Billy Golden

William B. Shires (June 9, 1858 January 29, 1926), who performed and recorded as Billy Golden, was an American blackface comic and singer who was a popular recording artist between the 1890s and the 1910s.

Portrait of Golden, from The Phonoscope, July 1898.

Biography

He was born in Cincinnati, Ohio, and grew up in St Louis, Missouri. He began performing as a blackface act in vaudeville in 1874 before working as a duo with, first, John Merritt, and then Billy Draiton. He originated a dance move known as the "cane pat" which became popular with blackface minstrels, and, as part of Bailess and Kennedy's "Brightlights" vaudeville act, became particularly associated with the song "Turkey in the Straw". In 1885, he started performing in a duo with his wife, May Golden.[1]

In 1891, he recorded "Turkey in the Straw" for Columbia Records; it became one of the best-selling recordings of the year.[2] He re-recorded the piece many times for Berliner (as well as their successor company Victor), Zonophone, Edison and many others . Other successful recordings by Golden included "Uncle Jefferson" (1891), "Bye Bye, My Honey" (1898), and "Roll On The Ground" (1901).[2] Most of his early recordings were as a solo performer. In 1907 he formed a new duo act with Joe Hughes, and they recorded together for several labels. Golden and Hughes were among the first two-man teams to record blackface minstrel humor in black dialect.[1]

After Hughes retired from performing, Golden began working with Jim Marlowe and then, after Marlowe's death in 1917, with Billy Heins. In 1919, Golden reunited with Hughes for several more recordings. After 1920, Golden continued to perform and record as a solo act. He died in New York City in 1926.[1]

gollark: It's *not* an example! That's the great part!
gollark: BTW interfaces aren't proper generics.
gollark: most things!
gollark: The CPU is going to be doing some weirdness to convert it to its internal RISC representation or whatever insanity they do now, but that's interpretation.
gollark: Machine code has *no* compile time.

References

  1. Hoffmann, Frank; Cooper, B Lee; Gracyk, Tim (2012). Popular American Recording Pioneers: 1895–1925. Routledge. pp. 143–147. ISBN 978-1-136-59229-4.
  2. Whitburn, Joel (1986). Pop Memories 1890-1954: The History of American Popular Music. Menomonee Falls, Wisconsin: Record Research, Inc. pp. 176. ISBN 0-89820-083-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.