Brenda Ann Kenneally

Brenda Ann Kenneally (born 1959)[1] is an American photojournalist and documentary photographer, specializing in social causes and the illegal drug economy. Her work has been featured in the NYT Magazine, Rolling Stone, and Ms. She won the 2000 Community Awareness Award from the National Press Photographer's Association, and the 2001 International Prize for Photojournalism.[2] She is a Guggenheim Fellow, Pulitzer Prize nominee, and formerly incarcerated and homeless youth. [3] Kenneally is the founder of A Little Creative Class, a non-profit art organization that works to address the obstacles that deter poor and low-income youth from participation in art and the emerging idea-based economy.[4]

Brenda Ann Kenneally
BornOctober 23, 1959
Albany, New York
Alma materUniversity of Miami
OccupationPhotojournalist
Websitewww.brendakenneally.com

Early life

Kenneally was born in Albany, New York in the late 1950s, [5] and grew up nearby Troy, New York. Her parents divorced eight years into their marriage.[6] She then moved back in with her mother, and Kenneally's grandmother. Kenneally's grandmother sought out to keep Kenneally from making the same mistakes as her mother, barring her from friends whom her grandmother deemed as bad influences. [6] At the age of twelve, she was declared "incorrigible" by the Albany County Family Court and declared a ward of the New York State Division for Youth.[6] She began living in group homes and temporary shelters where she became acquainted with the people her grandmother had once forbidden.[6] Kenneally's cynicism of the system, which influence her later works, was learned in these homes, where experiences with abuses preceded criminal behavior. [6]

She left the city at the age of 17. She fled to Florida and worked intermittently as a snake charmer in the carnival and as an assistant to photographers Rosalind Solomon and Eugene Richards. [1] She attended the University of Miami after getting sober, studying both photojournalism and sociology.[7] She was introduced by her journalism professor at Miami to Tom Schroeder, the editor of "Tropic," the Miami Herald Sunday magazine, which subsequently led to the publishing of her photographs of South Beach, Miami.[1]

After graduating from the University of Miami, Kenneally moved to Bushwick, Brooklyn in 1996 to receive a masters in Photography from N.Y.U graduate school.[6] She began photographing her neighbors’ struggles with poverty and drugs. Her photographs from that time are "an investigation into the effects of various social and political policies."[6]

Career

Kenneally began her career in Florida, photographing the economic and racial divisions. She took photos over a seven year period before moving back to New York.[8] She moved to Brooklyn and started photographing people's struggles with drugs and poverty.[7] It was her work in New York that gained her national attention for photography.[8]

In 2003, Kenneally began a project she called Upstate Girls. The project was sparked by a teenager named Kayla who approached Kenneally and asked if she wanted to film the birth of her child.[9] She spent the next 14 years photographing Kayla, including taking pictures of her children, family, and friends. Images from the project were posted by Slate in 2014. The images caused a backlash on social media with some people criticizing both Kenneally and Kayla, while others defended them.[9]

She is also a recipient of the W. Eugene Smith Grant in Humanistic Photography which was awarded to her in 2001.[10]

Bibliography
Publication year Title Original publisher ISBN Notes
2018 Upstate Girls Regan Arts ISBN 9781942872832
2005 Money Power Respect: Pictures of My Neighborhood Channel Photographics ISBN 9780976670858 Foreword written by Adrian Nicole LeBlanc)

Select installations and exhibitions
  • 2014 - Vintage Miami Photographs, 1939-2003[8]
gollark: Yes it does, actually.
gollark: But blaming people for following the incentives is just silly.
gollark: You can blame… GPU-mined cryotocurrency, the increasing costs of newer fab infrastructure and duopoly in GPUs, COVID-19 disruption, that sort of thing.
gollark: It isn't scalpers' fault that supply is insufficient.
gollark: 0 dBIQ is 100, 10 dBIQ is 1000 and thus basically impossible, -10 dBIQ is 10 and vaguely possible.

See also

References
  1. "Women Photojournalists". Library of Congress. Retrieved 26 February 2018.
  2. Kenneally, Brenda Ann; Leblanc, Adrian Nicole (2005-12-30). Money Power Respect: Pictures of My Neighborhood. New York; Gardena, CA: Channel Photographics. ISBN 9780976670858.
  3. Kenneally, Brenda Ann (2018-08-28). Upstate Girls: Unraveling Collar City. S.l.: Regan Arts. ISBN 9781942872832.
  4. Kenneally, Brenda Ann (2018-08-28). Upstate Girls: Unraveling Collar City. S.l.: Regan Arts. ISBN 9781942872832.
  5. Brannan, Beverly (2014). "Introduction & Biographical Essay".
  6. Kenneally, Brenda (2005). Power, Power, Respect: Pictures of my Neighborhood. Channel Photographics. ISBN 0976670852.
  7. Teicher, Jordan (17 July 2014). "A New Way to Talk About Poverty in Troy, New York". Slate. Retrieved 26 February 2017.
  8. Conway, Richard (3 December 2014). "See What Vintage Miami Was Like". Time. Retrieved 27 February 2018.
  9. Altman, Anna (21 July 2014). "When Struggling Families Spark Internet Rage". The New York Times. Retrieved 28 February 2018.
  10. Crowell, Miranda (July 2001). "Glittering Prizes". American Photo. Retrieved 12 March 2018.
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