Billy Bean (musician)

William Fredrick Bean (December 26, 1933 – February 6, 2012) was an American jazz guitarist from Philadelphia.

Billy Bean
Birth nameWilliam Fredrick Bean
Born(1933-12-26)December 26, 1933
Philadelphia, Pennsylvania, U.S.
Died(2012-02-06)February 6, 2012
Philadelphia
GenresJazz
Occupation(s)Musician
InstrumentsGuitar
Years active1956–1986
LabelsDecca

Career

Bean was born into a musical family in Philadelphia. His mother played the piano. His father was an amateur singer and guitarist, and his sister was a professional singer.[1][2] He started on guitar at the age of twelve.[1]

His father taught him some of the basics on guitar before he received lessons from Howard Herbert.[3] Then he studied for about one year with Dennis Sandole.[4] During the late 1940s and 1950s, he performed at venues in the Philadelphia area.[5] In the mid-1950s, he moved to New York City and recorded with Charlie Ventura and Red Callender, and in 1958 he moved to Los Angeles[1] to record for Decca.[6] In Los Angeles, he worked with Buddy Collette, Paul Horn, John Pisano, Bud Shank,[1][2] Milt Bernhart, Les Elgart, Herb Geller, Lorraine Geller, Calvin Jackson, and Zoot Sims.[7]

In October, 1959, Bean returned to New York City after accepting Tony Bennett's offer to join his band. He remained with Bennett's band for less than one year. Hal Gaylor, who had been Bennett's bassist, assembled a trio with Bean and pianist Walter Norris; they called themselves The Trio and recorded an album[2] for Riverside in 1961. Gaylor said the trio had great difficulty in finding work and disbanded shortly after recording.[8] Bean performed with Stan Getz, Herbie Mann, and John Lewis, recording albums with Mann and Lewis.[9] He returned to his hometown of Philadelphia, retiring in 1986.[10]

Discography

As co-leader
  • Makin' It – Guitar Duets with John Pisano (Decca, 1958)
  • Take Your Pick with John Pisano (Decca, 1958)
  • The Trio with Hal Gaylor, Walter Norris (Riverside, 1961)
  • Makin' It Again with John Pisano (String Jazz, 1998)
  • West Coast Sessions with John Pisano, Dennis Budimir (String Jazz, 2000)
  • Finale (String Jazz, 2002)

As sideman
gollark: Oh, that *is* true.
gollark: It does describe it quite well, I think.
gollark: That's the help text for it.
gollark: ```Eggs and hatchlings can become sick when they receive too many views, unique views, and clicks in a short period of time. Although sickness can occur at any time, eggs are most vulnerable when first laid. If an egg or hatchling continues to receive too many views, unique views, and clicks while sick, it may die.To “cure” an egg or hatchling of sickness, simply reduce the rate at which it is receiving views, unique views, and clicks. This may be as simple as removing the egg or hatchling from any sites you have posted it on. Since the hide action prevents eggs and hatchlings from receiving views, unique views, and clicks, it can be a useful tool at combating sickness.```
gollark: Oh? I thought it was good.

References
  1. Yanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. p. 19. ISBN 978-1-61713-023-6.
  2. Chadbourne, Eugene. "Billy Bean". AllMusic. Retrieved 17 April 2017.
  3. Greenberg, Seth (2013). Billy Bean: The Life and Music of a Jazz Guitar Legend. Berkeley: Midoriyama. pp. 30–31.
  4. Greenberg, 40-94.
  5. Greenberg, 101-105.
  6. Greenberg, 114.
  7. Greenberg, 188-189.
  8. Greenberg, 142-146.
  9. Greenberg, 150-156.
  10. Greenberg, 169.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.