Bernice Zamora

Bernice B. Ortiz Zamora (born January 20,1938) is a Chicana poet, "one of the preeminent poets to emerge from the Chicano movement of the 1960s and 1970s".[1][2] She received a B.A. in English and French from Southern Colorado State College (now Colorado State University-Pueblo) and an M.A. in English from Colorado State University in Fort Collins in 1972. In 1972, she enrolled in the English doctoral program at Marquette University and transferred to Stanford University the following year, where she ultimately received her Ph.D. in 1976.[3] Besides being an accomplished poet, Zamora also taught classes in ethnic studies, Chicano studies, and literature at Santa Clara University, Stanford University, University of California, and University of San Francisco.[4] She has served as a guest editor and co-editor for various publications, including the Chicano literary journal El Fuego de Aztlán, De Colores with José Armas, Flor y Canto IV with Armas, and Flor y Canto V with Michael Reed.[5]

Influences

Zamora's work was influenced by Chicano cultural traditions, spirituality, sexism, cultural suppression, unfair labor practices, identity issues, and love. Moreover, the regions of Southern Colorado are also heavily featured throughout her work, as well as the American Southwest. She uses the American Southwest in her work to explore questions and themes of colonization. [6]

Work

Zamora's first collection of poetry, Restless Serpents, was jointly published in 1979 with José Antonio Burciaga.[7] The first edition included a limited printing of only 2,000 copies, over time has become an important in the Chicano literary canon.[8] Restless Serpents is written in both English and Spanish. Critics have praised her poetry for their "lyrical beauty, evocative power, and complexity of thought and feeling."[9] The themes she employs in her poetry include sexism, ethnic and racial oppression.[10]

Bibliography
  • Restless Serpents (1979)
  • Releasing Serpents (1994)
  • Bellow (1997)
  • Recalling Richard (1997)
  • "Contraries" (1998)
  • "Glint" (1998)
  • "Silence at Bay," in Máscaras (1997)
gollark: Also, heat via comparator.
gollark: You could feed it into a big powerbank and track input, output and percentage filled.
gollark: I can't really help with that, sorry.
gollark: That's basically the same, I think.
gollark: Right... do you *expect* it to place them just because you want it to?

References
  1. Ruiz, Vicki L.; Sanchez Korroll, Virginia, eds. (2006), "Zamora, Bernice B. Ortiz (1938-)", Latinas in the United States: A Historical Encyclopedia, Indiana University Press, pp. 818–819, ISBN 978-0-253-34680-3
  2. Cheuse, Alan (October 11, 1981). "The Voice of the Chicano". The New York Times.
  3. Kanellos, Nicolás (2008). The Greenwood encyclopedia of Latino literature. Greenwood Press. ISBN 9780313339707. OCLC 1038089084.
  4. "ZAMORA, BERNICE (b. 1938)". University of Nebraska–Lincoln.
  5. Kanellos, Nicolás (2008). The Greenwood encyclopedia of Latino literature. Greenwood Press. ISBN 9780313339707. OCLC 1038089084.
  6. "ZAMORA, BERNICE (b. 1938)". University of Nebraska–Lincoln.
  7. "Voices from the Gaps: Bernice Zamora". University of Minnesota. Retrieved June 16, 2012.
  8. Kanellos, Nicolás (2008). The Greenwood encyclopedia of Latino literature. Greenwood Press. ISBN 9780313339707. OCLC 1038089084.
  9. Kanellos, Nicolás (2008). The Greenwood encyclopedia of Latino literature. Greenwood Press. ISBN 9780313339707. OCLC 1038089084.
  10. Kanellos, Nicolás (2008). The Greenwood encyclopedia of Latino literature. Greenwood Press. ISBN 9780313339707. OCLC 1038089084.

Further reading

Bruce-Novoa, Juan, "Bernice Zamora" in Chicano Authors: Inquiry by Interview (Austin: University of Texas Press, 1980: 201-218).

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.