Brooklyn's Finest
Brooklyn's Finest is a 2009 American crime drama film directed by Antoine Fuqua and written by Michael C. Martin. The film stars Richard Gere, Don Cheadle, Ethan Hawke, and Wesley Snipes.
Brooklyn's Finest | |
---|---|
Theatrical release poster | |
Directed by | Antoine Fuqua |
Produced by |
|
Written by | Michael C. Martin |
Starring |
|
Music by | Marcelo Zarvos |
Cinematography | Patrick Murguia |
Edited by | Barbara Tulliver |
Production company |
|
Distributed by | Overture Films |
Release date |
|
Running time | 132 minutes |
Country | United States |
Language | English |
Budget | $17 million[1] |
Box office | $36.4 million[1] |
Brooklyn's Finest had its world premiere at the 2009 Sundance Film Festival on January 16, 2009 and was released in the United States on March 5, 2010.
Plot
Bobby "Carlo" Powers and Detective Salvatore "Sal" Procida (Ethan Hawke) are having a conversation in a car when Sal unexpectedly shoots Carlo, grabs a bag of money from Carlo's lap, and flees. Sal later confesses the murder to a priest, asking for help with his dire situation: his wife is pregnant with twins, and they live in a house that is too small for their four existing children; it also has mold that jeopardizes his family's health.
Desperate to move, Sal has arranged to purchase a larger home through a woman who owes him a favor. The down payment is due the following Tuesday, and Sal is still short. Sal, who is a highly skilled and accomplished narcotics detective, has begun to pickpocket drug money from raids.
Officer Edward "Eddie" Dugan (Richard Gere) is a week from retirement after 22 years of unremarkable service to the force. Eddie is assigned to oversee rookies in the tough neighborhoods. However, his personal life is in shambles; as he swills whiskey in the morning to get out of bed, and the only person he can speak to honestly is Chantel (Shannon Kane), a sex worker he hires regularly.
Detective Clarence "Tango" Butler (Don Cheadle) is an undercover cop working the drug beat. After losing himself in his role as a drug dealer, Tango is tired of the kind of attention attracted by a black man in a black BMW. Having been promised a promotion including a desk job for years, Butler is finally offered a way out if he betrays his close friend Casanova "Caz" Phillips (Wesley Snipes), a known criminal recently released from federal prison. Federal Agent Smith (Ellen Barkin) instructs Tango to set up the drug deal that will ensure Caz's arrest and return to federal prison.
Eddie's first rookie partner is a former Marine, who becomes disgusted with Eddie's perceived cowardice and cynical outlook. The rookie asks to be reassigned, but he is killed on his next assignment. Eddie's second rookie partner accidentally fires his gun near a teenager during a petty theft investigation. The teenager goes deaf, leaving the NYPD facing a public relations nightmare. During the investigation, Eddie is remorseful for what happened but refuses to play along with his superiors' attempts to imply that the teenager was a drug dealer.
When Tango warns Caz to abort their upcoming drug deal, they are ambushed. Caz is shot under orders from Red, a gangster Tango had previously humiliated. After Smith makes a racist remark and refuses to pursue Red, a furious Tango lunges at her but fellow officers restrain him.
Sal's latest raid on a complex is cancelled but he leaves to rob the money needed for his house. One of his team members, Detective Ronny Rosario (Brian F. O'Byrne), tries but fails to stop Sal from doing the raid. As he approaches the building, Sal passes Tango, who has come there to kill Red. Sal raids the apartment and, after killing three drug dealers, discovers their stockpile of cash. Unfortunately, Sal is shot and killed by a young man who became suspicious when he noticed Sal entering the building.
After Tango gets his revenge on Red, an arriving Rosario mistakens him for a gangster and shoots him in self-defence. Only after shooting Tango does Rosario realize he has shot another officer. Rosario, still determined to stop Sal, leaves a wounded Tango to continue his search for Sal. Rosario witnesses the young man who shot Sal running away from the crime scene and is devastated when he finds Sal's dead body in the apartment.
Meanwhile, Eddie retires and visits Chantel, who declines his offer to move to Connecticut. On his way home, Eddie sees a woman who was reported missing being shoved into a van. He follows the van to the Van Dyke housing projects, where he locates a sex slave dungeon in the basement. Eddie apprehends one of the men and is confronted by a second one.
When the second man does not comply with his orders to get on the floor, Eddie shoots him once in the chest, beginning a violent fight that ends with Eddie strangling his opponent with a zip tie. Eddie finds redemption by rescuing the missing girls.
