Christoph Schmidberger

Christoph Schmidberger (born 1974 in Eisenerz, Austria) is a painter based in Los Angeles. He studied from 1989-1994 at the Higher Technical College of Graphic Art in Graz, Austria, and graduated with an Honours and Master of Art from the Academy of Fine Arts in Vienna in 2002.

His works, drawn or painted in a hyperreal style, typically use traditional compositional forms (woodland scenes, reclining lovers, portraits with pets, etc.) to portray youthful eroticised figures relaxing in modern suburban settings.[1] ("Christoph Schmidberger paints a kitschy dream of pre-Raphaelite surrender, revelling in pornography's influence on today's sexual economy").[2]

Schmidberger’s work has been shown internationally at galleries and museums such as the Museum of Contemporary Art San Diego, the Frederick R. Weisman Museum of Art in California, the Landesmuseum Joanneum (Joanneum National Museum) in Graz, Austria, and the Royal Academy in London. His work features in several important collections including the Saatchi Gallery, the Museum of Fine Arts, Boston, the Los Angeles County Museum of Art, the Joslyn Museum of Art, and Österreichische Galerie Belvedere.

He is represented by Patrick Painter Inc. in Santa Monica, California, and Union Gallery in London.

Selected Public Collections
  • Museum Of Fine Arts, Boston, MA
  • The Saatchi Collection, London
  • Los Angeles County Museum Of Art, Los Angeles, CA
  • Museum Of Contemporary Art, San Diego, CA
  • Joslyn Museum Of Art, Omaha, NE
  • Frederic R. Weismann Collection, Los Angeles, CA
  • Neue Galerie Am Landesmuseum Joanneum, Graz
  • Korban Art Foundation, New York
  • Vanhaerents Art Collection, Brüssels
  • Volpinum Kunstsammlung, Vienna

Bibliography
  • Christoph Schmidberger, Levander Fields Forever, Mark Moore Gallery, Santa Monica, 2003.
  • Christoph Schmidberger, Michele Robecchi, The Beginning of the End, Brand New Gallery, Milan, 2011.
gollark: ↑
gollark: Than just not doing something or relying on expensive complex long term plans.
gollark: It seems "cheaty" to just geoengineer it somehow, but if it actually can be made to work well without unintended issues it's obviously better.
gollark: People don't care much about issues which won't affect them for a while.
gollark: Effective and sane governance/decision making (and resource allocation, which is similar).

References
  1. Press reviews Archived 2007-09-29 at the Wayback Machine, Goff + Rosenthal
  2. Legends of the fall - Cover story, Richard Clayton, Sunday Times, Sep 17, 2006


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.