Carrie Tubb

Caroline Elizabeth Tubb (17 May 1876 – 20 September 1976) was an English soprano of the early 20th century, and later a teacher of singing at the Guildhall School of Music. She made her debut at London's Royal Opera House in 1910, where she appeared in such works as Elektra and Hänsel und Gretel. With Thomas Beecham's opera company at the Theatre Royal, Drury Lane, she sang in Die Fledermaus, The Marriage of Figaro and The Tales of Hoffmann. Later, she mostly appeared on the concert platform, including at 54 Prom concerts and at the major British music festivals. She also made some early recordings. Around 1930 she retired from singing and began teaching. On her hundredth birthday she was made a Fellow of the Royal College of Music.[1]

Tubb in 1910 London opera season

Life and career

Tubb was born in Westminster, daughter of John Tubb and Anne, née Bardon.[2] After studying at the Guildhall School of Music she made her debut at the Royal Opera House, Covent Garden in 1910, where she appeared in works including Elektra and Hänsel und Gretel.[2] She also sang with Thomas Beecham's opera company at the Theatre Royal, Drury Lane, in Die Fledermaus, The Marriage of Figaro and The Tales of Hoffmann.[3][4] Thereafter she more often appeared on the concert platform, though often singing operatic extracts, such as the "Liebestod" from Tristan und Isolde at the Proms in 1911.[5] Between 1911 and 1924 she sang at 54 Prom concerts.[6] The conductor of the Proms, Sir Henry Wood, wrote of her charm, and praised her singing: "Not only had her voice a great brilliance, but she had the power to dominate an orchestra whether she sang an aria from the Messiah or a scene from Götterdämmerung".[7] She sang at the major British music festivals, mostly in oratorios.[2]

In her early years as a singer Tubb made a small number of recordings, which include "Ocean, thou mighty monster" from Weber's Oberon;[8] Arensky's "Dream Waltz";[9] excerpts from Mendelssohn's Elijah;[10] and from Sullivan's The Golden Legend;[11] and popular ballads such as "Queen of the Roses; Lilac Time",[12] "Gretna Green" and "Red rose of England".[13]

Tubb married Alexander John Ede Oliveira (d. 1936); they had one son.[1] She retired from singing in or around 1930 and was a professor at the Guildhall School until 1958.[2] On her hundredth birthday she was made a Fellow of the Royal College of Music, and Sir Adrian Boult conducted a concert given in her honour by the college's orchestra.[1]

Tubb died in London, aged 100.[4]

Notes
  1. "Miss Carrie Tubb", The Times, 22 September 1976, p. 20
  2. "Tubb, Carrie, (Mrs A. J. E. Oliveira)", Who Was Who, Oxford University Press, 2007 (subscription required)
  3. "Theatres", The Times, 30 June 1910, p. 10; 4 July 1910, p. 10; and 14 July 1910, p. 10
  4. Kennedy, Michael, and Joyce Bourne Kennedy. "Tubb, Carrie (Caroline) Elizabeth", The Oxford Dictionary of Music, Oxford University Press, 2013.
  5. "The Promenade Concerts", The Times, 22 August 1911, p. 7
  6. "Carrie Tubb", BBC Proms performance archive. Retrieved 28 September 2018
  7. Wood, pp. 254–255
  8. OCLC 476458354
  9. OCLC 476452898
  10. OCLC 78552378
  11. OCLC 32457991
  12. OCLC 990228072
  13. OCLC 939009794

Sources
  • Wood, Henry J. (1938). My Life of Music. London: Victor Gollancz. OCLC 30533927.
gollark: Also, what are the restrictions on them? I ask because I want to use this as an insane serial protocol.
gollark: <@237328509234708481> What is the max length of labels?
gollark: Also, redstone integrators.
gollark: Combined with the 0 to 15 regular redstone transmission rate, adjacent devices can transfer 2.5 bytes per tick with no peripherals, though I imagine autodetection could be annoying.
gollark: This actually allows sending arbitrary values between 0 and 65535, at a rate of one per tick.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.