Claire Fontaine (artist)

Claire Fontaine is a feminist, conceptual artist, founded in Paris in 2004 by Fulvia Carnevale and James Thornhill, an Italian-British artist duo who declared themselves her assistants.[1] Since 2018 Claire Fontaine lives and works in Palermo and has a studio in the historical centre of the Kalsa near Piazza Magione.

Claire Fontaine
BornFounded in Paris, France 2004
NationalityItalian / British
EducationUniversità degli Studi di Padova, Paris VIII / Glasgow School of Art
Known forConceptual art, Human Strike, ready-made artist
Notable work
Foreigners Everywhere (Arabic), 2005, In God They Trust, 2004
Websitewww.clairefontaine.ws
Claire Fontaine, Untitled (on vous intoxique!) (2018)
When women strike the world stops (2020)/ Newsfloor (Le Monde Pixelisé) (2020)
Claire Fontaine, In God They Trust (2005). Twenty-five-cent coin, steel box-cutter blade, solder and rivet.
Claire Fontaine, Untitled (Negative) (2016)

After lifting her name from a popular brand of French school notebooks and stationary, Claire Fontaine declared herself a readymade artist[2][3] and began to elaborate a version of neo-conceptual art that often looks like other people's work. Claire Fontaine translated into English means "Clear Fountain" and can also be conceptually linked to the artwork Fountain by Marcel Duchamp, known as the most famous readymade.[4]

Work

Claire Fontaine uses the concept of the readymade as a way of criticising "production" disguised as a creation of more and more artefacts that are desirable because they superficially appear as new. Generally she works with appropriation on a formal level and she hijacks contents, using sculpture, installation, video and painting to create an emotionally loaded criticism of the author and the forms of authority at this stage of capitalism. This aesthetic approach that she describes as "expropriation", a way of giving an existential use value to pre-exisitng objects and artworks, also addresses the general crisis of singularity, which she describes as the individual and collective impossibility to give a meaning to one's life under the current political circumstance and the systematic surveillance, repression and countless limitations of our freedom. Claire Fontaine prefers to integrate the existing art circuit to create complicities and foster change which entails partaking in the mechanisms and subjects of the art industry including collectors, dealers and institutions.[5]

In an Interview with Circa Art Magazine in 2008 she states: "I think forming gangs, mafias, collectives, networks, bands of people is a way to survive in the hostile capitalist system and then eventually a way to become a pressure group, in order to transform these particular conditions."[6]

Writing and text based pieces play an important role in Claire Fontaine's work. She distributes texts in her exhibitions and she uses different registers in her writing such as poetry, critical theory, essays and manifestos. The artist criticises the hierarchy between visual and verbal expression.

In February 2020 she was invited by Maria Grazia Chiuri to create the mise-en-scène for Dior's Autumn/Winter 2020 collection for Paris Fashion Week which took place in the Les Tuileries. The artist used the catwalk to perform an operation of Institutional Critique investing the floor and the ceiling; she presented Newsfloor (Le Monde Pixelisé) (2020) and several large suspended LED signs stating for example: Patriarchy Kills Love, When women strike the world stops, Feminine beauty is a ready-made or Patriarchy = Climate emergency.[7][8]

Monographs
  • Newsfloor, Jaleh Mansoor (Author), Anita Chari (Author), Walther König, ISBN 9783960986898[9] (01.01.2020)
  • Viaggio in Sicilia, Free Energy,[10] Vito Planeta (Author), Valentina Bruschi (Author), Leonardo Sciascia (Author), Donatien Grau (Author), Planeta, ISBN 9791220050180 (2019)
  • Foreigners Everywhere by Hal Foster (Author), Bernard Blistène (Author), Nicolas Liucci-Goutnikov (Author), Letizia Ragalia (Introduction), Walther König, Köln; Bilingual edition ISBN 3863351703[11] (31/03/ 2013)
  • Economies, Ruba Katrib, Tom McDonough, Museum of Contemporary Art, North Miami, ISBN 1888708387[12](June 3, 2010)

