Bergère

A bergère is an enclosed upholstered French armchair (fauteuil)[1] with an upholstered back and armrests on upholstered frames.[2] The seat frame is over-upholstered, but the rest of the wooden framing is exposed: it may be moulded or carved, and of beech, painted or gilded, or of fruitwood, walnut or mahogany with a waxed finish. Padded elbowrests may stand upon the armrests. A bergère is fitted with a loose, but tailored, seat cushion. It is designed for lounging in comfort, with a deeper, wider seat than that of a regular fauteuil, though the bergères by Bellangé in the White House are more formal. A bergère in the eighteenth century was essentially a meuble courant, designed to be moved about to suit convenience, rather than being ranged permanently formally along the walls as part of the decor.[3]

Pair of Louis XVI marquises à oreilles, 1780s
Not to be confused with Bergères, a commune in north-central France.

The fanciful name, "shepherdess chair", was coined in mid-eighteenth century Paris, where the model developed without a notable break from the late-seventeenth century chaise de commodité, a version of the wing chair, whose upholstered "wings" shielding the face from fireplace heat or from draughts were retained in the bergère à oreilles ("with ears"), or, fancifully, bergère confessionale, as if the occupant were hidden from view, as in a confessional. A bergère may have a flat, raked back, in which case it is à la reine, or, more usually in Louis XV furnishings, it has a coved back, en cabriolet. A bergère with a low coved back that sweeps without a break into the armrests is a marquise.[4]

Appearing first in Paris during the Régence (1715–23), the form reaches its full development in the unifying curves of the rococo style, then continues in a more architectural rectilinear style in the Louis XVI, Directoire, and French and American Empire styles.


See also

Notes
  1. The inventory after the death of Mme de Pompadour lists a fauteuil en bergère. Pierre Verlet, French Furniture and Interior decoration of the 18th Century (Fribourg: Office du Livre 1977:177).
  2. The fauteuil differs in having open armrests.
  3. Verlet 1977, "Furniture of comfort and elegance" pp 173ff; the bergère is discussed pp. 177–79.
  4. Model timeline in Madeleine Jarry, Le siège français (Fribourg: Office du Livre) 1973, following p. 356

References
  • Abbott, James Archer (2007). Jansen Furniture. New York: Acanthus Press. ISBN 978-0-926494-45-9.
  • Pegler, Martin M; Carboni, Ron (2006). The Fairchild Dictionary of Interior Design (2nd ed.). New York: Fairchild Fashion Group. ISBN 978-1-56367-444-0.
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