Benjamin Staern

Benjamin Staern, born 6 December 1978 in Gothenburg, Swedish composer. Son of Gunnar Staern.

Education

Staern studied in his childhood cello, piano and percussion at the local music school in Malmö. During his studies in musicology at Lund University and before he felt that composition proved to be an interesting path to pursue. The following year he was accepted at the composition department at Musikhögskolan in Malmö, where he studied during the years 1998 to 2005 with professors Rolf Martinsson, Hans Gefors, Kent Olofsson (electronic music), Björn-Tryggve Johansson (instrumentation and counterpoint), Per Mårtensson and Lars Sandberg. During his diploma studies his main professor was Luca Francesconi. He was awarded a Diploma of Fine Arts and Music at the latter mentioned academy.

Career

Staern's music has been performed at festivals for new music, such as Ung Nordisk Musik, Stockholm New Music and Sirenfestivalen in Gothenburg. In August 2006, his work The Threat of War was be performed twice by the Royal Stockholm Philharmonic Orchestra in Stockholm Concert Hall, conducted by Michael Christie

Staern also received grants from the Swedish Royal Musical Academy, Helge Ax: son Johnson, Annik och Lars Leander, Rosenborg/Gehrmans composition study scholarship and STIM.

New European Ensemble residency

Following an invitation from New European Ensemble's artistic director, Christian Karlsen, Benjamin Staern became the first composer-in-residence of The Netherlands-based group. He has up till now written two large works for them Tranströmersånger and the chamber symphony Bells and Waves. The residency is said to lead to 3-4 works.[1] Bells and Waves was awarded - Most Significant Chamber Work of the Year - by the Swedish Music Publisher's Association in November 2011.[2]

Selection of works
  • The Threat of War (1999–2000, rev. 01) for symphony orchestra
  • Muramaris (2000) for fifteen solo string instruments
  • Colour wandering (2002) for ten brass musicians
  • Yellow skies (2003) for alto flute
  • Endast luft och brus (2004–05) for tuba and live electronics
  • Sacrificio (2004–05) for tuba, live electronics and symphony orchestra
  • Confrontation (2006) for trumpet solo and brass quintet
  • Jubilate (2008) for symphony orchestra
  • Tranströmersånger (Tranströmer Settings) (2009/10) for alto and ensemble
  • Bells and Waves (2010) chamber symphony for large ensemble
  • Worried Souls (2011) concerto for clarinet and symphony orchestra
  • Godai (2012–13) concerto for orchestra
  • Sånger av bländvit kärlek (Songs of Blindingly White Love) (poems from misc. collections by Karin Boye) (2013) for alto and orchestra.
  • Saiyah (2013–14) for two soloists, large ensemble, electronics and stage art.
gollark: Weirdly enough, I basically lack any long-term memory of my life.
gollark: Or, well, mostly useless.
gollark: Introspection is entirely useless for understanding things like "the entire rest of the universe".
gollark: I should probably say more than variations on ... so give me a bit to think about it.
gollark: > i tested high in spatial perception which explains why im able to connect the dots a lot quicker than most·······

Footnotes
  1. http://www.neweuropeanensemble.com/files/Press%20release%20(Swedish)%20Benjamin%20Staern%20Composer%20in%20residence.pdf
  2. "Archived copy". Archived from the original on 2014-05-06. Retrieved 2012-01-10.CS1 maint: archived copy as title (link)


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