Bhadrambhadra

Bhadrambhadra (pronounced [bʰə.drəm.bʰə.drə] (listen)) is a 1900 Gujarati satirical novel by Ramanbhai Neelkanth. It is regarded as the first humorous novel in Gujarati literature and as the first Gujarati novel written in the first person narrative. Ramanbhai used the novel to illustrate the ridiculousness of a highly orthodox view of Gujurati society and as a vehicle for social reform.

Bhadrambhadra
Book cover
AuthorRamanbhai Neelkanth
Original titleભદ્રંભદ્ર
CountryIndia
LanguageGujarati
GenreHumorous novel
Published1900
OCLC26376533
891.477
Original text
ભદ્રંભદ્ર at Gujarati Wikisource

Although criticised for a lack of character development and a repetitiveness of situations, the novel has remained popular to this day. It has been republished numerous times and is currently in print in several languages. It is still common to nickname highly orthodox Sanskrit-accented Gujaratis after the eponymous protagonist.

Overview
Ramanbhai Neelkanth

Bhadrambhadra is a 1900 Gujarati language satirical novel by Ramanbhai Neelkanth.[1] It is regarded as the first humorous novel in Gujarati literature.[2][3] The novel is influenced by The Pickwick Papers and Don Quixote. Ramanlal had a long running controversy with Manilal Dwivedi on numerous topics related to religion, philosophy, social reform, education and literature.[4] Ramanlal was a liberal who was open to western influences while Manilal was an orthodox who opposed the western influences. Ramanbhai showed up the rigidity, pettiness, vanity and hypocrisy of these opponents of social reform in the book.[2][5] Ramanbhai Neelkanth's enthusiasm for social reform was strongly influenced by his father, Mahipatram Rupram Nilkanth, an educationist and social reformer.[6]

Bhadrambhadra was serialized from 1892 to 1900 in Jnanasudha, the organ of Ahmedabad Prarthana Samaj edited by Ramanbhai himself,[6] and then published as a book in 1900 with further amendments. Ramanbhai wanted to publish the first edition with paintings but was unable to. In 1918 the third edition of the novel was published with illustrations by Ravishankar Raval. The 7th edition, published in 1953 with a preface by Jyotindra Dave, did not have illustrations; only photographs of Ramanbhai and Ambalal, the publisher, were included in it. Further editions were published without illustrations or photographs.[7]

Synopsis
Performance of Bhadrambhadra at H. K Arts College, Ahmedabad; 1 September 2018

The novel is named after its protagonist, Bhadrambhadra. It is narrated in the first person by Ambaram Kevalram Modakiya, a pupil of Bhadrambhadra.[7] It is the first Gujarati novel to be written in the first person narrative.[8]

Bhadrambhadra is an orthodox Hindu Brahmin and an idiosyncratic person, who is opposed to anything that is non-traditional, non-Hindu, non-Sanskrit, non-Aryan or that is different from his traditional way of life or pattern of thoughts. Because of this, he changed his name from Daulat Shankar to Bhadrambhadra (lit. Good Good), as the word Daulat is non-Sanskrit, non-Indian and so, he felt, irreligious in origin.[2] In the novel Bhadrambhadra speaks highly Sanskritised Gujarati and therefore is not able to make himself understood, which creates humorous situations.[9]

Reception and criticism

Bhadrambhadra is considered a classic of Gujarati literature and it was received well by readers and a number of critics.[7] However, the Encyclopedia of Indian Literature states that there is no development of character, and because of a lack of variety of situations and of behavior by the protagonist, the humour is not sustained throughout and the latter half of the book becomes uninteresting.[9] K. M. Munshi gave a mixed review. He noted in Gujarat and Its Literature:

The story is poorly told in places and lacks organic unity. The work is rendered enjoyable by absurd situations and still funnier Samskritised Gujarati. Bhadrambhadra, the pretentious fool with his holy enthusiasm to secure the ever-rising glorious triumph of eternal Arya Dharma, is an immortal figure in Gujarati fiction.[10]

Anandshankar Dhruv strongly criticized the novel and called it 'a barrier in social reform activities'.[11]

Legacy

During Ramanbhai's life, the character Bhadrambhadra became very popular and anybody who spoke Sanskritised Gujarati was nicknamed Bhadrambhadra. It is still a common nickname for any highly orthodox person.[3][9]

