Carola Giedion-Welcker

Carola Giedion-Welcker (April 25, 1893, Cologne – February 21, 1979, Zurich) was a German-Swiss art historian.

Life and work

Carola Welcker was born in Cologne in 1893 as the daughter of the banker Carl Welcker (1848–1928) and his American wife Mary Legien (1865–1919). She studied art history in Munich with Heinrich Wölfflin and with Paul Clemen in Bonn, where she received her doctorate in 1922. During her studies, she met the Swiss colleague Sigfried Giedion, whom she married in 1919. In 1923 the couple met László Moholy-Nagy, who introduced them to Hans Arp a year later. Arp imparted her knowledge of the literature of Lautréamont, Rimbaud, and Jarry and led her to the 1925 Surrealists exhibition in Paris. Through Arp she met Piet Mondrian and Constantin Brâncuși, whom she visited in his studio in 1928 and later wrote a monograph on him.

In 1925 the Giedion couple moved to Zurich. Her home became a meeting point for modern artists such as Hans Arp, Sophie Taeuber-Arp, Kurt Schwitters and Max Ernst. Irish writer James Joyce was also one of her guests.[1] Giedion-Welcker met Paul Klee in Bern personally knew and wrote a biography of him. A year before her death (1946), Paul Klee's widow Lily Klee-Stumpf had in her will the care of her husband's artistic estate through a commission that was carried out next to her son Felix Carola Giedion-Welcker and the Bern collectors Werner Allenbach, Rolf Bürgi, Hans Meyer-Benteli and Hermann Rupf should also belong.[2]

Giedion-Welcker published about 280 articles in magazines on modern painting, sculpture and poetry and wrote 17 books, including Moderne Plastik, Poètes à l'Écart and the anthology Schriften 1926–1971, published in 1973 by Reinhold Hohl.[3]

In 2007 the Kunsthaus Zurich dedicated an exhibition curated by Cathérine Hug to Carola Giedion-Welcker. It showed how the artist from Zurich, as an art historian, author, and curator, shaped the cultural life of the city and influenced the art house's purchasing policy. About 40 works from painting, sculpture and graphics, photos and letters formed the exhibits of the exhibition.[4]

Writings (selection)
  • "Bayrische Rokokoplastik. J. B. Straub und seine Stellung in Landschaft und Zeit. [Bavarian Rococoplasty. JB Straub and his position in landscape and time"]. Law, Munich 1922 (= dissertation)
  • Moderne Plastik. Elemente der Wirklichkeit; Masse und Auflockerung. Girsberger, Zurich 1937
  • Sublimierung und Vergeistigung der plastischen Form bei Medardo Rosso [Sublimation and spiritualization of the plastic form by Medardo Rosso]. In: Architektur und Kunst, Vol. 41, 1954, pp. 329–334
  • Sculpture of the XX. Century. Hatje, Stuttgart 1955
  • Hans Arp. Hatje, Stuttgart 1957
  • Constantin Brancusi. Benno Schwabe & Co, Basel 1958
  • Alfred Jarry. A monograph. Arche, Zurich 1960 & 1988, ISBN 3-7160-3512-2
  • Paul Klee, Rowohlt, Reinbek 1961, 17th edition 1995, ISBN 3-499-50052-3
  • Schriften 1926–1971. Stationen zu einem Zeitbild [Writings 1926–1971. Stations to a time picture]. DuMont Reiseverlag, Ostfildern 1973, ISBN 3-7701-0630-X

Literature
  • Iris Bruderer-Oswald, Iris:, Das neue Sehen: Carola Giedion-Welcker und die Sprache der Moderne". Benteli Verlag, Zurich 2008, ISBN 9783716514504.
  • Regula Krähenbühl (ed.): Avantgarden im Fokus der Kunstkritik. Eine Hommage an Carola Giedion-Welcker (1893–1979) ["Avant-garde in the focus of art criticism. A tribute to Carola Giedion-Welcker (1893-1979)"]. Files of the interdisciplinary symposium in Zurich, 22/23 October 2009 (= outlines volume 6). Zurich 2011, ISBN 978-3-908196-78-5
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References
  1. James Joyce Center.
  2. "Die Gründungsgeschichte der Paul-Klee-Stiftung" (in German). Archived from the original on 2009-10-16. Retrieved 2020-02-29.
  3. "Die Gründungsgeschichte der Paul-Klee-Stiftung" (in German). Archived from the original on 2009-10-16. Retrieved 2020-02-29.
  4. Carola Giedion-Welcker: Paul Klee, S. 171.
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