Brian McTernan
Brian McTernan is an American musician and record producer from Baltimore. As a musician, McTernan was the lead vocalist for the hardcore punk band Battery, guitar player for Ashes, and is currently the singer for Be Well.
Brian McTernan | |
---|---|
McTernan performing with Battery in 1998 | |
Background information | |
Origin | Baltimore |
Genres | |
Occupation(s) | Musician, producer |
Instruments | guitar |
Years active | 1990–present |
Associated acts |
McTernan operates a studio called Salad Days in Baltimore, named after the Minor Threat song of the same name, and has produced albums for a number of notable artists, including Thrice, Circa Survive, Turnstile, and Hot Water Music. He was voted one of the 50 most influential people in Maryland by The Daily Record.[1]
Early life
McTernan was born in Bethesda, Maryland. Brian had a troubled youth, which he addressed on Battery's 2017 song "My Last Breath".[2] He dropped out of high-school at the age on 17 to tour with Battery.[3]
He comes from a family with many hardcore punk music ties. His brother, Mike McTernan, is the singer for Damnation A.D. and When Tigers Fight. His brother Peter played drums for Good Clean Fun for a short period of time.. Brian started attending punk and hardcore shows in the DC area when he was ten years old.
Musician
McTernan joined Ken Olden, Matt Squire, Toshi Yano and Zac Eller to form Battery in 1990. Originally called "Fury", the band released its first record in 1991 on Deadlock Records. The band broke up in 1998 but reunited briefly in 2012. In 2017, the band reunited for good, releasing a new compilation, For The Rejected By The Rejected, and embarked on a tour of Europe.[2]
McTernan was also a songwriter and guitar player for the rock band Miltown, which was signed to Warner Brothers. Miltown broke up in the studio before the first album was completed.
Producer
In 1994, McTernan moved to Boston to be near his future wife who studied at Harvard University. He started his recording studio "Salad Days", when he was 18 years old, naming it after a song by Minor Threat from their 1985 Salad Days EP, in the basement of the house he shared with six roommates.[3] The first recording produced by McTernan was the eponymous 1995 EP by the New York City based post-hardcore band Texas Is the Reason for Revelation Records.
McTernan went on to build Salad Days to be a legendary studio. He attracted artists from around the world, who traveled to Baltimore to work with him. Brian is also widely known as a mentor, who helped producers such as Matt Squire and Paul Leavitt launch their production careers.
Recordings
Year | Artist | Album Title | Notes | References |
---|---|---|---|---|
1994 | Cast Iron Hike | The Salmon Drive | Big Wheel Recreation | EP |
1995 | Texas is the Reason | Texas is the Reason | Revelation Records | EP |
1995 | 108 | Threefold Misery | Lost And Found Records | |
1995 | Frodus | F-letter | Double Deuce Records | |
1995 | Walleye | Familiar Forgotten | Jade Tree Records | [4] |
1996 | Piebald | Sometimes Friends Fight | Point The Blame Records | |
1996 | Battery | Until the End | Conversion Records | |
1996 | Ten Yard Fight | Hardcore Pride | Big Wheel Recreation | EP |
1996 | The Promise Ring | E. Texas Ave | Jade Tree | |
1996 | Texas Is The Reason | Blue Boy | Jade Tree | |
1996 | 108 | Curse Of Instinct | Lost And Found Records | |
1997 | The Trouble | Crime And Punishment | GMM | |
1997 | The Ducky Boys | No Gettin Out | GMM Records | |
