Bulat-Batır

Bulat-Batır or Bulat-batyr (Russian: Була́т-Баты́р, Tatar: بولات باتر) is a 1928 silent historical drama film, believed to be the first Tatar film and probably the only Tatar full-length feature silent film. The film was shot mostly in Kazan, and the Kazan Kremlin was one of its stills. The film is devoted to the Pugachev rebellion and its alternative names include Pugachyovshchina (Russian: Пугачёвщина), Flames on Volga and Revolt in Kazan.[1]

Bulat-Batır
Directed byYuri Tarich
Vladimir Korsh-Sablin
Written byNatan Zarhi
Abdraxman Şakirov
StarringVasiliy Yaroslavtsev
Ada Vojtsik
Ivan Klyukvin
Galina Kravchenko
CinematographyGrigori Giber, N. Sokolov, Vladimir Solodnikov (II)
Distributed bySovkino
Tatkino
Release date
1928
CountrySoviet Union
Language- = Silent film
Russian intertitles
Tatar intertitles

The story was written by Abdraxman Şakirov, a young Communist from Agryz and the script was written by Natan Zarhi, a Soviet scenario writer.

Plot

In the 18th century, a small Tatar village celebrates the Sabantuy festival. Orthodox monks accompanied by soldiers appear to forcibly baptize the population of the village. Locals resist and soldiers commit a punitive action. The wife of peasant Bulat is killed by soldiers, his son Asfan is carried off. Bulat stays alone with another son, Asma. 15 years after Bulat and Asma joined the Pugachev rebellion and Bulat became famous as a defender of paupers. But his son Asfan, who was reared among nobles, received a commission and led a punitive force directed to suppress a rebellion in his motherland.

Cast
  • Vasiliy Yaroslavtsev as Bulat-Batır
  • Ada Vojtsik as Asma
  • Ivan Klyukvin as Asfan
  • Galina Kravchenko as Elena von Brandt
  • Naum Rogozhin as von Kanits
  • Ivan Arkanov as Suleiman Murza
  • Nikolai Vitovtov as Derzhavin
  • Alexandr Zhukov as Timur
  • Boris Yurtsev as Murat
  • Eduard Kulganek as general Potyomkin
  • Mstislav Kotelnikov as Beloborodov, emissary of Pugachov
  • Tatyana Barysheva as genius of victory
  • Kayum Pozdnyakov
  • Lev Ivanov as Kayum

Critical reception

It is known that after the premiere in Germany one White émigré Antonov-Ivanov attempted to burn a copy of the film in the "Concordia" cinema as a sign of protest against "Bolshevik Propaganda".[2]

The film received a positive review from The New York Times praising it for the authentic atmosphere.[3] Bryher praised the scenery and the cinematography.[1]

gollark: Should I be worried about you asking about the internals of osmarks internet radio™?
gollark: Why are you asking *that*?
gollark: Oh dear.
gollark: I use the httpd output plugin, opus encoder thing, run it through nginx for encryption and so it can coexist with the other HTTP stuff I have, and ympd on a subdomain to manage it.
gollark: We do not currently expose direct public access.

References
  1. Bryher (1922). Film Problems Of Soviet Russia. Riant Chateau TERRITET Switzerland. pp. 109–111.
  2. "Beginning of December. Berlin". No. № 50. Kino. 11 December 1928. Cite magazine requires |magazine= (help)
  3. "TARTARS' REVOLT SHOWN.; "Flames on Volga" a Vivid Picture of Catherine the Great's Days". The New York Times.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.