Bopol Mansiamina

Bopol Mansiamina, also known as Bopol or Don Paolo, is a prolific and renowned Congolese musician (bass player, guitar player most commonly as a rhythm guitarist, vocalist, composer, and producer). He has recorded and performed extensively over four decades as a solo artist, as a member of leading African bands, and in support of many African musicians. Bopol is best known for his work in the 1980s and early 1990s as one of the four members of the Paris-based supergroup Les Quatre Etoiles (the 4 Stars) and as a solo artist .

Career/History

Early life

He was born July 26, 1949, in Leopoldville (now Kinshasa, Democratic Republic of the Congo) as Paul Mansiamina Mfoko (or M'Foko Mansiamina).[1][2]

1969 to c.1980: Zaire, Cote d'Ivoire, Togo

From 1969 to 1978 Bopol was based in Zaire and played in a series of bands. He joined many of the leading Congolese musicians of the past and next generations. After that time, he moved to West Africa for a few years.

After completing secondary school, in 1969 he joined Orchestre Bamboula (led by Papa Noel and also including Madilu System; Pepe Kalle; Bozi Boziana; and Wuta Mayi, then known as Blaise Pasco, with whom Bopol would work for decades). Orchestre Bamboula was chosen to represent Zaire in the 1969 Festival of African Music in Algeria.[3] The band broke up, however, shortly after its return from Algiers.[4]

After that Bopol led a revival of Orchestre Rock-a-Mambo. He then joined Dr Nico's African Fiesta Sukisa in 1970.[5] In 1971 he co-founded Orchestre [or L'Orchestre or Orchestra] Continental, which included Blaise Pasco (later Wuta Mayi), and Josky. From 1973 to 1976 he joined Afrisa, led by Tabu Ley.[3] Another report, however, says that Bopol and Wuta Mayi joined Franco and TPOK Jazz from 1974.[6] In 1975, Bopol and Wuta had a joint band, or "activity," called Orchestre Mamumay, which released at least two records.[7] In 1976 he started the group Ya Toupas, with Ray Lema and Félix Manuaku Waku.[3] Ya Toupas either supported or included the singer Mpongo Love.[8] Bopol continued to work musically with her until her death in 1990. For example, Bopol played rhythm guitar on her 1987 album Partager, and three of its six songs (including the title track) were written by him.[9]

In 1978 he moved to West Africa - Lome, Togo, and Abidjan, Cote d'Ivoire - and joined Sam Mangwana's African All-Stars.[3][10] Other Congolese musicians in that band included Syran Mbenza, Ringo Moya, and many others. The original version of that band only lasted about a year, though, then split in two, with one group (including Mangwana, Bopol, and Syran Mbenza) moving to Abidjan, and another staying in Lome.[11]

1980s and early 1990s: Paris

In 1980, Bopol began recording as a solo artist. What some may consider to be his first solo albums are not labelled as such: they are three of the series of eight albums released under the name Orchestre Mode Succes, Innovations (vols. 1-8). Volumes 1, 3, and 4 in that series feature Bopol and Baba Ley Assaka.[12] By 1982 Bopol was living in Paris and recording solo albums. That year he formed Les Quatre Étoiles (the Four Stars), with Wuta Mayi, Nyboma, and Syran Mbenza. Les Quatre Etoiles played together as a band, but also served as a core group of talented musicians who often played on each other's records, and those of other artists—as is evident from Bopol's discography during the 1980s. He recorded and performed with that band, as a solo artist, and in support of other artists through the 1980s and early 1990s. On some of his records, the producer or a songwriter is listed as Don Paolo, another name for Bopol.[13]

Recent years

By 1996, Bopol was living in the United States. Georges Collinet reported on an edition of his radio program Afropop Worldwide devoted to Les Quatre Etoiles, "After more than ten years living in France, Bopol and Nyboma have now come to the US, looking for a new base, because they say that in America, business is business, while in France, people are always looking at the color of your skin." Collinet continued, translating from his interview in French with Bopol for the program, "Bopol says, if there were good studios in Zaire I would prefer to work there, because there I have lots of inspiration -- you can see what people are doing. We compose our songs by observing people around us. In Europe it's very difficult; you have a different life."[14]

Between 2000 and 2010, Bopol recorded and toured with other artists, notably Samba Mapangala's band, Virunga, and Ricardo Lemvo.