1997 | 30 Seconds Over Tokyo | All Ages Pie Eating Contest | Beer City Records | EP |
1997 | Cast Iron Hike | Watch It Burn | Victory Records | |
1997 | Six Going On Seven | Self Made Mess | Some Records | |
1997 | Time Flies | On Our Way | Teamwork Records | |
1998 | In My Eyes | The Difference Between | Revelation Records | |
1998 | Reach The Sky | Open Roads And Broken Dreams | East Coast Empire Records | |
1998 | Battery | Whatever It Takes | Revelation Records | |
1998 | Cave In | Beyond Hypothermia | Hydra Head | |
1998 | The Trouble | Nobody Laughs Anymore | GMM Records | |
1998 | Time Flies | On Our Way | Indecision Records | |
1998 | Converge | Petitioning the Empty Sky | Equal Vision Records | |
1999 | Reach The Sky | So Far From Home | Victory Records | |
1999 | Six Going On Seven | Heartbreak's Got Backbeat | Some Records | |
1999 | Snapcase | Snapcase vs. Boysetsfire | Equal Vision Records | Boysetsfire tracks produced by Morgan Walker |
1999 | Count Me Out | Few and Far Between | Ambassador Records | |
1999 | Reach The Sky | So Far From Home | Victory Records | |
1999 | The Judas Factor | Ballads In Blue China | Revelation Records | |
1999 | Drowningman | How They Light Cigarettes In Prison | Revelation Records | |
1999 | Piebald | When Life Hands You Lemons | Hydra Head | |
1999 | Frodus | And We Washed Our Weapons In The Sea | Fueled By Ramen | |
1999 | The Explosion | Flash Flash Flash | Jade Tree | |
2000 | Cave In | Jupiter | Hydra Head | |
2000 | Drowningman | Rock and Roll Killing Machine | Revelation Records | |
2000 | Darkest Hour | The Mark of the Judas | MIA Records | |
2000 | Milemarker | Frigid Forms Sell | Lovitt Records | |
2000 | The Explosion | Steal This | Jade Tree | |
2000 | The Movielife | This Time Next Year | Revelation Records | |
2000 | Strike Anywhere | Antidote | Fat Wreck_Chords | |
2000 | Count Me Out | 110 | Indecision Records | |
2001 | Fairweather | If They Move... Kill Them | Equal Vision | |
2001 | Brother's Keeper | Fantasy Killer | KINGfisher | |
2001 | Strike Anywhere | Change is a Sound | Jade Tree | |
2001 | Striking Distance | March To Your Grave | Thorp Records | |
2001 | Jersey | Definition | Fueled By Ramen | |
2001 | Hot Water Music | A Flight and a Crash | Epitaph Records | [5] |
2001 | The Movielife | Has a Gambling Problem | Drive-Thru Records | EP |
2001 | Darkest Hour | So Sedated, So Secure | Victory Records | |
2001 | New End Original | Thriller | Jade Tree | |
2001 | Bane | Give Blood | Equal Vision Records | |
2001 | Majority Rule | Interviews With David Frost | Magic Bullet Records | |
2001 | Reach The Sky | Friends, Lies, And The End Of The World | Victory Records | |
2001 | Milemarker | Anaesthetic | Jade Tree Records | |
2002 | The Minor Times | Chris Chambers Never Misses | Hex Records | EP |
2002 | Thrice | The Illusion of Safety | Sub City | [3] |
2002 | Snapcase | End Transmission | Victory Records | |
2002 | Count Me Out | Permanent | Indecision Records | |
2002 | Trial By Fire | Ringing In The Dawn | Jade Tree Records | |
2002 | Hot Water Music | Caution | No Idea | |
2002 | The Liar's Academy | Trading My Life | Equal Vision Records | |
2002 | Engine Down | Demure | Lovitt Records | [6] |
2002 | Recover | Ceci n'est pas recover | Fiddler Records | EP |
2002 | Hot Rod Circuit | Sorry About Tomorrow | Vagrant Records | |
2003 | Snapcase | Bright Flashes | Victory Records | |
2003 | Strike Anywhere | Exit English | Jade Tree | Co-produced by Strike Anywhere |
