Camilo José Vergara

Camilo José Vergara (born 1944 in Santiago, Chile) is a Chilean-born, New York-based writer, photographer and documentarian.

Camilo José Vergara
Born1944 (age 75–76)
Santiago, Chile
Occupationstreet photographer
NationalityAmerican
Alma materUniversity of Notre Dame;
Columbia University
Literary movementde-urbanization
Notable awards2002 MacArthur Fellowship;
2010 Berlin Prize fellowship;
2013 National Humanities Medal

Vergara has been compared to Jacob Riis[1][2] for his photographic documentation of American slums and decaying urban environments. Beginning in the 1980s, Vergara applied the technique of rephotography to a series of American cities, photographing the same buildings and neighborhoods from the exact vantage point at regular intervals over many years to capture changes over time. Trained as a sociologist with a specialty in urbanism, Vergara turned to his systematic documentation at a moment of urban decay, and he chose locales where that stress seemed highest: the housing projects of Chicago; the South Bronx of New York City; Camden, New Jersey; and Detroit, Michigan, among others.

Education

Vergara received a B.A. (1968) in sociology from the University of Notre Dame and an M.A. (1977) in sociology from Columbia University, where he also completed the course work for his Ph.D. (not yet awarded).

Career

Vergara began as a humanistic New York street photographer in the early '70s, when he moved to the city.[3] This work changed significantly in the middle 1970s, when graduate work in sociology at Columbia University increasingly sensitized him to the complexities of environmental influences on social behavior. The advent of Kodachrome 64 film in 1974 alerted Vergara to the possibilities of permanent color photographic records of changing urban landscapes and their features.[4] He began at that time to work systematically, using techniques adapted from sociological methodologies; traveling from one subway stop to the next, he would emerge onto the street and then photograph the surrounding blocks, fanning steadily outward. By 1977, he had come upon a rough approximation of his lifelong working method, returning to the same locales over time to photograph changes in the makeup of the communities in question.[5]

With more than a decade of photographs to document the extraordinary phenomenon of de-urbanization (including the conversion of buildings from one function to a second, then a third, before their abandonment, and the process by which nature recolonized long-urban areas), Vergara published The New American Ghetto with Rutgers University Press, for which he received the Robert E. Park Award of the American Sociological Association in 1997.[6]

Sequence of 4 photographs taken by Camilo José Vergara of Fern Street in N. Camden, NJ from 1979–2004. Demonstrates Vergara's use of time lapse in recording a site over time. Clockwise from top left 1979, 1988, 1997, 2004.

The rephotographic method, with its rigorous demands for systematic return, exact replication of vantage point, angle of view, and lens choice, had emerged originally out of the need for scientific evidence of change over time in ecological niches.[7] Vergara's use of the technique was not exclusive; indeed, Vergara made other pictures, including of residents and smaller details. Beginning with The New American Ghetto, Vergara increasingly interwove these photographs, along with quotes from outside writers, fragments of comments by citizen-dwellers in the cityscapes he developed, and his own writing. Vergara's work was the subject of a 1999 exhibit at the National Building Museum, "El Nuevo Mundo: The Landscape of Latino Los Angeles." The exhibit was shown later in 1999 at the Cooper-Hewitt, National Design Museum, Smithsonian Institution. "The New American Ghetto," an earlier exhibition, opened at the National Building Museum and was later shown at The Municipal Arts Society in New York City. After the publication of his second major work, American Ruins, Vergara's reputation was fully established; he won a MacArthur Foundation "genius grant" in 2002 and served as a fellow at the Mid-Atlantic Regional Center for the Humanities (MARCH) at Rutgers University in 2003–2004.

The advent of sophisticated internet combinations of mapping, visual archiving, and hyperlinking have enabled Vergara to present his work in ways that can combine both the vertical (change over time) and the horizontal (change across space) and link the visual images to texts and databases. Since 2004, Vergara's main work has been conveyed in a website called "Invincible Cities." Upon the news that Google Earth would allow users to compare historical street scenes, Quartz (publication) likened the development to Vergara's website and oeuvre.[8]

Camilo José Vergara (self-portrait, airplane bathroom, 2005)

His projects include a continuing series of exhibitions, books, and magazine projects, including a collection of pictures of Chicago's public housing for the new literary magazine Granta.[9] Slate and "Time" magazines have also commissioned him to produce "mines" of his work—collections that feature topics or themes, from GM automobiles[10] to distant traces of the World Trade Towers.[11] His eight and most recent book is Harlem: The Unmaking of a Ghetto, published in December 2013 by the University of Chicago Press. The book combines Vergara's early humanistic photographs with his long-running rephotography series of the iconic Manhattan community.