Cast
- Richard Gere as Edward "Eddie" Dugan
- Don Cheadle as Det. Clarence "Tango" Butler
- Ethan Hawke as Det. Salvatore "Sal" Procida
- Wesley Snipes as Casanova "Caz" Phillips
- Vincent D'Onofrio as Bobby "Carlo" Powers
- Brían F. O'Byrne as Ronny Rosario
- Will Patton as Bill Hobarts
- Michael Kenneth Williams as Red
- Lili Taylor as Angela Procida
- Shannon Kane as Chantel
- Ellen Barkin as Agent Smith
- Wass Stevens as Det. Patrick Leary
- Armando Riesco as Det. George Montress
- Wade Allain-Marcus as C-Rayz
- Logan Marshall Green as Melvin Panton
- Jesse Williams as Eddie Quinlan
- Hassan Iniko Johnson as Beamer
- Jas Anderson as K. Rock
- Raquel Castro as Katherine
- Tobias Truvillion as Gutta
- Lela Rochon as Investigator #1
Production
The film was filmed in the three New York City boroughs of Manhattan, Queens, and Brooklyn in July 2008.[2][3][4] In Brooklyn, locations included Brownsville and there, among others, the Van Dyke Houses. In Queens, locations included Rego Park.[5] Michael C. Martin's script originally took place primarily in the Louis H. Pink Houses in East New York, which were near where the writer and a couple of his friends grew up.[6]
The total budget for the film was in the $17 million range, and many of the actors took large pay cuts to make the movie.[5] The part of Man Man was given to Zaire Paige, a gang member from the neighborhood; three months after filming, he was involved in the murder of Lethania Garcia, for which he was sentenced to 107 years to life in prison.[7]
Writer
Michael C. Martin, the writer of the screenplay, went to South Shore High School, where a film appreciation course sparked his interest, and an anterior cruciate ligament injury derailed a possible basketball career. He studied film at Brooklyn College. After having been injured in a car accident in 2005, Martin wrote the Finest script for a screenwriter's contest He did not win but his second prize included a subscription to the Independent Feature Project newsletter. The script also continued to gain attention. Martin found an agent interested in having him write a sequel to the successful film New Jack City. He finally found someone interested in producing his script for Finest, for which he received $200,000.[5]
In an interview at the time of the movie's release, Martin described development of the film:
"Jeanne O’Brien-Ebiri and Mary Viola are responsible for getting this movie made. Jeanne was the first person in the industry to read the script and she was responsible for getting me an agent and the staff job (as a staff writer on the Showtime series Sleeper Cell). And once the script was out there, it came across Mary Viola’s desk at Thunder Road Pictures as a writing sample for New Jack City 2. Mary, a native New Yorker, worked like hell to sell it to the head of Thunder Road, Basil Iwanyk. Basil was an executive on Training Day, he had a great relationship with Antoine. And once Antoine attached himself to the script, Richard Gere, Don Cheadle, Wesley Snipes, and Ethan Hawke followed. Within weeks, it received a green light."[6]
As inspiration for the Finest script, Martin named three Italian neorealist films, Nights of Cabiria, Umberto D., and Bicycle Thief, and two directors, Italian Vittorio De Sica, who directed Umberto and Thief among others, and American Jim Jarmusch.[6]
In the interview, Martin identified his South Shore film teacher as Mr. Braun.[6]
Release
Brooklyn's Finest premiered at the Sundance Film Festival in January 2009, and was picked up by Senator Distribution with a price "in the low seven figures".[8] Due to some financial distress, Senator Distribution was not able to fund its release in 2009.[9] The film was sold again to Overture Films at the 66th Venice Film Festival in September,[9] and was released in North America on March 5, 2010.
Critical reception
The film was met with mixed reviews. It holds a 44% approval rating based on 151 reviews collected by Rotten Tomatoes and has an average rating of 5.48/10. The site's consensus reads: "It's appropriately gritty, and soaked in the kind of palpable tension Antoine Fuqua delivers so well, but Brooklyn's Finest suffers from the comparisons its cliched script provokes".[10] The film received a score of 43% at Metacritic based on 33 reviews from mainstream critics.[11]
In his review for the Chicago Sun-Times, Roger Ebert gave the film three stars out of four, concluding, "The film has a basic strength in its performances and craft, but falls short of the high mark Fuqua obviously set for himself."[12] Mick LaSalle of the San Francisco Chronicle praised the actors for "bringing dimension to these stock characters", but criticized the film for being "a melodrama about three cliches in search of a bloodbath."[13]
A. O. Scott of the New York Times also gave the film a mixed review, stating, "the sheer charismatic force of much of the acting keeps you in the movie", but "Mr. Fuqua and Mr. Martin dig themselves into a pulpy predicament, and then find themselves unable to do anything but shoot their way out."[14] The Los Angeles Times reviewer commented that "Brooklyn's Finest is an old style potboiler about desperate cops in dire straits that overcooks both its story and its stars."[15]
Box office
In its debut weekend in the United States, Brooklyn's Finest opened at number two behind Alice in Wonderland with $13,350,299 in 1,936 theaters, averaging $6,896 per theater.[1][16] As of September 3, 2010, the film has grossed $27,163,593 in the United States theatrically,[1] a good result for its United States distributor Overture Films, which paid less than $3 million to acquire this film's United States rights.[17] The film also grossed $36,440,201 in theaters worldwide,[1] and achieved 11th place on Box Office Mojo's "Dirty Cop" genre ranking, 1973–present.[18]
Award nominations
- BET Awards
- Nominee, Don Cheadle - Best Actor
- Black Reel Awards
- Nominee, Best Picture
- Nominee, Best Ensemble
- Nominee, Antoine Fuqua - Best Director
- Nominee, Michael C. Martin - Best Screenplay: Original or Adapted
- Nominee, Don Cheadle - Best Actor
- Winner, Wesley Snipes - Best Supporting Actor
Bollywood adaptation
In May 2013, Original Entertainment confirmed to have sealed a five-picture deal with Millennium Films to produce Bollywood remakes of Rambo, The Expendables, 16 Blocks, 88 Minutes, and Brooklyn's Finest, with the productions for Rambo and The Expendables expected to start at the end of that year.[21]
References
- "Brooklyn's Finest (2010) – Box Office Mojo". Box Office Mojo. Retrieved March 8, 2010.
