Bertien van Manen

Dutch photographer Bertien van Manen (1942, Den Haag) is regarded as one of the renovators of documentary photography. She started her career as a fashion photographer, after having studied French and German languages and literature. Inspired by Robert Frank's The Americans she travelled around, photographing what she saw. She had her first exhibition in the Photographers Gallery in London in 1977. She uses an inexpensive snapshot camera to take photos of people she meets, as she feels that these cameras allow her subjects to consider "me as a tourist or friend, who likes to take pictures." She has photographed extensively in China, the Appalachian Mountains in the US and the former Soviet Union. Her work has been exhibited by many photography institutions such as the Museum of Modern Art, New York, the Maison Européenne de la Photographie in Paris, the Stedelijk Museum Amsterdam and the Fotomuseum Winterthur. van Manen's work is found in major collections, both public and private and exhibited internationally.

Bertien van Manen
Born1942
den Haag
Alma materUniversity of Leiden
OccupationPhotographer
Years active1977–present

Life and work

Bertien van Manen started her photography career in 1974 as a fashion photographer after studying French language and literature at the University of Leiden.

Inspired by Robert Frank's book The Americans (1958), van Manen switched from fashion photography to a more documentary approach. She worked on commission and for long running projects, such as A Hundred Summers, A Hundred Winters (1991) about the post-Soviet states, East Wind, West Wind (2001) about China, Give me your Image (2006) about Europe,[1] Moonshine (2014) with photographs of mining families in the Appalachian Mountains,[2] and Beyond Maps and Atlases (2016) from Ireland.[3][4]

In 2011 Let's Sit Down Before We Go was published by MACK, edited by Stephen Gill. In 2017 I Will be Wolf was published by MACK, edited by Stephen Gill.

Publications
  • A Hundred Summers, A Hundred Winters. Amsterdam: De Verbeelding, 1994.
  • East Wind West Wind. Amsterdam: De Verbeelding, 2001.
  • In Moldova. Aorta Chisinau, 2005.
  • Give me your Image. Göttingen: Steidl, 2006.
  • Let's Sit Down Before we go. London: Mack, 2011.Edited by Stephen Gill.
  • Easter and Oak Trees. London: Mack, 2013.[5]
  • Moonshine. London: Mack, 2014.
  • Beyond Maps and Atlases. London: Mack, 2016. ISBN 9781910164433.
  • I Will be Wolf. London: Mack, 2017. Edited by Stephen Gill. ISBN 978-1-910164-91-4.

Collections

Van Manen's work is held in the following public collections:

Courtesy
  • Gallery Yancey Richardson, New York
  • Gallery Robert Morat, Berlin
  • Gallery in Camera, Paris
  • HERO, Amsterdam
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References
  1. Ladd, Jeffrey (5 January 2012). "Bertien van Manen: Let's Sit Down Before We Go". Time. Retrieved 8 March 2015.
  2. "'Moonshine', by photographer Bertien van Manen". Financial Times. 9 May 2014. Retrieved 8 March 2015.
  3. Mather, Annalee (9 February 2016). "Bertien van Manen, Beyond Maps and Atlases, book review". The Independent. London. Retrieved 2 April 2016.
  4. O'Hagan, Sean (12 January 2016). "'Beyond everything': one woman's ghostly odyssey around Ireland". The Guardian. London. Retrieved 2 April 2016.
  5. Fussell, Genevieve (9 December 2013). "A Bohemian Family Vacation". The New Yorker. Retrieved 8 March 2015.
  6. "Objects in the Rijksmuseum". Retrieved 8 March 2015.
  7. Mangione, Giulia (22 November 2013). "City of Light: Russia at Paris Photo — Top 5". Calvert Journal.
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