Christian Matras (cinematographer)
Christian Matras (29 December 1903, Valence, Drôme, France - 4 May 1977, Paris) was a French cinematographer who worked on more than hundred feature films, including Grand Illusion (1937), directed by Jean Renoir; The Milky Way (1969), directed by Luis Buñuel; and Thérèse Desqueyroux (1962), directed by Georges Franju; Lola Montès (1955), The Earrings of Madame De... (1953), Le Plaisir (1952), La Ronde (1950), all directed by Max Ophüls; and L'Aigle à deux têtes (1948) directed by Jean Cocteau.
Selected filmography
- Misdeal (1928)
- Billeting Order (1932)
- The Scandal (1934)
- The House on the Dune (1934)
- La Grande Illusion (1938)
- The Marvelous Night (1940)
- Paradise Lost (1940)
- The Stairs Without End (1943)
- Traveling Light (1944)
- The Idiot (1946)
- Once is Enough (1946)
- Eternal Conflict (1948)
- The Paris Waltz (1950)
- La Rhonde (1950)
- Bluebeard (1951)
- Le Plaisir (1951)
- Imperial Violets (1952)
- The Earrings of Madame de... (1953)
- Madame du Barry (1954)
- Lola Montès (1955)
- Meeting in Paris (1956)
- The Lace Wars (1965)
- The Desperate Ones (1967)
- La Voie Lactee (1969)
- Variety (1971)
gollark: https://en.wikipedia.org/wiki/Milgram_experiment
gollark: There was the milgram obedience experiment or whatever it is. Humans love our conformity.
gollark: Some humans.
gollark: Although to some extent that's humans anyway.
gollark: Perhaps you would end up with the AIs learning to distinguish training scenarios from not training scenarios, and being awful all the time when not monitored.
External links
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