Cedric Nunn

Cedric Nunn (born 1957) is a South African photographer best known for his photography depicting the country before and after the end of apartheid.

Career

Nunn was born into a mixed-race family in Nongoma, KwaZulu, in 1957. He was raised in Hluhluwe, Mangete and Baynesfield.[1] He attended school in Ixopo KwaZulu-Natal up until standard eighth (Grade 10), when he was fifteen.[2] He moved to Johannesburg in 1982 and began working as a professional photographer at the age of 25.[3] Nunn became one of the prominent photographers to document apartheid resistance in the 1980s.[4] He went on to co-found Afrapix, a photographic collective that supplied newspapers outside South Africa with images of apartheid, with Paul Weinberg, Peter Mackenzie and Omar Badsha.[5] He served as the director for Market Photo Workshop, a photography school, gallery, and project space in Johannesburg, from 1998 to 2000.[6] Nunn was also a member of the national executive of the Professional Photographers of South Africa (PPSA).[7]

Nunn has worked for many nonprofits, newspapers, wire agencies, PR companies, and magazines.[8]

He has taught at the Tisch School of the Arts at New York University, the University of the Witwatersrand Wits School of Arts, and The School for International Training.[9]

Publications

In 2012, Nunn published the photography book Cedric Nunn: Call and Response. The book accompanied an exhibition of the same name that opened in Mozambique, New York, and various galleries in South Africa and Germany.[10]

Awards
  • 2011: First National Bank Joburg Art Fair Award.[11]

Exhibitions
  • 1983 Nichts Wird Uns Trennen (Germany) Group.
  • 1984 Bosmont (Johannesburg, South Africa) Solo.
  • 1984 Women at Work (Johannesburg, South Africa) Group.
  • 1985 South Africa: The Cordoned Heart (USA & South Africa) Group.
  • 1987 Stop the Killings (University of Durban Westville, South Africa) Solo.
  • 1987 History Workshop. Wits University. Johannesburg. South Africa. Group.
  • 1988 Children (Johannesburg, South Africa) Group.
  • 1988. Ten Years of Staffrider (Market Photography Gallery, South Africa) Group.
  • 1989 Beyond the Barricades (Market Photography Gallery, South Africa) Group.
  • 1989 Culture for Another South Africa (Amsterdam, Holland) Group.
  • 1989 Health (South Africa & Germany) Group.
  • 1990 Zabalaza (London, United Kingdom) Group.
  • 1994 This Land is Our Land (Bloemfontein, South Africa) Group.
  • 1995 The Hidden Years (KwaMuhle Museum, Durban, South Africa) Solo.
  • 1995 Black Looks, White Myths (1st Johannesburg Biennale, South Africa) Group.
  • 1996 Colours (Berlin, Germany) Group.
  • 1997. Malhawu, Macufe Arts Festival (Bloemfontein, South Africa) Solo.
  • 1997 NGO Coalition (Johannesburg, South Africa) Group.
  • 1997 Blood Relatives (Playhouse, Durban, South Africa) Solo.
  • 1997 South African National Gallery Contemporary Collection (Cape Town, South Africa) Group.
  • 1998 3rd Festival of African Photography (Bamako, Mali) Group.
  • 1998 Democracy's Images, Bildmuseet (Umea, Sweden) Group.
  • 1998 National Development Agency, Workers Library (Johannesburg, South Africa) Group.
  • 1999 Democracies Images (Johannesburg Art Gallery) Group.
  • 1999 Lines of Sight, The South African National Gallery (Cape Town. South Africa) Curated the exhibition "Photographs Denied"
  • 1999 Workers, The Workers Library & Museum (Johannesburg, South Africa) Group.
  • 2000 Every Child Is My Child, African Window Museum (Pretoria, South Africa) Group.
  • 2000 Capitals, Espace Matisse (Lille, France) Group.
  • 2000 Living In A Strange Land (Parliament, Cape Town) Group.
  • 2000 Emotions and Relations (Sandton Civic Gallery) Group.
  • 2002 Group Portraits, Nine South African Families, Tropen Museum (Amsterdam, Netherlands)
  • Bamako, Maison's Descartes. Amsterdam Photography Biennale (Amsterdam, Netherlands)
  • 2002 Group Portraits, Nine South African Families (Tropen Museum, Amsterdam, Netherlands)
  • 2004 Fatherhood Project (Johannesburg, South Africa)
  • 2005 Blood Relatives (Constitution Hill, Johannesburg) Solo.
  • 2007 Then and Now (Rhodes University, Durban Art Gallery) Group.
  • 2009 In Camera (Wits University, Johannesburg) Solo.
  • 2012 Rise and Fall of Apartheid, International Center for Photography (New York) Group.
  • 2012 Cedric Nunn: Call and Response (International) Solo.[12]
  • 2013 Cedric Nunn, Call and Response (international) Solo
  • 2014 US Museum Stellenbosch with Seippel Gallery, Unsettled
  • 2014 Albany Museum, Fort Selwyn, Grahamstown, Unsettled
  • 2015 Cedric Nunn: UNSETTLED at UNISA Art Gallery, Pretora; Wits Art Museum, Johannesburg; KZNSA Gallery Durban; Galerie Seippel, Cologne, Germany; David Krut Projects, New York, NY, USA; Landesmuseum Hannover. Solo
  • 2016 Cedric Nunn: UNSETTLED at Iwalewa-Haus Bayreuth, Germany. Solo

