Bogus Ben Covington

"Bogus" Ben Covington (born Benjamin Curry possibly April 19, 1890 – 1935) was an American country blues singer, harpist, and mandolin-banjo player. Originally a resident of Louisiana, Covington was active in Mississippi and recorded in the late-1920s and 1930s, presumably under various names such as Blind Ben Covington, Ben Curry, and Memphis Ben. He also occasionally performed alongside Big Joe Williams, King Solomon Hill, and Speckled Red.

Biography

According to blues historian Gayle Jean Wardlow, Covington was originally from the town of Arcadia in northern Louisiana.[1] Covington, born Benjamin Curry, was possibly the same Curry who was drafted during the First World War; his birth date is listed as April 19, 1890 in Yalobusha County, Mississippi.[2] Whatever the case, Covington moved to Birmingham, Alabama in the mid-1920s, but traveled frequently to Mississippi and Chicago to perform on street corners. Big Joe Williams remembered Covington: he described him as "bogus blind", hence Covington's nickname, for pretending to be blind to earn more money while playing on the streets.[2] The two musicians were still playing together as late as 1933 at the Century of Progress Expo in Chicago.[2]

Blues experts Kip Lornell and David Evans are in agreement that Covington is the same musician who recorded under the aliases Ben Curry and Memphis Ben. The researchers based their conclusions on the similar playing styles and the selected material.[2] Another blues writer, Paul Oliver also determined Covington was the same Ben Curry who recorded a cover version of Speckled Red's song "The Dirty Dozen".[3] For recording sessions, Covington played an instrument called a "mandolin-banjo" and also provided accompaniment on the harmonica.[2]

In September 1928, Covington traveled to Chicago to record under the moniker "Bogus" Ben Covington for Paramount Records. If he is indeed Memphis Ben, Covington entered Vocalion Records' studio in Memphis on November 28 to complete two unissued sides. The Memphis Ben alias may have been devised by Harry Charles, a talent scout who sometimes gave blues musicians different names to avoid contract disputes. In October 1929, Covington recorded again for Vocalion, this time with the alias Blind Ben Covington.[2] After a two year recording drought, he was rediscovered by Paramount Records. He was invited to a session, credited to performers Ben Curry, which included Marshall Owens, the Famous Bluejay Singers of Birmingham, and King Solomon Hill, the latter an old friend of Covington's.[1]

Not much else is known about Covington after his final recording session. He is believed to have moved to Pennsylvania where he died in 1935.[4]

gollark: Hmm, looks like DNS is [REDACTED].
gollark: Do you know *why* it's not up? Did its server implode?
gollark: Have you tried making it be up?
gollark: Your thing probably just gained sentience and started harvesting local computing power or something.
gollark: Pick arbitrary cool-looking regression lines going through it.

See also

References
  1. Wardlow, Gayle Jean (1998). Chasin' That Devil Music: Searching for the Blues. Backbeat Books. pp. 4–5. ISBN 0-87930-552-5.
  2. Turk, Alex Van Der. "Try Me One More Time" (PDF). Paramount. Archived (PDF) from the original on March 11, 2016. Retrieved March 27, 2017.
  3. Oliver, Paul (1984). Songsters and Saints. Cambridge University Press.
  4. "Bogus Ben Covington". The Blues Trail. Archived from the original on April 19, 2017. Retrieved March 27, 2017.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.