Bolesław Szabelski

Bolesław Szabelski (3 December 1896 in Radoryż – 27 August 1979 in Katowice) was a Polish composer of modern classical music. While his style shifted and varied over the course of his life, he is best known for his atonal work composed during the 1950s and 1960s.

Bolesław Szabelski

Szabelski studied at Polish Musical Society School with Łysakowski in 1915.[1] He attended the Warsaw Conservatory under Karol Szymanowski. Between 1929 and 1939, he taught organ and composition at the conservatoire of Katowice.[2]

Szabelski began working in the neoclassical and romanticism modes typical of the early 20th century. He adopted the serialist technique[3] in the 1950s and was one of a number of Polish new wave of composers to embrace atonality.[4] His early work had been characterised by monumental forms and fanfare motifs[5] and Szabelski adapted to the new aesthetic while retaining his old signatures. As a result, he developed a style described as "strikingly innovative".[1]

He composed five symphonies (1926, 1934, 1951, 1956 and 1968), as well as concertos, chamber and choral works. Szabelski was highly influential on the "New Polish School" composers of the early 1950s, and had a formative influence on his student Henryk Mikołaj Górecki.

Works
Selected works
Year of completionCompositionInstrumentation
1926Symphony IOrchestra
1934Symphony IIOrchestra
1938ToccataOrchestra
1946SinfoniettaOrchestra, Percussion
1951Symphony IIIOrchestra
1956Symphony IVOrchestra
1962Aforyzmy "9"Nine instruments
1964KoncertOrchestra
1968Symphony VChoir, organ, and Orchestra
1976Mikołaj KopernikSolo Soprano, Choir, and Orchestra
1976Kantata RedutaChoir and Orchestra

Honours and awards
  • 1959 - Commander's Cross of the Order of Polonia Restituta
  • 1961, 1967 - Award of the Association of Polish Composers
  • 1972 - 1000 Anniversary Medal of the Polish State
  • 1976 - Commander's Cross with Star of the Order of Polonia Restituta
  • Order of the Banner of Work Class I

and many state awards and prizes

gollark: I'm sure I read about some accursed workaround for such devices.
gollark: Which is probably not that much worse than the real GPT-3.
gollark: Assuming they haven't trained their own model, which I'm fairly confident in, the most powerful thing they could be using is the 20-billion-parameter GPT-NeoX.
gollark: They don't actually specify what LM they use, weird.
gollark: Ah, not GPT-3 then but a vaguely similar thing, fascinating.

References
  1. "Szabelski, Bolesław". The Harvard Biographical Dictionary of Music, 1996
  2. Thomas, Adrian. "Gorecki (Oxford Studies of Composers)", Clarendon Press, 24 April 1997. ISBN 0-19-816394-0
  3. Steinberg, Michael. "The Symphony: A Listener's Guide". New York: Oxford University Press, 1998 p. 172
  4. Fallas, John. Review: "Polish Music since Szymanowski" by Adrian Thomas. The Musical Times, Volume 147, No. 1894, Spring, 2006. 113-115
  5. Rappoport-Gelfand, 150

Sources
  • Rappoport-Gelfand, Lidia. Musical life in Poland: the postwar years, 1945-1977. &B Arts International, 1991. ISBN 2-88124-319-3
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.