Books
  • Lo sciopero umano e l'arte di creare la libertà[13](Italian), Ilaria Bussoni (Forward) DeriveApprodi, 2017, ISBN 978-8865481981
  • La Grève humaine: et l'art de créer la liberté, Diaphanes, 2020 ISBN 2889280462[14]
  • The Human Strike Has Already Begun & Other Essays,[15] Mute, 2013. Print ISBN 978-1-906496-88-3;[16] eBook ISBN 978-1-906496-89-0[17]
  • Notas sobre économia libidinal,[18] MUSAC, 2011, edited by Maria Ines Rodriguez
  • Some Instructions for the Sharing of Private Property,[19] One Star Press, 2011
  • Vivre, Vaincre, Editions Dilecta,[20] ISBN 978-2-916275-50-5[21] 2009

Writings
  • Towards a Theory of Magic Materialism[22], Vers une théorie du matérialisme magique, Diaphanes, Issue 8/9 Winter 2019/20
  • Making Life (im)possible in Jens Hoffmann, In the Meantime. Speculations on Art, Curating, and Exhibitions, Sternberg Press, 2020, ISBN 9783956794919[23]
  • The Visitor as a Commercial Partner: Notes on the 58th Venice Biennale,[24] E-flux Journal No. 102 – September 2019
  • L'anno in cui la paura andò in sciopero in È solo l'inizio. Rifiuto, affetti, creatività nel lungo '68[25], edited by I. Bussoni, N. Martino, Ombre Corte, 2018, ISBN 9788869481079[26]
  • If our Lives are Black. On Angela Davis and Gina Dent's conference at La Maison de l’Amérique Latine, Paris, May Quarterly Journal,[27] #.17, 14 March 2017
  • Boredom,[28] edited by Tom McDonough, Documents of Contemporary Art, 2017, ISBN 9780262533447[29]
  • 1977. L’anno dello sciopero umano,[30] Cultura, Il manifesto, 05.04.2017
  • Our Common Critical Condition,[31] E-flux Journal No. 73 – 05. 2016
  • Weed and the Practice of Freedom,[32] May Quarterly Journal,[33] #.16, 2016
  • Towards a Canonic Freedom, Texte zur Kunst, Issue 100, 2015
  • We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy,[34] E-flux Journal No. 47 – September 2013
  • Krebber in Bordeaux, Texte zur Kunst Issue 89, 2013
  • Invisible Curators, Texte zur Kunst, Issue 86, 2012
  • Draft for aesthetic subjects anaesthetic object, Flashart, January–February 2010
  • Entrée en matière, May Quarterly Journal,[35] #.4. 06. 2010
  • Toward an Imageless Political Education,[36] Diacritics, a review of contemporary criticism, Johns Hopkins University Press, Vol. 39 no.23, ISSN 1080-6539, Fall 2009
  • The Emancipated Reader, May Quarterly Journal,[37] #.1 06. 2009
  • Human strike within the field of libidinal economy, Descent to Revolution,[38] edited by James Voorhies, pp. 144–151, Bureau for Open Culture, ISBN 0979747643[39] 2009
  • Preface to Coco Fusco, Petit manuel de torture à l'usage des femmes-soldats,[40] Les Prairies Ordinaires, Paris

