Bruce Talamon

Bruce Wayne Talamon (born July 31, 1949) is an American photographer. He is best known for photographing R&B and soul musicians during the 1970s and 1980s, and for his editorial work as a contract and stills photographer.[1][2]

Bruce Wayne Talamon
Born (1949-07-31) July 31, 1949
NationalityAmerican
OccupationPhotographer
Websitebrucetalamon.com

Early life

Born in Los Angeles on July 31, 1949, Talamon was the first of two sons born to James and Clelie Talamon. He began high school in 1963 at the all-boys Catholic Verbum Dei High School, and went on to study political science at Whittier College in California.[3] While studying abroad in Berlin, Germany in 1970, he bought his first camera, an Asahi Pentax, and went on to photograph Miles Davis and Dexter Gordon with it in Copenhagen during his time abroad. After graduating in 1971 with a Bachelor of Arts in political science, he forwent attending law school and instead decided to pursue a career as a photographer.

Career

R&B photography

After graduating from Whittier College, Talamon received an offer to work as a photographer at the 1972 Watts Festival in Los Angeles.[4] Although he did not end up getting the job, he was able to secure a backstage pass, which allowed him the access needed to take pictures of some of the most notable R&B artists of that era. His photograph of Isaac Hayes was, according Talamon, "the first R&B photograph [he] ever took".[5] It was also on that occasion that he met photographer Howard Bingham and, thanks to Bingham's introducing him to Soul Newspaper's owner Regina Jones, began working as a contributing photographer, and later, photo editor.[6]

In 1974, Talamon expanded his client base to include Motown Records, his first corporate client.[7] He was soon shooting publicity and editorial photographs for other record companies, including CBS Records. This same year, he also began working as a freelancer for Jet, Ebony, and Black Stars magazines. Over the span of his career, he shot such household names as Donna Summers, James Brown, Marvin Gaye, Bootsy Collins, and Chaka Khan.[8]

In the late 1970s and early 1980s, Talamon accompanied several artists on tour, including Bob Marley (1978–1980) and Earth, Wind and Fire (1979–1980). His career as a photographer for R&B record companies came effectively to an end in 1982 due to new policies concerning photo buyouts.

Stills and editorial photography

Talamon started doing production stills photography in 1975. As a contract photographer for ABC Television, he worked on such shows as Laverne & Shirley, Taxi, American Bandstand, and Charlie's Angels and, in 1980, Don Cornelius hired him to be Soul Train’s stills photographer.[9][10]

Talamon's first feature film working as a stills photographer was the 1982 Columbia Pictures feature Blue Thunder. He worked on projects at a number of major films studios over the next thirty years, including Staying Alive (1982), The Golden Child (1986), Beverly Hills Cop II (1987), Devil in a Blue Dress (1995), Space Jam (1996) and Larry Crowne (2011).[11]

Talamon also worked as an editorial photographer for Time magazine. His first major assignment for the magazine was covering the 1984 American presidential primaries and the Reverend Jesse Jackson’s run for presidential candidacy.[12] He would cover politics for Time once more during the 1988 Democratic primaries.

Since the mid-1990s, Talamon has been involved in the publication of several photography books and exhibitions featuring his work. These include his book Bob Marley: Spirit Dancer (1994), his contributions to Barack Obama: The Official Inaugural Book (2009), and the exhibition R&B Photographs: 1972–1982 (2014).

Personal life

Talamon has a son.[13]

Publications
  • A Day in the Life of America Photographed by 200 of the World's Leading Photojournalists on One Day. New York: Collins, 1986.
  • Talamon, Bruce W., and Roger Steffens. Bob Marley: Spirit Dancer. New York: Norton, 1995.
  • Taylor, Clyde, and Barbara Head Millstein. Committed to the Image: Contemporary Black Photographers. New York: Merrell Publishers, 2001.
  • Kennerly, David Hume, Pete Souza, and Robert McNeely. The Official Barack Obama Inaugural Book. Minneapolis: Five Ties Publishing, 2009.
  • Tilton, Connie Rogers, Steve Cannon, Bruce W. Talamon, and David Hammons. L. A. Object & David Hammons Body Prints. New York: Tilton Gallery, 2011.
  • Talamon, Bruce W., Pearl Cleage, and Reuel Golden. Soul, R&B, Funk, Photographs 1972–1982. Cologne: Taschen, 2018.

