C. C. Field Film Company

C. C. Field Film Company, also known as Field's Feature Film Company, was a short-lived film studio company in Miami, Florida. Construction of a studio for the company at South Miami Avenue at 25th Street began in 1915. It was headed by Charles C. Field who also established the Prismatic Film Company, its predecessor. Field relocated to Hollywood before returning to Florida in 1916. His partner took over and soon after the company ceased operations having produced only a few films. The studio building was later used by Tilford's studio.[1]

Field responded to film recruitment efforts by Miami's Chamber of Commerce. After producing a promotional film for the city was produced by his Prismatic Studio, he left for Hollywood. He returned in 1916 and set up Field's Feature Film Company which became Florida Film Company when his partner took over.

The studio operated with two sets of 44 member cast and crew units. William A. Howell left Thanhouser to work for Field.[2] Alice Hollister and George Hollister also joined it.[3] Noah Beery was one of the studio's starring actors.[4] Julia Calhoun was also contracted as an actress.

"Tomato King" Thomas Peters was his partner in the studio building project[5] and took over when the company's first films struggled to find buyers and received unfavorable reviews.

A screening office was opened in New York City. Three five-reel film were produced.[6]

Establishment

Field arrived in Miami by private railcar. He was later described as "half movie producer and half con man" and negotiated with the City Council for his Prismatic Film Company.[7]

Filmography
  • The Magic City of the South, a promotional film about Miami[1] (Prismatic Film Company)
  • The Human Orchid[8][9]
  • The Toll of Justice[8], according to IMDb it was a bigoted Ku Klux Klan film that offended Thomas Dixon Jr., author of The Clansman that Birth of a Nation was based on.
  • Fate's Chessboard,[10] alternative title Fate's Bond[11] (completed in 1916, unclear whether it was ever released), the film featured actors portraying Seminole Indians[12]
gollark: Full anarchoprimitivism, as komrad suggested, would *not* have that, and pre-industrial-revolution you have way worse productive capacity (so less of those things/worse things), and no access to modern medicine.
gollark: You still have access to presumably clean water of some form, the knowledge that you *can* go somewhere with that if you need medical treatment or whatever, and the ability to buy stuff if it's needed.
gollark: Or, I guess, for full monke™ any technology.
gollark: I feel like you're drastically underestimating how bad life is without any modern technology.
gollark: Well, I do care about that, because having a worse economy means people's quality of life is generally worse.

References
  1. https://www.jstor.org/stable/30140680?read-now=1&seq=5#page_scan_tab_contents
  2. Howard, Terris C. (July 12, 2018). "Anders Van Haden: A Pictorial Biography". iUniverse – via Google Books.
  3. "Motography". May 6, 1916 – via Google Books.
  4. Katchmer, George A. (May 6, 1991). "Eighty Silent Film Stars: Biographies and Filmographies of the Obscure to the Well Known". McFarland – via Google Books.
  5. Florida, State Library and Archives of. "Movies and TV in Florida". Florida Memory.
  6. "The Moving Picture World". World Photographic Publishing Company. May 6, 1916 – via Google Books.
  7. Association, University Film (May 6, 1977). "Journal of the University Film Association". University Film Association – via Google Books.
  8. "The Moving Picture World". World Photographic Publishing Company. May 6, 1916 – via Google Books.
  9. "The Moving Picture World". World Photographic Publishing Company. May 6, 1916 – via Google Books.
  10. "The Moving Picture World". World Photographic Publishing Company. May 6, 1916 – via Google Books.
  11. Florida, State Library and Archives of. "Noah Beery as a Seminole Indian chief - Miami, Florida". Florida Memory.
  12. Staff, America Film Institute; Gevinson, Alan; Institute, American Film (May 6, 1997). "Within Our Gates: Ethnicity in American Feature Films, 1911-1960". University of California Press – via Google Books.
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