Interviews
  • L’immanenza del linguaggio: un dialogo con Claire Fontaine,[41] Anita Chari, Simone Ciglia, Flashart Italia, June 2020
  • L’arte di essere libere[42], Interview with Eva Morletto, Grazia, no. 23 21.05.2020
  • Claire Fontaine Collective Capital,[43] Interview with Evrim Oralkan, Collecteurs, March 2020
  • Pretend to be dead, An Interview with Claire Fontaine,[44] Kyra Kordoski, White Fungus, 2015
  • Giving Shape to Painful Things,[45] Interview Andrew Culp and Ricky Crano, Radical Philosophy, RP175 (Sept/Oct 2012)
  • Claire Fontaine. La nostra Italia bruciata che non-cambia mai, Laura Larcan,[46] La Repubblica, 3/2/2012
  • Grève humaine (interrompue), a conversation between Fulvia Carnevale and John Kelsey, May Quarterly Journal,[47] No. 4 March 2010
  • In Life There is No Purity, Only Struggle, Interview with Bart van der Heide, Metropolis M (February/March 2009)
  • Acts of Freedom, Interview with Niels Van Tomme, Arts and Papers[48] 33.06 (September 2009)
  • The Glue and the Wedge: The Cases of Claire Fontaine and Canell and Watkins[49], Isobel Harbison and Ilaria Gianni No. 124, Circa Art Magazine[50] 2008
  • Macht Arbeit, Interview with Stephanie Kleefeld Texte zur Kunst, Issue 73, 2009
  • Claire Fontaine by Anthony Huberman,[51] Bomb Magazine No. 105, 10.2008

Solo Exhibitions
  • 2005: Claire Fontaine, Galerie Meerrettich[52] im Glaspavillon an der Volksbühne, Berlin
  • 2005: Foreigners Everywhere, Reena Spaulings Fine Art, New York US
Requiem for Jean-Charles de Menezes (2005)
  • Requiem for Jean Charles de Menezes[53] :  Notes on the state of Exception (2005). Text pile or window announcement, A5 double-sided photocopy, no copyright.
    2005: Requiem for Jean-Charles de Menezes, Tratari, Graz AT
  • 2005: Étrangers Partout, 21 rue Ste Marthe, Paris FR
  • 2006: Siamo tutti singolarità qualunque, Il piccolo Museion, progetto Garutti, Museion Bolzano IT
  • 2006: Couvrir Les Feux,[54] Zoo Galerie,[55] Nantes, FR
  • 2007: Équivalences, Le Centre d’Art Villa Arson, Nice
  • 2007: The 00's, The history of a decade that has not yet been named, Biennale d’Art Contemporain de Lyon 2007, Institut d’Art Contemporaine, Villeurbanne, Lyon FR
  • 2007: Get Lost, Module, Palais de Tokyo, Paris FR
  • 2007: How to? Kunsthalle Zurich, CH
  • 2007: Taccuini Di Guerra Incivile,[56] T293, Napoli IT
  • 2007: Téléphone Arabe,[57] Air de Paris, Paris FR
  • 2007: Footnotes on the state of exception, Reena Spaulings Fine Art, New York US 01.07
  • 2008: Perplexed in Public, Lisson Gallery, London UK[58][59]
  • 2009: Is freedom therapeutic?, Barock: art, science, faith and technology in the contemporary age (curators: Eduardo Cicelyn, Mario Codognato), Museo d’Arte Contemporanea Donna Regina, Napoli[60]
  • 2011: No Family Life[61], Air de Paris,[62] Paris[63]
  • 2012: Généralités[64], La Douane, Galerie Chantal Crousel, Paris[65]
  • 2013: Redemptions,[66] C.C.A. Wattis, San Francisco[67]
  • 2014: Using Walls, Floors, and Ceilings[68], The Jewish Museum, New York[69]
  • 2015: Stop Seeking Approval, Metro Pictures, New York[70]
  • 2016: May our enemies not prosper,[71] Galerie Neu, Berlin[72][73]
  • 2018: Same war time zone, Holding Contemporary, Portland, OR[74]
  • 2019: Les printemps seront silencieux,[75] Confort Moderne, Poiters FR
  • 2019: La borsa e la vita,[76] Palazzo Ducale di Genova, Genova, IT
  • 2019: Claire Fontaine, Rolli Days,[77] Strade e palazzo da vivere, Banca Carige, Sede Centrale, Genova, IT
  • 2019: OK NO, Synnika,[78] Frankfurt DE
  • 2019: Ettore Majorana, Viaggio in Siclia, Planeta Sciaranuova, Castiglione di Sicilia IT 2009
  • 2019: Too late to read, Longtang, Zurich CH
  • 2019: Your Money and Your Life,[79] Galeria Av. Da Índia: Tomadas, Lisbon PT
gollark: Skynet's `send` and `receive` functions handle the connection and listening stuff automatically, yes.
gollark: <@94122472290394112> EXT vs Skynet:Skynet:* wildcard channel - allows listening to all system messages* API may be nicer to use, as you don't *need* to call skynet.listen anywhere - you do need to call EXT.run somewhere, in parallel or something* Skynet's backend (not the CC side) assigns each connected socket an ID, and tells you which IDs recevied messages. This is not much use.EXT:* messages only readable by people on same channel or server operator* somewhat more complete API - allows closing channels - Skynet can do this but the CC side doesn't handle it
gollark: Yeeep.
gollark: No, because the storage system just lets you pull out items by their name.
gollark: Modern plethora-based item systems just allow you to deposit and withdraw items by name, that doesn't make sense.

