Bus Riley's Back in Town

Bus Riley's Back in Town is a 1965 American drama film written by William Inge, directed by Harvey Hart, and starring Ann-Margret and Michael Parks.

Bus Riley's Back in Town
Directed byHarvey Hart
Produced byElliott Kastner
Written byWilliam Inge credited as Walter Gage
StarringAnn-Margret
Michael Parks
Janet Margolin
Brad Dexter
Kim Darby
Jocelyn Brando
Larry Storch
Music byRichard Markowitz
CinematographyRussell Metty
Edited byFolmar Blangsted
Production
company
Universal Pictures
Distributed byUniversal Pictures
Release date
  • March 24, 1965 (1965-03-24)
Running time
93 minutes
CountryUnited States
LanguageEnglish

Inge was very unhappy with changes made to his script and had his name removed from the credits, replacing it with the name "Walter Gage". It turned out to be the last of Inge's works brought to the screen during his lifetime. Although Ann-Margret was the film's best-known cast member, trailers for Bus Riley heavily promoted Parks as Hollywood's next big star.

Plot

After three years in the Navy, Bus Riley (Michael Parks) returns to his hometown, moves back in with his mother and sisters, and begins trying to make a life for himself. He suffers a series of personal and career disappointments. Riley is a highly skilled mechanic, but resists suggestions that he work for the local garage and attend college at night, as he aspires to a career he considers more respectable and prestigious.

Riley discovers that an older male friend who has promised him a mortician's job wants a live-in sexual relationship as part of the bargain; disillusioned, Riley rejects the offer. He takes a job as a door-to-door vacuum cleaner salesman, but ends up fending off advances from lonely housewives. To compound his unhappiness, Riley learns that his beautiful but shallow girlfriend Laurel (Ann-Margret) has married a wealthy older man in his absence. Bored with her society life, Laurel lures Riley into having an affair with her against his better judgment.

Judy (Janet Margolin), a family friend, loses her mother and her home in a fire, leading to a romance with Riley that gives him hope for the future. He takes the garage job. After his sisters and mother learn of his affair with Laurel and confront him, Riley realizes he does not love the selfish and manipulative Laurel and breaks up with her for good, regaining the self-confidence to be proud of his work at the garage.

Cast

Production

The production started as a one-act play by Inge. It was produced at Pennsylvania State University in 1958, and he then set about expanding it. In 1962, he said, "Right now it's in a formless stage, half movie, half play. I intend to make it into a play. It's about a success symbol of today - a young movie actor returning to his home town. It deals with some of the forces in his life that compelled his drive for success and that made success a necessity for his survival. It is not based on any particular person. It's more of a composite portrait."[1]

It was originally known as All Kinds of People.[2] Parks was cast off the back of his work in Daffy.[3]

In a bar scene with Bus and Howie discussing employment opportunities, a groovy version of the then very popular "Downtown" minus lyrics is played in background from beginning to end for the duration of the scene.

gollark: Probably, and it'll be for "national security" or something.
gollark: How do you make it do that?
gollark: It would be nice to at least fetch from an alternate repo or something, like cargo can.
gollark: That's kind of annoying. I suppose I don't really need 5.3 features right now.
gollark: Nope, still installs `luabitop` and does the `bit.c:79:2: error: #error "Unknown number type, check LUA_NUMBER_* in luaconf.h"` thing.

References
  1. "NEWS OF THF RIALTO: INGE'S PLANS: EXCERPT" by MILTON ESTEROW. New York Times 17 June 1962: 85.
  2. "Pal Will Go Ahead on 'Disappearance': 'All Kinds of People' Inge's; Don't Shoot the Projectionist" Scheuer, Philip K. Los Angeles Times 5 Dec 1963: C13.
  3. "Looking at Hollywood: Paula Prentiss Lands Big Film Role" Hopper, Hedda. Chicago Tribune 16 Mar 1964: b3.
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