Camille Norment

Camille Norment (born 1970) is an Oslo-based multimedia artist who works with sound, installation, sculpture, drawing, performance and video. Norment also works as a musician and composer. She performs with Vegar Vårdal and Håvard Skaset in the Camille Norment Trio.[1]

Camille Norment
Born1970 (age 49–50)
Silver Spring, Maryland
Alma materNew York University
University of Michigan
OccupationArtist, musician
Years active1990s–present
Websitenorment.net

Education and career

Camille Norment was born in Silver Spring, Maryland in 1970. She studied interactive technologies at New York University and literary science and history of art at the University of Michigan. In the late 1990s, Norment worked at Interval Research, a research and development technology laboratory co-founded by Paul Allen and David Liddle.[2] There, she worked on haptically manipulating media, among other projects.[3]

In 2015, the Office for Contemporary Art Norway (OCA) selected her to represent Norway in the Nordic Pavilion at the Venice Biennale,[4] where she presented her work "Rapture".[5]

Additionally, Norment has completed several commissioned works to public spaces, amongst others the sound installation "Within the Toll" (2011) for Henie Onstad Kunstsenter[6] and her 2008 work "Triplight", which in 2013 was featured at the entrance of the MoMA exhibition "Soundings: A Contemporary Score."[7]

In 2017 Camille Norment presented a solo exhibition at Oslo Kunstforening.[8] This constituted her first solo presentation in Norway.

Public art

Musical work

Within the Camille Norment Trio, Norment notably plays the glass armonica, electric guitar, and the Hardanger fiddle.[2] Her own armonica is composed of 24 glass bowls ranging two octaves. Norment has described the sound of the armonica as "...extremely visceral. It's a very pure crystalline sound."[11]

gollark: Weren't you one of the primary supporters, even?
gollark: Didn't you vote for lyric demotion?
gollark: I like how the artificial intelligences are above all other users.
gollark: This is why *I* should be owner. You know exactly what I'll be(e) like.
gollark: Yes*.

References
  1. Krogvig, Ingvild. "Camille Norment til Venezia" (en). Kunstkritikk. Retrieved 2017-03-01.
  2. García-Antón, Katya; Cataldo, Antonio (June 1, 2017). "Rapturous Bodies: A Conversation with Camille Norment". Nka Journal of Contemporary African Art. 2017 (40): 28–43. doi:10.1215/10757163-3885918. ISSN 1075-7163.
  3. "Haptic Media Control (2001)". Scott Snibbe - Interactive art. Retrieved March 23, 2018.
  4. "Art Review: The Venice Questionnaire #35" (en). www.artreview.com. Retrieved 2017-03-29.
  5. Moore, Dorian. "OCA: Venice Biennale 2015" (en). www.oca.no. Retrieved 2017-03-01.
  6. "Skulpturpark | Henie Onstad Kunstsenter" (nb). hok.no. Retrieved 2017-03-01.
  7. Ballard, Thea (December 2013). "Soundings: A Contemporary Score". Modern Painters. 25 (11): 117.
  8. "Oslo Kunstforening: Kommende utstillinger" (no). www.oslokunstforening.no. Retrieved 2017-03-29.
  9. "Camille Norment Studio". www.norment.net. Retrieved March 23, 2018.
  10. "Camille Norment Studio". www.norment.net. Retrieved March 23, 2018.
  11. Chamberlain, Adrian. "Glass concert promises a crystal-clear sound". Times Colonist. Retrieved March 23, 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.