- Oztan, Amy (July 6, 2008). "Conversations With "Brooklyn's Finest"". Selfish Mom: Martyrs Don't Make Great Moms!. Retrieved September 29, 2015.
- "Richard Gere Pics From Brighton Beach". Filming In Brooklyn: What's filming in your neighborhood?. July 8, 2008. Archived from the original on September 30, 2015. Retrieved September 29, 2015.
- "Richard Gere and Antoine Fuqua on Location for "Brooklyn's Finest" - J". Getty Images. July 2008. Retrieved September 29, 2015.
- Lee, Trymaine (August 10, 2008). "Brooklyn to Hollywood: That's Some Subway Ride". The New York Times. Retrieved February 8, 2010.
- "Q&A with Brooklyn's Fines screenwriter Michael C. Martin" Interview by Scott Myers, March 5, 2010. Retrieved May 31, 2010.
- Elizabeth Dwoskin, Jason Parham (2011-01-26). "Zaire Paige Not Only Played a Movie Killer, He Became One in Real Life". Village Voice. Retrieved 2011-12-20.
- Cieply, Michael (January 26, 2009). "Movies Sell Slowly at Sundance". The New York Times. Retrieved February 4, 2010.
- Swart, Sharon (September 13, 2009). "Fuqua's 'Finest' to Overture". Variety. Retrieved February 4, 2010.
- "Brooklyn's Finest (2010)". Rotten Tomatoes. Fandango Media. Retrieved July 19, 2019.
- "Brooklyn's Finest reviews at Metacritic.com". Metacritic. Amazon.com. Retrieved March 6, 2010.
- Roger Ebert (March 3, 2010). "Brooklyn's Finest :: rogerebert.com :: Reviews". Chicago Sun-Times. Retrieved March 5, 2010.
- Mick LaSalle (March 4, 2010). "Review: Cliches handcuff 'Brooklyn's Finest'". San Francisco Chronicle. Retrieved March 5, 2010.
- A. O. Scott (March 5, 2010). "Movie Review - Brooklyn's Finest - NYTimes.com". The New York Times. Retrieved March 5, 2010.
- Betsy Sharkey (March 5, 2010). "Review: 'Brooklyn's Finest' - latimes.com". Los Angeles Times. Retrieved March 5, 2010.
- "Weekend Report: Moviegoers Mad About 'Alice' – Box Office Mojo". Box Office Mojo. Retrieved June 20, 2010.
- "Overture Box-Office Profits: $50M-$60M". TheWrap.com. Retrieved June 20, 2010.
- "Cop – Dirty Movies at the Box Office". Box Office Mojo. Amazon.com. Retrieved April 16, 2010.
- Kehr, Dave (July 4, 2010). "DVDS; A Lone Figure, Standing Upright Amid the Cyclone". The New York Times. p. 8. Retrieved July 15, 2010.
- Arnold, Thomas K. (July 14, 2010). "'Brooklyn's Finest' dominates video charts". The Hollywood Reporter. Archived from the original on July 16, 2010. Retrieved July 15, 2010.
- McNary, Dave (May 15, 2013). "Original Ent. Plans Bollywood Remakes of 'Rambo,' 'Expendables' (EXCLUSIVE)". Variety. Retrieved May 20, 2017.
External links
- Official website
- Brooklyn's Finest on IMDb
- Brooklyn's Finest at AllMovie
- Brooklyn's Finest at Box Office Mojo
- Brooklyn's Finest at Metacritic
- Brooklyn's Finest at Rotten Tomatoes
- On Directing (Brooklyn's Finest) with Antoine Fuqua nthWORD Magazine Interview by Gina Ponce, April 2010