2003 | The Movielife | Forty Hour Train Back to Penn | Drive-Thru Records, MCA | |
2003 | Thrice | The Artist in the Ambulance | Island Records | [3] |
2004 | Hot Water Music | The New What Next | Epitaph Records | |
2004 | Moments in Grace | Moonlight Survived | Atlantic Records/Salad Days Records | [7] |
2005 | Thrice | If We Could Only See Us Now | Island Records | EP of b-sides and live performances, includes DVD |
2005 | Bane | The Note | Equal Vision Records | [8] |
2005 | June | If You Speak Any Faster | Victory Records | |
2005 | Biology | Making Moves | Vagrant | |
2005 | Scary Kids Scaring Kids | The City Sleeps In Flames | Immortal Records | |
2005 | Circa Survive | Juturna | Equal Vision Records | [9] |
2005 | The Loved Ones | The Loved Ones | Jade Tree | EP |
2005 | With Honor | This Is Our Revenge | [10] | |
2006 | Strike Anywhere | Dead FM | Fat Wreck Chords | |
2006 | The Draft | In a Million Pieces | Epitaph Records | |
2006 | The Loved Ones | Keep Your Heart | Fat Wreck Chords | |
2006 | YouInSeries | Outside We Are Fine | Equal Vision Records | |
2006 | Moneen | The Red Tree | Vagrant Records | |
2006 | Roses Are Red | What Became of Me | Trustkill Records | |
2006 | Senses Fail | Still Searching | Vagrant Records | |
2007 | The Graduate | Anhedonia | Icon Records | [11] |
2007 | From Autumn to Ashes | Holding a Wolf by the Ears | Vagrant Records | |
2007 | Circa Survive | On Letting Go | Equal Vision Records | [9] |
2007 | Hidden in Plain View | Resolution | Drive-Thru Records | |
2007 | The Bled | Silent Treatment | Vagrant Records | |
2007 | Thee Armada | EP Singles | Foundation Recordings | EP |
2008 | Destroy the Runner | I, Lucifer | Solid State Records | |
2008 | Everlea | Everlea | Glassnote Records | |
2008 | Sky Eats Airplane | Sky Eats Airplane | Equal Vision Records | |
2008 | Senses Fail | Life Is Not a Waiting Room | Vagrant Records | |
2008 | Irrelevant | New Guilt | Resist Records | |
2008 | Insite | Esperando A Que Amanezca | Movic Records | |
2008 | The Mostly Dead | Slightly/Alive | Mighty Science Records | |
2009 | Flood of Red | Leaving Everything Behind | Dark City Records | [12] |
2009 | The Loved Ones | Distractions | Fat Wreck Chords | EP |
2009 | Darkest Hour | The Eternal Return | Victory Records | |
2009 | The Sleeping | What It Takes | Victory Records | |
2009 | Port Amoral | Villains | Roadrunner Records | |
2009 | This Time Next Year | Road Maps & Heart Attacks | Equal Vision Records | |
2009 | Harvard | The Inevitable and I | Enjoy The Ride Records | |
2009 | Emarosa | Emarosa | Rise Records | |
2009 | Life On Repeat | As I Grew | Equal Vision Records | |
2009 | Strike Anywhere | Iron Front | Bridge Nine Records | |
2010 | We Are the Ocean | Cutting Our Teeth | Hassle Records | |
2010 | House vs. Hurricane | Perspectives | Shock Records | |
2010 | The Graduate | Only Every Time | Razor and Tie | [11] |
2010 | In Fear and Faith | Imperial | Rise Records | |
2010 | Emarosa | Emarosa | Rise Records | |
2010 | Senses Fail | The Fire | Vagrant Records | |
2011 | Dave Hause | Resolutions | Paper + Plastick | |
2011 | Set Your Goals | Burning at Both Ends | Epitaph Records | |
2011 | Balance and Composure | Separation | No Sleep Records | |
2011 | Fireworks | Gospel | Triple Crown Records | |
2011 | Insite | Ahora Soy Yo Contra El Mundo | Movic Records | |
2011 | Polar Bear Club | Clash Battle Guilt Pride | Bridge 9 Records | |
2012 | I Am Empire | Anchors | Tooth and Nail Records | |