Photography essays

The following are photographic essay by Nunn.[13]

  • Blood Relatives – An essay begun in the early eighties documenting the struggle against apartheid
  • Cuito Cuanavale – An essay on the site of a military battle in the late eighties that brought about profound change in South Africa's political landscape
  • Farm Workers – Documenting farm workers in South Africa's rural areas.
  • Hidden Years – A photo essay included in Nunn's first solo exhibition at the KwaMuhle Museum in Durban in 1996. The photos were all taken in the Natal, Nunn's birthplace.
  • In Camera – Photos from post-Apartheid South Africa, created in collaboration with the Apartheid Archive Study project.
  • Jazz – An essay of Jazz musicians.
  • Johannesburg – Photos taken in 2000 during the height of transformation in Johannesburg.
  • Rural Development – Documenting rural life under democracy.
  • SANPAD – A series of portraits of young parents in South Africa (part of an academic study).
  • Struggle – Photos documenting South Africa's transition from apartheid to democracy
  • Then and Now – A project where eight South African photographers contribute photos from before and after the end of apartheid.
gollark: Since Rust good.
gollark: For performance.
gollark: Maybe I should make this in glorious, optimal Rust.
gollark: Bold of you to assume only the US will be affected.
gollark: (I have a VPS in America, so I can presumably have latency down to a few ms)

References
  1. "Cedric Nunn Photography". About Cedric Nunn. Retrieved 7 May 2013.
  2. "South African History Online – Cedric Nunn". Retrieved 6 May 2013.
  3. Reker, Judith. "Cedric Nunn: Call and Response". Fourth Wall Books. Retrieved 7 May 2013.
  4. "South African History Online – Cedric Nunn". Retrieved 6 May 2013.
  5. "South African History Online – Cedric Nunn". Retrieved 6 May 2013.
  6. "Cedric Nunn". South African History Online. Retrieved 9 May 2013.
  7. "Kznsa: Kwazulu Natal Society of Arts". Artists: Cedric Nunn. Retrieved 7 May 2013.
  8. "About Cedric Nunn Clients". Artists: Cedric Nunn. Retrieved 7 May 2013.
  9. "Kznsa: Kwazulu Natal Society of Arts". Artists: Cedric Nunn. Retrieved 7 May 2013.
  10. Reker, Judith. "Cedric Nunn: Call and Response". Fourth Wall Books. ISBN 978-3-7757-3250-5. Retrieved 7 May 2013.
  11. "Kznsa: Kwazulu Natal Society of Arts". Artists: Cedric Nunn. Retrieved 7 May 2013.
  12. Nunn, Cedric. "About Cedric Nunn". Cedric Nunn Photography. Retrieved 7 May 2013.
  13. Nunn, Cedric. "Essays". Cedric Nunn Photography. Retrieved 8 May 2013.
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