Coming Down the Mountain (album)
Coming Down the Mountain is an album by pianist, saxophonist and composer Joe Maneri which was recorded in 1993 and released on the HatOLOGY label in 1997.[1][2]
| Coming Down the Mountain | ||||
|---|---|---|---|---|
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| Studio album by Joe Maneri Quartet | ||||
| Released | 1997 | |||
| Recorded | October 28, 1993 | |||
| Venue | Ruach Israel, Needham, Massachusetts | |||
| Genre | Jazz | |||
| Length | 54:12 | |||
| Label | HatOLOGY 501 | |||
| Producer | Joe Maneri, Mat Maneri, Pia Uehlinger, Werner X. Uehlinger | |||
| Joe Maneri chronology | ||||
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Reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   |
In JazzTimes, John Murph wrote "Microtonal master, Joe Maneri upholds free jazz’s basic principles in the highest regards by foregoing annotated compositions, which forces his musicians to rely on intuitive improvisation and group empathy. As Coming Down The Mountain attests, the results can be surprisingly tranquil, especially when the musicians opt for silence and elongated contours instead of the usual bag of overpowering dissonance ... Coming Down The Mountain is yet another fine recording by Maneri".[4]
Track listing
All compositions by Joe Maneri
- "Swing High" – 6:20
- "Swing Higher" – 11:04
- "Coming Down the Mountain" – 11:23
- "Joe's Alto" – 1:49
- "Say It All" – 15:07
- "To End or Not to End?" – 8:29
Personnel
- Joe Maneri – piano, reeds
- Mat Maneri – violin
- Ed Schuller – bass
- Randy Peterson – drums
gollark: As I said, it's constrained a lot because otherwise it would be unusably slow.
gollark: It was mostly only fast because I ran it at ridiculously low depth, to make it usable.
gollark: Great! Is it much faster?
gollark: Good, gooooood.
gollark: The 3D version used something *basically* like that, with a bonus for longer lines.
References
- Lopez, R. Mat Maneri discography accessed July 18, 2018
- HatHut hatOLOGY discography accessed July 18, 2018
- Joe Maneri: Coming Down the Mountain – Listing at AllMusic. Retrieved July 18, 2018.
- Murph, J. JazzTimes Review accessed July 18, 2018
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