Christopher Maclaine

Christopher Maclaine (born Clifford Vernard McClain; July 27, 1923–April 6, 1975) was an American poet and filmmaker.

Christopher Maclaine
Born
Clifford Vernard McClain

(1923-07-27)July 27, 1923
Wapanucka, Oklahoma
DiedApril 6, 1975(1975-04-06) (aged 51)
Fairfield, California
NationalityUnited States
OccupationPoet, filmmaker
Years active1946–1960
Notable work
The End

Early life

Maclaine was born July 27, 1923 in Wapanucka, Oklahoma. His family was of Scottish descent.[1] He attended the University of California, Berkeley, graduating in 1946 with a bachelor's degree in Spanish. He began a graduate program in English but left after one semester.[2]

Career

After leaving UC Berkeley, Maclaine started the literary magazine Contour with Norma Smith. Contour published four issues from 1947 to 1949.[2] Maclaine completed his first film The End in 1953. Filmmaker Jordan Belson was the cameraman for the project. Their collaboration was marked by frequent conflict, with Belson upset that Maclaine would show up intoxicated in the middle of the night.[3]

Maclaine began working with Belson on a second film, The Man Who Invented Gold. Maclaine played the main character, an alchemist whose neighbors believe him to be mad. Unwilling to tolerate Maclaine's behavior, Belson quit before the project was complete. Maclaine took over as cameraman and had two additional actors play the lead. The resulting film was disjointed, cutting between three different people playing the same character and alternating between black-and-white and color footage. Maclaine made two more short films, Beat and Scotch Hop.[4]

Later life

Kinesis, the distributor for Maclaine's films, closed and his films went out of circulation. His health deteriorated after he began to use methamphetamine in the late 1950s.[1][4] He began to show signs of paranoia, which worsened after being sent to prison for possession of marijuana.[2] Maclaine gave his films to Willard Morrison of the Audio Film Center to be preserved and distributed.[3]

Maclaine suffered permanent brain damage and eventually was unable to recognize people he knew or care for himself. In 1969 he entered the Sunny Acres Convalescent Hospital in Fairfield.[4][2] Morrison used the rental money from Maclaine's films taking care of him during his time in the hospital.[3] Maclaine died there on April 6, 1975.[2]

gollark: Well, that and "somehow influencing everything in the universe is quite hard".
gollark: I figure the main problem is "unclear/disagreed-upon definition of evil" more than anything else.
gollark: How does quantum stuff come into this?
gollark: Also, it appears so far as if personality stuff is an... emergent property, I think is the right term... of the lower-level neuron interactions, rather than emerging from quantum effects in one of the neurons or something.
gollark: Not at that stage of the process, no, just when gametes are being made.

References
  1. Murphy, J. J. (1979). "Chris MacLaine: The Man Who Invented Gold" (PDF). Film Quarterly. 33 (2): 44. doi:10.2307/1211975.
  2. Murphy, J. J. (1981). "Christopher Maclaine: Approaching The End". Film Culture. Vol. 70–71. pp. 88–99.
  3. Anker, Steve; Geritz, Kathy; Seid, Steve, eds. (2010). Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945–2000. University of California Press. ISBN 978-0-520-24911-0.
  4. Camper, Fred (June 3, 1999). "Mad Genius". Chicago Reader. Retrieved May 3, 2019.
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