2012 | Sharks | No Gods | Rise Records | |
2012 | División Minúscula | División | Universal Records | |
2012 | Pinsky | Weekends | Sinking Ship Records | |
2012 | ADALIE | Actions | Notlit/Vessel Recordings | |
2013 | Senses Fail | Renacer | [13] | |
2013 | Diamond Youth | Orange | Topshelf Records | |
2013 | HRVRD | From The Birds Cage | Equal Vision Records | |
2014 | FURY | Demo | Moshers Delight Records | |
2014 | Diamond Youth | Shake | Topshelf Records | |
2014 | Angel Du$t | A.D. | REACT! Records | |
2014 | Emarosa | Versus | Rise Records | |
2014 | Boardroom Heroes | New Wage | Sinking Ship Records | |
2014 | Diamond Youth | Shake | Topshelf Records | EP[14] |
2015 | Turnstile | Non-Stop Feeling | Reaper Records | |
2017 | Have Mercy | Make The Best of It | Hopeless Records | |
2019 | Be Well | Strength For Breath | Equal Vision Records | |
2019 | Light Beams | Self Help | Don Giovani | |
2019 | Sunstroke | Bloom At Night | New Morality | |
2019 | Nova Charisma | Exposition 1 | Equal Vision Records | |
2020 | Don't Sleep | Turn The Tide | Mission Two | |
2020 | Free The Birds | Free The Birds | ||
2020 | Strike Anywhere | Nightmare's Of The West | Pure Noise Records | |
2020 | Good Tiger | Raised In A Doomsday Cult | ||
2020 | Sharptooth | Transitional Forms | Pure Noise Records | |
2020 | Be Well | The Weight And The Cost | Equal Vision Records |
References
- "2009 Honorees". The Daily Record. The Dolan Company. Retrieved July 1, 2015.
- Gotrich, Lars (April 6, 2017). "Hear D.C. Hardcore Band Battery's First Song In 20 Years, 'My Last Breath'". NPR. Retrieved December 12, 2017.
- Simon, Richard (June 5, 2009). "Two recording studios in Baltimore take different paths to success". The Daily Record. Archived from the original on January 22, 2018. Retrieved December 12, 2017 – via HighBeam.
- Gentry, Brandon (December 14, 2012). Capitol Contingency: Post-Punk, Indie Rock, and Noise Pop in Washington, D.C., 1991-99. Garrett County Press. p. 180. ISBN 9781891053740.
- Grubbs, Eric (2008). Post. iUniverse. p. 217. ISBN 9780595518357.
- Fritz, Christopher (October 10, 2003). "Engine Down: Dismemberment Plan's heir apparent?". The News Journal. Retrieved December 12, 2017 – via Newspapers.com.
- Barrera, Sandra (August 17, 2004). "HEAR TODAY NEW RELEASES AND NEWS FROM THE MUSIC WORLD". Daily News. Archived from the original on January 22, 2018. Retrieved December 12, 2017 – via HighBeam.
- Kilgore, Natalie (June 15, 2005). "Bang your head, baby". The Tennessean. Retrieved January 3, 2018 – via Newspapers.com.
- Sculley, Alan (January 26, 2011). "Philadelphia's 'Circa Survive' is going strong". The Morning Call. Retrieved January 3, 2018 – via Newspapers.com.
- Iwasaki, Scott (November 25, 2005). "With Honor stays true to its hard-core roots". Deseret News – via HighBeam.
- Vorel, Jim (September 3, 2010). "Dropouts return as The Graduate". Heralds and Review. Retrieved December 12, 2017 – via Newspapers.com.
- Woodman, Chay (October 29, 2010). "Flood of Red; live reviews.(News)". Daily Record. Archived from the original on January 22, 2018. Retrieved December 12, 2017 – via HighBeam.
- Gomez, Adrian (April 12, 2013). "Senses Fail takes "heavier", new route / Band keeps chart-topping". Albuquerque Journal. Retrieved December 12, 2017 – via Newspapers.com.
- Case, Wesley (February 14, 2014). "Band heads in uncertain direction with new EP". The Baltimore Sun. Retrieved December 12, 2017 – via Newspapers.com.