Christos Tsiamoulis

Christos Tsiamoulis (Χρήστος Τσιαμούλης , born Athens 1961) is a Greek musicologist and musician. He is best known for his writings on Greek and East Mediterranean folk music traditions,[1] and as a singer and musician in recordings of recovered Greek folk songs and traditions.[2]

Discography
  • Christos Tsiamoulis meets Kh'Alil Karadouman* - Where Nostalgia Hurts (CD) Lyra ML 0708 2001

With Ensemble Dynámeis tou Aigaíou
  • "Dynámeis tou Aigaíou"1985 (LYRA) Mílo mou kókkino
  • "Íchos V' "1987 (EMI) Misó fengári próvale
  • "Anatolikó Paráthyro" 1989 (MBI) Kókkina cheíli fílisa
  • "Óles oi Méres pou Éleipa" 2002 (Filocalia Romana)

Own recordings
  • "Áthos o Emós" 1992 (LYRA)
  • "Erotókastro" 1994 (FM RECORDS)
  • "Ávra Thalassiní" 1995 [Me tin Kaíti Kouliá] (FM RECORDS)
  • "Mousikés tis Ionikís Gis" 1996 (Kéntro Mikrasiatikón Spoudón)
  • "Metamórfosis" 1997 with Pedro Estevan Glossa Records
  • "Monácha gia na Taxidévo" 1997 with Alk. Ioannídi, K. Papadopoúlou and S. Papázoglou (LYRA)
  • "Tragoúdia kai Skopoí tou Póntou" 1998 with M. Kaliontzídi (Anexártiti Paragogí)
  • "O Chr. Tsiamoúlis synantá ton Chalíl Karantoumán" 2001 live (LYRA)
  • "Anéspera" 2003 with G. Amarantídi (LIBRA)
  • "Sas ta 'pan álloi?" 2003 Kálanta Dodekaimérou (Melodikó Karávi)
  • "Afýlachti Skopiá" 2004 with Lizéta Kaliméri and Manóli Lidáki (LIBRA)
  • "Carte - postale" 2005 instrumental (Melodikó Karávi)
  • "Dodekáorto" 2006 with E. Vitáli, M. Mitsiá, Alk. Ioanídi, G. Charoúli (Institoúto "'Agios Máximos o Graikós")

Participations
  • "Apópse stou Thomá" with K. Féri
  • "Katharós Ouranós kai Ánemos eínai" with G. Stavrianó (FM RECORDS)
  • "Pergaminí" with El. Perinoú (AN'KI)
  • "To mantíli tis Neráidas" with F. Papadódima (LYRA)
  • "O anthós tou tragoudioú" with L. Kaliméri (LYRA)
  • "Smýrni" Estoudiantína N. Ionías Vólou (MINOS)
  • "Dákry sto Gyalí" Estoudiantína N. Ionías Vólou (MINOS)
  • "Álfa len to próto grámma" songs from the Peleponnes (Melodikó Karávi) 2004
  • "Ródo tou Anémou" G. Zínkiris (Melodikó Karávi) 2003
  • "To Kleidí" M. Lidákis (AKTI) 2004
  • "Kókkino Akrogiáli" M. Lidákis (AKTI) 2004
  • "Tampachaniótika" Lámpis Xyloúris (SEISTRON) 2005
  • "Melodíes tis Anatolís" (Archeío Ellinikís Mousikís)
  • "Choroí tis Ellinikís Anatolís" (Archeío Ellinikís Mousikís) 2005
gollark: "Exponentially more" does NOT just mean "a lot more".
gollark: I should add a function for that to my bot.
gollark: Engaging orbital laser strike.
gollark: That turn of phrase must be ERASED FROM EXISTENCE except when it's correct.
gollark: EXPONENTIALLY MORE?

References
  1. Dr Vally Lytra When Greeks and Turks Meet: Interdisciplinary Perspectives ...- 2014 - 1472406184 A monumental textual outcome of the above trend was the book by Tsiamoulis and Erevnidis (1998), entitled Ρωμηοί ...
  2. World Music: The Rough Guide - Volume 2 Simon Broughton - 1994 " More modest in scale and aims is Dhinameig lou Egeou, which started out as three musicians - Hristos Tsiamoulis, ..."


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