Contribution to Discussion of Ruins and Photography

In 1995, Vergara made a controversial proposal that 12 square blocks of downtown Detroit be declared a "skyscraper ruins park," an "American acropolis," for the preservation and study of the deteriorating and empty skyscrapers:

We could transform the nearly 100 troubled buildings into a grand national historic park of play and wonder, an urban Monument Valley.... Midwestern prairie would be allowed to invade from the north. Trees, vines, and wildflowers would grow on roofs and out of windows; goats and wild animals—squirrels, possum, bats, owls, ravens, snakes and insects—would live in the empty behemoths, adding their calls, hoots and screeches to the smell of rotten leaves and animal droppings.[12]

The proposal launched a public conversation about representations of the city's built environment[13] and is considered an important statement in the debates surrounding deindustrialization and ruins photography.[14][15][16]

Awards

In 2010, Vergara was rewarded a Berlin Prize fellowship and spent the academic spring semester 2010 at the American Academy in Berlin.[17]

On July 10, 2013, Vergara received the National Humanities Medal from President Barack Obama in a ceremony at the White House.[18]

On Friday, May 18, 2018, Vergara was awarded an honorary degree from The New School.[19]

Bibliography
This list is incomplete; you can help by expanding it.

Books
  • Vergara, Camilo José (1989). Silent cities : the evolution of the American cemetery.
  • 1995, New American Ghetto. ISBN 0-8135-2209-9
  • 1999, American Ruins. ISBN 1-58093-056-5
  • 2001, Twin Towers Remembered. ISBN 1-56898-351-4
  • 2001, Unexpected Chicagoland. ISBN 1-56584-701-6
  • 2004, Subway Memories. ISBN 1-58093-146-4
  • 2005, How the Other Half Worships. ISBN 0-8135-3682-0
  • 2013, Harlem: The Unmaking of a Ghetto. ISBN 978-0226853369
  • 2016, Detroit Is No Dry Bones. ISBN 978-0472130115

Essays and reporting
  • Vergara, Camilo José (Autumn 2009). "The Projects". Granta (108): 153–160.
  • — (Autumn 2009). "Chicago 1981-2009 : photographs". Granta (108): 161–191.

Notes and references
  1. Gillette, Howard (October 1996). "Review Essay: The New American Ghetto by Camilo Jose Vergara". American Studies International. 34 (2): 118–119. JSTOR 23458456.
  2. Hedstrom, Matthew (March 2009). "Seeing Religion Happen in the Other America" (PDF). American Quarterly. 61 (1): 163–171. doi:10.1353/aq.0.0066. Retrieved 5 May 2014.
  3. some examples of the early street work can be found in a Slate series, "The Harlem That Was"
  4. Vergara, Camilo. "Homage to Kodachrome 64: They just discontinued the film that changed my photography career". Slate. Slate. Retrieved 5 May 2014.
  5. Meyers, William. "Camilo José Vergara: 2012 National Humanities Medalist". National Endowment for the Humanities. National Endowment for the Humanities. Retrieved 5 May 2014.
  6. "The Robert E. Park Book Awards". Community and Urban Sociology Section of the American Sociological Association. Archived from the original on 14 April 2016. Retrieved 5 May 2014.
  7. Peter B. Hales,"Landscape and Documentary: Questions of Rephotography," Afterimage, Summer, 1987, pp. 10–14
  8. Lichfield, Gideon. "The man who's been doing Google Street View since before Google's founders were born". Quartz. Retrieved 5 May 2014.
  9. Vergara, Camilo Jose (Fall 2009). "The Projects". Granta (108). Retrieved 5 May 2014.
  10. http://www.slate.com/id/2208239/
  11. http://lightbox.time.com/2011/09/06/twin-towers-and-the-metropolis-1970-2011/
  12. Vergara, Camilo Jose (April 1995). "Downtown Detroit: "American acropolis" or vacant land -- what to do with the world's largest concentration of pre-depression skyscrapers". Metropolis.
  13. Bennet, James (December 10, 1995). "A Tribute To Ruin Irks Detroit". The New York Times. Retrieved 5 May 2014.
  14. Arens, Robert M. (1997). "Say Nice Things About Detroit: Private Visions and Public Debate" (PDF). Architecture Material and Imagined (85th ACSA Annual Meeting Proceedings, Architecture: Material and Imagined): 634–638. Retrieved 5 May 2014.
  15. http://oa.upm.es/5978/1/FernandezAgueda_ponencia_2010_02.pdf
  16. Leary, John Patrick (January 15, 2011). "Detroitism". Guernica. Retrieved 5 May 2014.
  17. "Berlin Prize Fellow, Class of Spring 2010". American Academy in Berlin. Archived from the original on May 5, 2014. Retrieved March 14, 2012.
  18. President Obama to Award 2012 National Medal of Arts and National Humanities Medal Whitehouse.gov, retrieved 30 June 2013
  19. Glenn Ligon, Hilton ALS, Camilo José Vergara, Nancy Lublin, and Michael Gallert Named Honorary Degree Recipients by The New School 2 April 2018
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