Berolina Film
Berolina Film (often shortened to Berolina) was a film production company which operated in West Germany between 1948 and 1964. The film's production was supervised by the experienced Kurt Ulrich and was based in West Berlin.[1] The company helped launch a cycle of popular heimatfilm made in the 1950s.[2]
The companies name is a reference to Berolina, the allegorical female figure representing the city of Berlin. It was also the name of a short-lived company from the 1920s, notable for producing the 1924 film The Hands of Orlac.
Selected films
- Everything Will Be Better in the Morning (1948)
- The Black Forest Girl (1950)
- The Heath Is Green (1951)
- The Land of Smiles (1952)
- When the Heath Dreams at Night (1952)
- I Can't Marry Them All (1952)
- Mailman Mueller (1953)
- The Gypsy Baron (1954)
- Love is Forever (1954)
- My Leopold (1955)
- The Three from the Filling Station (1955)
- Spy for Germany (1956)
- Black Forest Melody (1956)
gollark: So, if things are bad, delude yourself into thinking it's fine?
gollark: And you cannot, in fact, do the same thing as everyone else if you have some thing stopping you doing the same thing as everyone else, that's... definitionally the case.
gollark: ... well, you can't remove any problem.
gollark: You can't do something useful about *any* problem.
gollark: I see.
References
- Davidson & Hake p.195
- Hake p.90
Bibliography
- Davidson, John & Hake, Sabine. Framing the Fifties: Cinema in a Divided Germany. Berghahn Books, 2008.
- Hake, Sabine. German National Cinema. Routledge, 2002.
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