In 1994, Gujarati humourist Ratilal Borisagar published a novel Sambhavami Yuge Yuge in which he represented Bhadrambahdra in contemporary milieu with light criticism of Sardar Sarovar Dam project. In 2014, he published another humourous novel Bhadrambhadra Amar Chhe focusing on gender equality.[12] Gujarati writer Viththal Pandya wrote a short story "Bhadrambhadra Ane Hu" which brings Bhadrambhadra with him in contemporary milieu of 20th century in which they visit cinema and hotels in new sociopolitical climate.[13] Gujarati columnist Urvish Kothari wrote a short novel titled "Bhadrambhadra" which is based on Bhadrambhadra's adventures in the Patidar reservation agitation of 2015.

gollark: It was secure, though - code to run had an `evil` flag - if it was set to `true` it would not be run.
gollark: Well, yes, if they ran the RCEoR client.
gollark: Ah, fun times.
gollark: Ever heard of RCEoR?
gollark: Well, they can.

References
  1. Mohan Lal (1992). Encyclopaedia of Indian Literature: Sasay to Zorgot. New Delhi: Sahitya Akademi. p. 3841. ISBN 978-81-260-1221-3. Retrieved 11 May 2018.
  2. Mansukhlal Maganlal Jhaveri (1978). History of Gujarati Literature. New Delhi: Sahitya Akademi. p. 116.
  3. K. M. George (1992). Modern Indian Literature, an Anthology: Surveys and poems. New Delhi: Sahitya Akademi. p. 128. ISBN 978-81-7201-324-0. Retrieved 11 May 2018.
  4. Thaker, Dhirubhai (1983). Manilal Dwivedi. Makers of Indian Literature. New Delhi: Sahitya Akademi. pp. 14–16, 35–36, 51. OCLC 10532609.
  5. Thaker, Dhirubhai (May 2011). "11. દ્વૈત-અદ્વૈત-વિવાદ" [Dualism-Nondualism controversy]. કેટલાક સાહિત્યિક વિવાદો [A Few Literary Controversies] (1st ed.). Ahmedabad: Gujarat Vishwakosh Trust. p. 60. OCLC 741752210.
  6. K. M. George, ed. (1997). Masterpieces of Indian literature. Vol. 1. New Delhi: National Book Trust. p. 351. ISBN 978-81-237-1978-8. Retrieved 5 March 2018.
  7. Borisagar, Ratilal; Daru, Manoj (2001). Gujarati Vishwakosh (Gujarati Encyclopedia). Vol.14. Ahmedabad: Gujarati Vishwakosh Trust. p. 309.
  8. "સવિશેષ પરિચય: રમણભાઈ નીલકંઠ, ગુજરાતી સાહિત્ય પરિષદ". Gujarati Sahitya Parishad (in Gujarati). Retrieved 7 June 2018.
  9. Amaresh Datta (1987). Encyclopaedia of Indian Literature: A-Devo. New Delhi: Sahitya Akademi. p. 418. ISBN 978-81-260-1803-1. Retrieved 8 May 2018.
  10. Munshi, Kanaiyalal Maneklal (1935). Gujarat and Its Literature. Calcutta: Longmans, Green & Co. Ltd. pp. 281–282.
  11. Thaker, Dhirubhai (2016). અર્વાચીન ગુજરાતી સાહિત્યની વિકાસરેખા: સાક્ષરયુગ [An Outline of the Development of Modern Gujarati Literature: Scholar Era]. 3. Ahmedabad: Gurjar Grantharatna Karyalaya. p. 69. ISBN 978-93-5162-325-0.
  12. Mehta, Hasit (November 2018). Chaudhari, Raghuveer; Desai, Parul Kandarp (eds.). ગુજરાતી સાહિત્યનો ઈતિહાસ: 8 (ખંડ 1) સ્વાતંત્રયોત્તર યુગ - 2 [History of Gujarati Literature : 8 (Khand : 1) Post-independence Era - 2]. 8 (in Gujarati). 2. Ahmedabad: Gujarati Sahitya Parishad. pp. 308–313. ISBN 978-81-93884-9-4.CS1 maint: ignored ISBN errors (link)
  13. Topiwala, Chandrakant; Dave, Ramesh R., eds. (June 2008). ગુજરાતી ટૂંકી વાર્તાકોશ [Gujarati Short Story Encyclopedia] (2nd ed.). Ahmedabad: Gujarati Sahitya Parishad. p. 64. OCLC 24870863.
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