* general deontological/utilitarianism leaning.
gollark: The 5 people and 1 person are the same apart from position generally.

References
  1. Marian Van Til George Frideric Handel: A Music Lover's Guide to His Life Page 209 2007 -"... turned The piece that Handel composed for their entertainment was There in the Blissful Shades (HWV * 44), a short version of Milton's Comus, based on a libretto by John Dalton for composer Thomas Arne (Burrows, Handel, p. 285, n1)."
  2. http://www.hyperion-records.co.uk Handel: The Occasional Oratorio - CDA66961/2 libretto notes "The tenor aria 'Then will I Jehovah's praise' also has its origins in another work, the Masque Comus: during his recuperation in the summer of 1745 at the seat of the Earl of Gainsborough Handel contributed a handful of movements to the.."
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