Films (as stills photographer)
  • 1983 Blue Thunder
  • 1983 The Man with Two Brains
  • 1983 Uncommon Valor
  • 1983 D. C. Cab
  • 1984 Rhinestone
  • 1985 Sweet Dreams
  • 1986 Wildcats
  • 1986 Nothing in Common
  • 1986 The Golden Child
  • 1987 Beverly Hills Cop II
  • 1987 Eddie Murphy: Raw
  • 1988 Sunset
  • 1988 Big Top Pee-wee
  • 1989 Police Academy 6: City Under Siege
  • 1989 Indiana Jones and the Last Crusade
  • 1989 Black Rain
  • 1989 Harlem Nights
  • 1990 Another 48 Hrs.
  • 1991 Soapdish
  • 1991 Other People's Money
  • 1992 Boomerang
  • 1993 Point of No Return
  • 1993 Heart and Souls
  • 1995 Devil in a Blue Dress
  • 1995 Nick of Time
  • 1996 Space Jam
  • 1998 Small Soldiers
  • 1998 Blade
  • 2001 Along Came a Spider
  • 2002 High Crimes
  • 2006 Black Snake Moan
  • 2008 Bachelor Party 2: The Last Temptation
  • 2008 Indiana Jones and the Kingdom of the Crystal Skull
  • 2010 The Pacific
  • 2011 Larry Crowne
  • 2011 Abduction

Exhibitions
  • Committed to the Image: Contemporary Black Photographers, Brooklyn Museum, New York, 2001.
  • R&B Photographs: 1972–1982, Contact Photo Lab, The Brewery, Los Angeles, 2014.
gollark: Also, what do you mean "so what"? Technological progress directly affects standards of living.
gollark: ... that makes no sense that wouldn't even work.
gollark: Dunbar's number is 150 or so - humans can have meaningful social relationships with 150 or so people, apparently. Many systems require larger-scale coordination than this.
gollark: ... so we can have technology?
gollark: Communal thinking works for small close-knit communities. But that obviously does not scale.

References
  1. Fox, Killian (July 22, 2018). "Behind the scenes with the biggest soul stars of the 70s". The Guardian. ISSN 0261-3077. Retrieved December 12, 2018.
  2. Berger, Maurice (September 6, 2018). "Chronicling the Virtuosity and Struggles of 1970s Soul and Funk Musicians". The New York Times. ISSN 0362-4331. Retrieved December 12, 2018.
  3. "Capturing Legends of Music | Whittier College". www.whittier.edu. Retrieved December 12, 2018.
  4. Museum, GRAMMY. "Bruce W. Talamon: Soul, R&B, and Funk Photographs 1972–1982: A Love Letter to the Music | GRAMMY Museum". www.grammymuseum.org. Retrieved December 12, 2018.
  5. "Bruce W. Talamon Teases New Book With Photos of Aretha Franklin, Stevie Wonder & More: Exclusive". Billboard. Retrieved December 12, 2018.
  6. "The Man Who Shot Stevie Wonder, Aretha Franklin, and James Brown With Style". Pitchfork. Retrieved December 12, 2018.
  7. "The Power of Soul, R&B, Funk". Adam White. Retrieved December 12, 2018.
  8. Leight, Elias; Leight, Elias (September 26, 2018). "Iconic Photos by Bruce Talamon: From Chaka Khan and Stevie Wonder to Earth, Wind and Fire". Rolling Stone. Retrieved December 12, 2018.
  9. "The men's wear behind the music: New book showcases the styles of the golden age of soul, R&B and funk". Retrieved December 12, 2018.
  10. Rosado, Ana (September 12, 2018). "Re-live the magic of 70s soul, R&B, and funk". CNN. Retrieved December 12, 2018.
  11. "Bruce W. Talamon". IMDb. Retrieved December 12, 2018.
  12. Easter, Makeda. "Photographer Bruce Talamon captured black joy in the glory years of soul and funk. Now he's getting his due". Los Angeles Times. Retrieved December 12, 2018.
  13. "Bates, Karen Grigsby 1951(?)- | Encyclopedia.com". www.encyclopedia.com. Retrieved December 12, 2018.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.