References
  1. Huberman, Anthony; Fontaine, Claire (2008). "Claire Fontaine". BOMB (105): 22–29. ISSN 0743-3204.
  2. Fontaine, Claire (2014). "Ready-Made Artist". Qui Parle. 22 (2): 57–68. doi:10.5250/quiparle.22.2.0057. ISSN 1041-8385.
  3. "Claire Fontaine". OperaViva Magazine (in Italian). Retrieved 2020-05-26.
  4. "Claire Fontaine". frieze (105). ISSN 0962-0672. Retrieved 2020-05-27.
  5. "– Interview with Claire Fontaine: "Historical Fiction as Realism"". realism working group. 2008-05-25. Retrieved 2020-05-27.
  6. Harbison, Isobel; Gianni, Ilaria (2008). "The Glue and the Wedge: The Cases of Claire Fontaine and Canell and Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475.
  7. "Artist Claire Fontaine on the Dior Autumn-Winter 2020–2021 Set". Retrieved 2020-05-28 – via YouTube.
  8. "The incredible feminist decor from the Dior show in pictures". Vogue Paris. Retrieved 2020-05-27.
  9. CLAIRE FONTAINE : newsfloor. [Place of publication not identified]: Verlag DER BUCHHANDLUNG W. 2019. ISBN 3-96098-689-0. OCLC 1126550396.
  10. "VIAGGIO IN SICILIA #8 |Free Energy|Tribute to Ettore Majorana". Planeta Winery. Retrieved 2020-06-09.
  11. Claire Fontaine (Artist collective) (2012). Claire Fontaine : foreigners everywhere. Museion (Bolzano, Trentino-Alto Adige, Italy). Köln: Walther König. ISBN 978-3-86335-170-0. OCLC 811743592.
  12. Katrib, Ruba. (2010). Claire Fontaine : economies. McDonough, Tom, 1969–, Claire Fontaine (Artist collective), Museum of Contemporary Art (North Miami, Fla.). North Miami, FL: Museum of Contemporary Art. ISBN 978-1-888708-38-7. OCLC 652540968.
  13. "Lo sciopero umano". DeriveApprodi (in Italian). Retrieved 2020-06-09.
  14. FONTAINE, CLAIRE. (2020). LA GRVE HUMAINE : et lart de crer la libert. [Place of publication not identified]: DIAPHANES. ISBN 2-88928-046-2. OCLC 1145103636.
  15. "The Human Strike Has Already Begun & Other Essays". Mute. Retrieved 2020-06-09.
  16. Claire Fontaine (Artist collective),. Human strike has already begun & other writings. London. ISBN 978-1-906496-88-3. OCLC 880682049.CS1 maint: extra punctuation (link)
  17. Claire Fontaine (Artist collective),. Human strike has already begun & other writings. London. ISBN 978-1-906496-88-3. OCLC 880682049.CS1 maint: extra punctuation (link)
  18. "Claire Fontaine. Notas sobre economía libidinal (2011)". Issuu. Retrieved 2020-06-09.
  19. "Some instructions for the sharing of private property – Claire Fontaine – onestar press". onestarpress.com. Retrieved 2020-06-09.
  20. "Éditions Dilecta". Éditions Dilecta. Retrieved 2020-06-09.
  21. Fontaine., Claire (2009). Vivre, vaincre (Bilingual ed.). Paris: Dilecta. ISBN 978-2-916275-50-5. OCLC 370359154.
  22. "Claire Fontaine: Towards a Theory of Magic Materialism". diaphanes.fr (in French). Retrieved 2020-06-09.
  23. Hoffmann, Jens, 1974–. In the meantime : speculations on art, curating, and exhibitions. Berlin. ISBN 978-3-95679-491-9. OCLC 1114864084.CS1 maint: multiple names: authors list (link)
  24. "The Visitor as a Commercial Partner: Notes on the 58th Venice Biennale". e-flux.com. Retrieved 2020-06-09.