Evaluations

Bopol contributed to much of the best Congolese soukous music made during its 1980s and 90s heyday. His best work may be that from the early 1980s. "Manuela" is recognized among his outstanding tracks.[15][16]

Much of his music is recognized as being highly danceable, although somewhat repetitive. Some of his songs - such as "Pitie, Je Veux La Reconciliation", "Samedi Soir", "Bety Bety" - were common staples on many 1980s dance floors around the world.

On his solo recordings, he consistently surrounded himself with stellar musicians.[15] The guitar interplay between Bopol and his frequent collaborator, Syran Mbenza, has been described as "legendary."[10]

Discography

Solo albums

Title Date Label Tracks Notes
The Original Innovation, Deception Motema 1981?[17] Star Musique (USA) (SMP 6011)
  • "Déception Motema"
  • "Cardiaque ya l'amour"
  • "Issa Touré"
  • "Papy Ozonga"
With Nyboma, Dally Kimoko. Tracks may be listed in wrong order.[18]
Maillot Jaune

(Bopol Mansiamina & Besisimou)

1982[19] Editions Tina (Zaire) (MAR 100)
  • "Maillot Jaune"
  • "Because No Money"
  • "Bety Bety"
  • "Zola Zola"
With Syran Mbenza
Mariage Forcé 1982[20] Star (Cote d'Ivoire) (SHA 021),

Sacodis (France) (LDS 21/001) (1983)

  • "Mariage Forcé"
  • "Yenga Yenga"
  • "Kala Ye Ngangu"
  • "Ye A Bouger"
Manuela 1983[21] Syllart (France) (SYL 8301)
  • "Manuela"
  • "Controleur"
  • "Choisi"
  • "Bameli Pena"
  • "Bonjour Le Soleil"
With Syran Mbenza, Nyboma, Wuta Mayi
Bopol

(a/k/a/ "Samedi Soir" or "Afric'Ambiance")

1984[13] Syllart (France) (SYL 8305)
  • "Samedi Soir"
  • "Madela"
  • "Afric' Ambiance"
  • "Muana Samba"
With Syran Mbenza, Ray Lema, Jean Papy
Helena (12" single)

(Bopol & Innovation)

1984[22] Syllart (France) (SYL 8310)
  • Helena
  • Oh! Motema
With Daly Kimoko, Jacob Desvarieux, Syran Mbenza, Wuta Mayi
Bopol Mansiamina

(a/k/a "Ca C'est Quoi")

1985[23][24] Celluloid (CEL 6749)
  • "Ça c'est quoi?"
  • "Mu Karame"
  • "Makwandungu"
  • "Patience"
  • "Maizo"
With Wuta Mayi, Jean-Papi, Dally Kimoko
Serrez Ceinture 1987[25] Syllart (France) (SYL 8320)
  • Serrez ceinture
  • Moi pas confiance
  • Houle Muke Kuela Ngue
  • Cousin cousine
  • Motema mo vire
Bopol 1988[26] Syllart (France) (BM 004)

Bleu Caraibes (France) 82426-1

  • Dada Micha
  • Yo Mukarame
  • Yo Mukarame (remix)
  • Ce Le
  • Samala
  • Cheri Coco (A.B.C)
Zouk record
Belinda 1989[27] Syllart (France) (SYL 8397)
  • Belinda
  • M.F.A.
  • Nzungu Yakala Instrumental
  • Fausta Mare
  • Afrinight
  • Nzungu Yakala

(CD version with "3 titres bonus" adds three tracks from Serrez Ceinture)

