Champagne Waltz
Champagne Waltz (1937) is one of five movies produced by Paramount in the 1930s featuring Gladys Swarthout, a very popular Metropolitan Opera mezzo-soprano. The studio was attempting to build on the popularity of Grace Moore, another opera singer, who had also expanded her talents into movies.[1]
Champagne Waltz | |
---|---|
Directed by | A. Edward Sutherland |
Written by | Don Hartman Frank Butler story by Billy Wilder and Hy Kraft |
Starring | Gladys Swarthout Fred MacMurray Jack Oakie Fritz Leiber |
Music by | Multiple contributors including Oscar Hammerstein |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 87 minutes |
Country | United States |
Language | English |
Production
This is a light musical with elements of screwball comedy. It documents the rivalry between a Vienna Waltz studio and the American jazz band that moves in next door. Franz Strauss is stressed because his waltz palace is losing business to the jazz club. Fred MacMurray is the trumpet-playing headliner. He pretends to be the US Consul when he encounters Swarthout, the daughter of the waltz studio owner. He changes the story to be an icebox salesman in order to continue wooing Swarthout. Meanwhile, Oakie is falling for a countess who sold him a fake silver service.[2]
Time magazine gave the movie a poor review as a "heavy-handed musical naively designed to combine the best features of jazz with those of the Viennese waltz."[1]
Cast
- Gladys Swarthout as Elsa Strauss
- Fred MacMurray as Buzzy Bellew
- Jack Oakie as Happy Gallagher
- Herman Bing as Max Snellinek
- Fritz Leiber as Franz Strauss
- Vivienne Osborne as Countess Mariska
- Ernest Cossart as Waiter
- James Burke as Mr. Scribner
- Maude Eburne as Mrs. Scribner
- Guy Bates Post as Lumvedder
See also
- Rose of the Rancho (1936)
- Give Us This Night (1936)
- Romance in the Dark (1938)
- Ambush (1939)
References
- "Champagne Waltz (Paramount)". Time magazine. January 25, 1937. Retrieved 2013-12-21.
The perennial and expensive effort to make a Grace Moore out of Gladys Swarthout seemed to have more logic some time ago when Miss Moore was a more important box-office draw.
- Champagne Waltz, Picture Show Souvenir, Paramount Studios, (booklet provided to movie patrons)