  25. "È solo l'inizio / Rifiuto, affetti, creatività nel lungo '68". OperaViva Magazine (in Italian). Retrieved 2020-06-09.
  26. È solo l'inizio : rifiuto, affetti, creatività nel lungo '68. Bussoni, Ilaria,, Martino, Nicolas, (Prima edizione ed.). Verona. ISBN 978-88-6948-107-9. OCLC 1090171407.CS1 maint: extra punctuation (link) CS1 maint: others (link)
  27. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  28. Press, The MIT. "Boredom | The MIT Press". The MIT Press. Retrieved 2020-06-09.
  29. Boredom. McDonough, Tom, 1969–. Cambridge, Massachusetts. ISBN 978-0-262-53344-7. OCLC 956263935.CS1 maint: others (link)
  30. "il manifesto" (in Italian). Retrieved 2020-06-09.
  31. "Our Common Critical Condition". e-flux.com. Retrieved 2020-06-09.
  32. "MAY, Quarterly Journal » Weed and the practice of freedom". mayrevue.com. Retrieved 2020-06-09.
  33. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  34. "We Are All Clitoridian Women: Notes on Carla Lonzi's Legacy". e-flux.com. Retrieved 2020-06-09.
  35. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  36. Fontaine, Claire (Fall 2009). "Toward an Imageless Political Education". ,Diacritics, a review of contemporary criticism, Johns Hopkins University Press, no.23. 39: 7–19 – via Project Muse.
  37. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  38. "Human strike within the field of libidinal economy". The Anarchist Library. Retrieved 2020-06-09.
  39. Descent to revolution. Voorhies, James Timothy., Bureau for Open Culture., Columbus College of Art and Design. Columbus: Bureau for Open Culture. 2010. ISBN 978-0-9797476-4-9. OCLC 649513797.CS1 maint: others (link)
  40. "Download Petit manuel de torture à lusage des femmes-soldats ePub eBook @4423A70628A820AC72B148D5F39303E9.FARMACRED.COM.AR". 4423a70628a820ac72b148d5f39303e9.farmacred.com.ar. Retrieved 2020-06-09.
  41. "L'immanenza del linguaggio: un dialogo con Claire Fontaine |". Flash Art (in Italian). 2020-06-09. Retrieved 2020-06-09.
  42. Morletto, Eva (20 May 2020). "L'arte di essere libere". Cite journal requires |journal= (help)
  43. "Collecteurs". collecteurs.com. Retrieved 2020-06-09.
  44. "Pretend to be dead". White Fungus. Retrieved 2020-06-09.
  45. Crano, Claire Fontaine, Andrew Culp and Ricky. "Claire Fontaine, Andrew Culp and Ricky Crano: Claire Fontaine / Radical Philosophy". Radical Philosophy. Retrieved 2020-06-09.
  46. "Claire Fontaine: "La nostra Italia bruciatache alla fine non cambia mai..."". La Repubblica. 2012-02-03. Retrieved 2020-06-09.
  47. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  48. "Art Papers". artpapers.org. Retrieved 2020-06-09.
  49. Harbison, Isobel; Gianni, Ilaria (2008). "The Glue and the Wedge: The Cases of Claire Fontaine and Canell and Watkins". Circa (124): 48–53. doi:10.2307/25564920. ISSN 0263-9475.
  50. "Circa Art Magazine • Writings on Visual Arts in Ireland". Circa Art Magazine. Retrieved 2020-06-09.
  51. "Claire Fontaine by Anthony Huberman – BOMB Magazine". bombmagazine.org. Retrieved 2020-06-09.