Innovation 1991 (or 1990)[28][29] B.M. Productions (BM 005)
  • Dienaba
  • Misère
  • Aida (instrumental)
  • Aida
  • Yembele Yembele
With Nyboma, Dally Kimoko
Koumbe Trahison 1992[30] Afro-Rythmes (France) (20611, AR 1023)
  • Bouchira
  • Bamako Night
  • Mahele (Mix)
  • Afric Antilles
  • Koumbe Trahison
  • Mahele (Instrumental)
Akuna Matata 1997[31] H&R Ents. (HR2243)
  • Mama Afrika (Paris Mix)
  • Misere
  • Caresse Moin R.A.
  • M'Bongi
  • Isabella "Akuna Matata"
  • Mukarame "La Rumba"
  • Maweke Weke
  • La Vie
  • Ati Kayla
  • Aidara
  • Djeneba
  • Mama Africa (LA Mix)

Compilations

Title Date Label Tracks
Greatest Hits ?[32] Serengeti (SER129)
  • Pitie, Je Veux La Reconciliation
  • Ca C'Est Quoi?
  • Afric' Ambiance
  • Samedi Soir
  • Because No Money
  • Muana Samba
The Very Best of Bopol 1998[33] H&R Enterprises (Irving, Texas, USA) (HR 2561)
  • Jalousie
  • Belinda
  • Fausta Mare
  • Bouchira
  • Bamako Night
  • Marie Jeanne Innovation
  • Pitie Je Veux
  • Makwadungu
  • Choisi
  • Controleur
Title Album Artist Date Label Tracks Notes
Innovation, vol. 1 Orchestre Mode Succes, Baba Ley Assaka, Bopol Mansiamina 1980 (INLP 001)
  • "Pitié, Je Veux La Réconciliation",
  • "Le Lycée",
  • "Bibiche Oyambaka Ngaï",
  • "Titina"
Innovation, vol. 3 Orchestre Mode Succes, Baba Ley Assaka, Bopol Mansiamina 1980 (INLP 003)
  • "Tu m'as déçu, Marie-Jeanne"
  • "Diffamation Ya Nini?"
  • "Naboyi Amour na sense unique"
  • "Mystère de Popol"
Innovation, vol. 4 Orchestre Mode Succes, Baba Ley Assaka, Bopol Mansiamina 1981 (INLP 004)
  • "Nabeli Maladie Ya Tension"
  • "Je Peux Attraper Hypertension"
  • "Elisa Kina Kimbwa"
  • "Contre Temps"
Deception Motema Bopol Mansiamina & Nyboma Mwan'Dido 1984[34] Overseas Records (Japan)
  • Deception Motema
  • Cardiaque Ya L'Amour
  • Issa Toure Muana Sokode
  • S. S. Sans Souci
The Best African Sound

a/k/a "Sambela"

Bopol Mansiamina & Syran Mbenza 1987[35] PG Production (France) (PG 87101)
  • Sambela
  • Marie Jeanne
  • Reviens Moussa
  • Mokili
  • Africa Diaspora
With Sam Mangwana, Teo Blaise
Hommage À Emoro Les Etoiles du Zaire—Pepe Kalle, Nyboma, Bopol 1992[36] Syllart (France) (38117-1)
  • Pardon Faina
  • Moussa Hypocrite
  • Pembe
  • Amba