  52. Filipovic, Elena. "Josef Strau". frieze (109). ISSN 0962-0672. Retrieved 2020-06-09.
  53. Independent Police Complaints Commission (England and Wales) (2007). Stockwell one : investigation into the shooting of Jean Charles de Menezes at Stockwell underground station on 22 July 2005. Independent Police Complaints Commission. OCLC 191242302.
  54. "Claire Fontaine | Zoo Galerie" (in French). Retrieved 2020-06-09.
  55. "Zoo Galerie" (in French). Retrieved 2020-06-09.
  56. "Claire Fontaine – "Taccuini di Guerra Incivile" — T293". t293.it. Retrieved 2020-06-12.
  57. "Air de Paris – Claire Fontaine – Téléphone Arabe". airdeparis.com. Retrieved 2020-06-12.
  58. Lack, Jessica (2008-07-11). "Exhibition preview: Perplexed In Public, London". The Guardian. ISSN 0261-3077. Retrieved 2020-05-27.
  59. "Perplexed in public". Kunstaspekte. 2008. Retrieved 2020-05-28.
  60. Johnson, Ken (2008-12-05). "The Art Fair as Outlet Mall". The New York Times. ISSN 0362-4331. Retrieved 2020-05-27.
  61. "Claire Fontaine – 11.02 – 19.03.2011". airdeparis.com. Retrieved 2020-06-09.
  62. "Air de Paris – Claire Fontaine". airdeparis.com. Retrieved 2020-06-09.
  63. ""No Family Life": Claire Fontaine at Air de Paris". The Toronto Review of Books. 2011-09-20. Retrieved 2020-05-28.
  64. "Equivalences, 2012, Galerie Chantal Crousel, Paris". Galerie Chantal Crousel. Retrieved 2020-06-09.
  65. Salmeron, François (18 April 2012). "Généralités – Claire Fontaine – galerie Chantal Crousel – Critique". paris-art.com. Retrieved 2020-05-27.
  66. "Claire Fontaine | CCA Wattis Institute for Contemporary Arts". archive.wattis.org. Retrieved 2020-06-09.
  67. Considine, Liam (2018-09-20). "Claire Fontaine, Redemptions". In Dossin, Catherine (ed.). France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art. Bloomsbury Publishing USA. p. 269. ISBN 978-1-5013-4154-0.
  68. "Claire Fontaine Launches Contemporary Art Series in Museum Lobby". The Jewish Museum. Retrieved 2020-06-09.
  69. "The Jewish Museum". thejewishmuseum.org. Retrieved 2020-05-27.
  70. Considine, Liam (2015-04-02). "CLAIRE FONTAINE Stop Seeking Approval". The Brooklyn Rail. Retrieved 2020-05-27.
  71. "May our enemies not prosper | Galerie Neu". galerieneu.net. Retrieved 2020-06-09.
  72. "Galerie Neu". Artforum. Retrieved 2020-05-27.
  73. "Berlin – Claire Fontaine: "May Our Enemies Not Prosper" at Galerie Neu Through July 15th, 2016". Retrieved 2020-05-27.
  74. "Claire Fontaine / Same war time zone". HOLDING. Retrieved 2020-05-28.
  75. "confort moderne". confort-moderne.fr. Retrieved 2020-06-09.
  76. "La borsa e la vita, Claire Fontaine e il capitalismo in mostra al Ducale di Genova". Repubblica TV – Repubblica (in Italian). 2019-03-08. Retrieved 2020-06-09.
  77. redazione (2019-05-02). "Carige per i Rolli Days apre al pubblico collezioni d'arte e caveau". Liguria Business Journal (in Italian). Retrieved 2020-06-09.
  78. "OK NO | SYNNIKA". synnika.space. Retrieved 2020-06-09.
  79. "Galerias Municipais de Lisboa | Your Money and Your Life". Galerias Municipais de Lisboa (in Portuguese). 2020-04-11. Retrieved 2020-06-09.

Further reading
  • What Comes After Farce[1] by Hal Foster, Human Strike (pg. 59–67) Verso, 224 pages / May 2020 / ISBN 9781788738118
  • Out of This Disaster, New Approaches to Art May Emerge, Hal Foster on What—Or May Not—Come After Covid-19,[2] Hal Foster, Literary Hub, May 21, 2020
  • On Claire Fontaine at Reena Spaulings,[3] Los Angeles, Anita Chari, May Quarterly Journal,[4] No. 20 14 March 2020
  • PFW FW20: Dior's Ode to the Past is a Path to the Future,[5] Eliza Jordan, Whitewall 26.02. 2020
  • Sorry, das ist Poster-Feminismus,[6] Von Johanna Dürrholz, Frankfurter Allgemeine, 20.03.2020
  • A Companion to Feminist Art, Hilary Robinson (Editor), Maria Elena Buszek (Editor), Dana Arnold (Series Editor) The Hidden Abode Beneath/Behind/Beyond the Factory Floor, Gendered Labor, and the Human Strike: Claire Fontaine’s Italian Marxist Feminism, (p. 369) Jaleh Mansoor, Wiley-Blackwell, 2019 ISBN 9781118929155[7] 2019
  • Collettivi di artisti, sul mercato l’unione fa la forza,[8] Silvia Anna Barrilà, Il Sole 24 Ore, 04.08.2019
  • Claire Fontaine: la borsa e la vita[9] in Il primo amore, Umberto Sebastiano, 23.03.19
  • Speculation as a Mode of Production, Forms of Value Subjectivity in Art and Capital,[10] Marina Vishmidt, Haymarket Books, ISBN 9781642590517[11] 2019
  • Going Nowhere, Slow: The Aesthetics and Politics of Depression, Mikkel Krause Frantzen, Zero Books ISBN 978-1-78904-214-6[12] 2019
  • Nuova luce su Ettore Majorana. Claire Fontaine protagonista di Viaggio in Sicilia di Planeta,[13] Desirée Maida, Artibune 08.2019
  • Storie dell’Arte / Claire Fontaine, ready-made per riflettere sul senso delle cose,[14] Maria Chiara Valacchi, Corriere della Sera 30.10.2019
  • Marshall Plan Modernism Italian Postwar Abstraction and the Beginnings of Autonomia, Jaleh Mansoor, Duke University Press ISBN 978-0-8223-6260-9[15]
  • Prendi i soldi e vivi!,[16] Andrea Rossetti, Exibart, Aprile 2019
  • Les pompiers entre dévouement et amertume,[17] Romain Pudal, Le Monde diplomatique, mars 2017
  • Le traiettorie devianti delle immagini[18], Giovanna Ferrara, Il manifesto, 20.10.2017
  • Claire Fontaine[19] by François Piron, Flashart, 20.12. 2016
  • Are we all Migrants?,[20] Patrice Joly, Zero Deux, Issue #.76 2015
  • Portrait of Claire Fontaine[21] by Raimar Stange, Spike Magazine, No. 36 Summer 2013
  • Crisis and Redemption: Claire Fontaine and the perceptual crisis of Neoliberalism,[22] Anita Chari, Contemporary Political Theory 2013
  • Claire Fontaine,[23] Chris Wiley, Reviews, Frieze, Issue 146 04.2012
  • Locating Claire Fontaine,[24] Marie Heilich, Temporary Art Review, January 18, 2012
  • Their Insurrection, ready-made artist Claire Fontaine fuses art, politics and irony, Rozalia Jovanovic, Modern Painters 10. 2011
  • Critic's Picks, Mexico City: Claire Fontaine, Montserrat Albores Gleason, Artforum 03.2011