As a Band Member

  • Orchestre Continental, Les Grands Succes de l'Orchestre Continental (1975, compiling singles from c. 1972)
  • Tabu Ley, The Voice of Lightness, CD2, tracks 1-8 (Afrisa International tracks)[37]
  • Orchestre Mamumay, "Luila" / "Beaux parents" (1975)
  • Orchestre Mamumay, "Mamy Zola" / "Mayanda" (1975)
  • Orchestre Les Ya Tupa's [sic] (with Mpongo Love), Ndaya (1977)
  • Les Ya Toupas du Zaïre, Les Ya Toupas du Zaïre (1978)
  • Sam Mangwana & African All-Stars, vol. 1 (or "Matinda") (1979)
  • Les Quatre Etoiles, 4 Grandes Vedettes de la Musique Africaine (1983)
  • Les Quatre Etoiles, 4 Stars (or "Enfant Bamileke") (1984)
  • Les Quatre Etoiles, Dance (1985)
  • Les Quatre Etoiles, 6 Hits / 6 Tubes (1987)
  • Les Quatre Etoiles, Zairian Stars Show in the US - Kilimanjaro Heritage Hall (1988, live)
  • Les Quatre Etoiles, Four Stars (or "Kouame") (1989, live)
  • Les Quatre Etoiles, Les 4 Etoiles (or "Souffrance") (1991)
  • Les Quatre Etoiles, Sangonini (1993)
  • Les Quatre Etoiles, Adama Coly (1995)
  • Les Quatre Etoiles, Live in London (1996)

As a Supporting Artist

Bopol has played on certainly dozens, and probably hundreds, of other artists' records. This lists only some of them.[38][39]

  • Wuta Mayi, Le Beach (1980s)
  • Nyboma, Doublé Doublé (1982)
  • Nyboma & Les Kamale Dynamiques, Dé Dé (1982)
  • Nyboma Et Les Kamale Dynamiques Du Zaire, Aïcha Motema (1983)
  • Mpongo Love, Safari Sound (1983)
  • Mpongo Love, Partager (1987)
  • Syran Mbenza with the best of Paris, Symbiose (1990 or 1991)
  • Nyboma, Anicet (1994)
  • Sam Mangwana, Maria Tebbo (1995)
  • Mose Fan Fan & Somo Somo, Hello Hello (1995)
  • Ricardo Lemvo & Makina Loca, Tata Masamba (1996)
  • Madilu, L'Eau (1998)
  • Ricardo Lemvo & Makina Loca, Mambo Yo Yo (1998)
  • Ricardo Lemvo, Sao Salvador (2000)
  • Samba Mapangala & Orchestra Virunga, Ujumbe (2001)
  • Déesse Mukangi, Lettre Anonyme (2002)
  • Ricardo Lemvo, Ay Valeria! (2003)
  • Mose Fan Fan, Bayekeleye (2004)
  • Samba Mapangala & Orchestra Virunga, Song and Dance (2006)
  • Columbiafrica, Voodoo Love Inna Champeta Land (2007)
  • Ricardo Lemvo, Isabela (2007)
  • Ricardo Lemvo, Retrospectiva (2009)
  • Syran Mbenza, Immortal Franco (2009)
gollark: The split in what?
gollark: I don't think this substantively addresses what I said.
gollark: It seems that you explicitly suggested it was good because it gave more power to rural people than they would otherwise get based on population.
gollark: According to my badness determination metrics.
gollark: What I am saying is that deliberately designing an electoral system and then messing with it so that a particular group consistently gets outsized amounts of power is bad, and that it isn't particularly justified based on "cultural differences" because there are lots of culturally different groups.