  • Art Since 1900: Modernism, Antimodernism, Postmodernism by Hal Foster (Author), Rosalind Krauss (Author), Yve-Alain Bois (Author), Benjamin H. D. Buchloh (Author), David Joselit (Author), Thames & Hudson, ISBN 0500238898[25] 2011
  • Just who on earth is Claire Fontaine?,[26] Ossian Ward, London Time Out, Thu Feb 3 2011
  • Conversations[27], Manuel Fadat avec Claire Fontaine – Stephen Wright – Paul Ardenne – Alain Badiou, Art et politique, éditions Appendices, 2010
  • Younger Than Jesus:[28] The Reader, Steidl & Partners 2009
  • Get Lost[29], Rachel Lois Clapham, July 2008
  • Art of the possible: an interview with Jacques Ranciere,[30] Fulvia Carnevale and John Kelsey, Artforum, p. 256, issue XLV, N.7, (March 2007)
  • Pseudonyms, strikes and keys; appropriation and symbols,[31] Vivian Sky Rehberg, Frieze, Issue #.105 04.03. 2007
  • Musings on the Mutinies to Come,[32] Jerry Saltz, The Village Voice 11 October 2005
  1. "Verso". versobooks.com. Retrieved 2020-06-09.
  2. "Out of This Disaster, New Approaches to Art May Emerge". Literary Hub. 2020-05-21. Retrieved 2020-06-09.
  3. "MAY, Quarterly Journal » On Claire Fontaine at Reena Spaulings, Los Angeles". mayrevue.com. Retrieved 2020-06-09.
  4. "MAY, Quarterly Journal". mayrevue.com. Retrieved 2020-06-09.
  5. "PFW FW20: Dior's Ode to the Past is a Path to the Future". Whitewall. 2020-02-26. Retrieved 2020-06-09.
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  12. Frantzen, Mikkel Krause,. Going nowhere, slow : the aesthetics and politics of depression. Winchester, UK. ISBN 1-78904-215-1. OCLC 1124609251.CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link)
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  15. Mansoor, Jaleh, 1975–. Marshall Plan modernism : Italian postwar abstraction and the beginnings of autonomia. Durham. ISBN 978-0-8223-6245-6. OCLC 930683605.CS1 maint: multiple names: authors list (link)
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  18. "il manifesto" (in Italian). Retrieved 2020-06-09.
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  20. GG. "Are We All Migrants? | Zérodeux / 02". Retrieved 2020-06-09.
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  • Tiqqun: Conscious Organ of The Imaginary Party[1]
  • Tiqqun: Theory of Bloom[2]
  • Ready-Made Artist and Human Strike: A few Clarifications Claire Fontaine[3]
  • Instagram[4]
  • Twitter[5]
  1. Tiqqun. (2011). Conscious organ of the imaginary party : exercises in critical metaphysics (PDF). Paris: libcom.org. ISBN 1620490099. OCLC 896732445.
  2. Tiqqun (2000). "Theory of Bloom" (PDF). libcom.org – via libcom.org.
  3. Fontaine, Claire (2009). Ready-made artist and Human Strike: A Few Clarifications. mute.
  4. Fontaine, Claire. "readymadeartist".
  5. Fontaine, Claire. "readymadeartist" – via Twitter.
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