References

  1. "Bopol Mansiamina". Discogs. Retrieved 21 August 2017.
  2. Gregory [editor], Andy (2002). International who's who in popular music (4th ed.). London: Europa. p. 348. ISBN 1857431618.CS1 maint: extra text: authors list (link)
  3. "Bopol Mansiamina". africanmusiciansprofiles. Retrieved 21 August 2017.
  4. "L'orchestre Bamboula de Papa Noël". MBOKAMOSIKA (in French). Retrieved 22 August 2017.
  5. "kenyalive, SAMBA MAPANGALA & VIRUNGA LIVE AT YOSHI'S". www.muzikifan.com. Retrieved 22 August 2017.
  6. "Orchestre Mamumay (African 90.972)". DIAL AFRICA. Retrieved 27 August 2017.
  7. "Orchestre Mamumay". Discogs. Retrieved 27 August 2017.
  8. "Mpongo Love : Partager (1987)". Youtube. 3 December 2015. Retrieved 26 August 2017.
  9. "Mpongo Love* - Partager". Discogs. Retrieved 26 August 2017.
  10. Bessem, F.J. "Bopol Mansiamina". Frank Bessem's Musiques d'Afrique. Retrieved 26 August 2017.
  11. Stewart, Gary (2000). Rumba on the river : a history of the popular music of the two Congos (Paperback ed.). New York: Verso. pp. 249–50. ISBN 1859843689.
  12. "Kiland & l'Orchestre Mabatalaï -Zaïre Promotion 2000, vol. ?, Zaïre Promotion". Global Groove. Retrieved 26 August 2017.
  13. "Bopol* - Bopol". Discogs. Retrieved 26 August 2017.
  14. Public Radio International, Afropop Worldwide, recorded February 1996 from KSKA Anchorage.
  15. "Bopol Mansiamina - Manuela (1983)". Rhythm Connection. 6 January 2012. Retrieved 26 August 2017.
  16. "Quatre Etoiles (Four Stars)". Rumba on the River. Retrieved 26 August 2017.
  17. Bessem, Frank. "Déception Motema". Frank Bessem's Musiques d'Afrique. Retrieved 21 August 2017.
  18. "Bopol Mansiamina -The Original Innovation,Star Musique". Global Groove. Retrieved 24 August 2017.
  19. "Bopol Mansiamina - Besisimou (Maillot Jaune)". Discogs. Retrieved 21 August 2017.
  20. "Bopol Mansiamina - Mariage Forcé". Discogs. Retrieved 21 August 2017.
  21. "Bopol Mansiamina - Manuela". Discogs. Retrieved 24 August 2017.
  22. "Bopol* & Innovation (2) - Helena". Discogs. Retrieved 24 August 2017.
  23. Bessem, Frank. "Ça c'est quoi ?". Frank Bessem's Musiques d'Afrique. Retrieved 24 August 2017.
  24. "Bopol Mansiamina - Bopol Mansiamina". Discogs. Retrieved 24 August 2017.
  25. Bessem, Frank. "Serrez ceinture". Frank Bessem's Musiques d'Afrique. Retrieved 24 August 2017.
  26. "Bopol* - Bopol". Discogs. Retrieved 24 August 2017.
  27. "Bopol Mansiamina - Belinda". Discogs.
  28. Bessem, Frank. "Innovation". Frank Bessem's Musiques d'Afrique. Retrieved 24 August 2017.
  29. "Bopol Mansiamina - Innovation". Discogs. Retrieved 24 August 2017.
  30. "Bopol* - Koumbe Trahison". Discogs. Retrieved 24 August 2017.
  31. Bessem, Frank. "Akuna Matata". Frank Bessem's Musiques d'Afrique. Retrieved 24 August 2017.
  32. "Bopol* - Greatest Hits". Discogs. Retrieved 25 August 2017.
  33. "Bopol Mansiamina - The Very Best Of Bopol Mansiamina". Discogs. Retrieved 25 August 2017.
  34. "Bopol Mansiamina & Nyboma Mwan'dido - Deception Motema". Discogs. Retrieved 25 August 2017.
  35. "Bopol Masiamina* Et Syran Mbenza - The Best African Sound". Discogs. Retrieved 25 August 2017.
  36. "Les Etoiles Du Zaire, Pepe Kalle* - Nyboma* - Bopol* - Hommage À Emoro". Discogs. Retrieved 25 August 2017.
  37. "Bembeya Jazz National & Tabu Ley: Masterpieces From The Guinean And Congolese Belle Epoques". All About Jazz. Retrieved 27 August 2017.
  38. "Bopol Mansiamina". Discogs. Retrieved 26 August 2017.
  39. "Bopol Mansiamina Credits". AllMusic. Retrieved 26 August 2017.

July 2017 Interview with Bopol in Bogota, Colombia, in French with English subtitles, on website of Galletas Calientes Records

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