Ben Rubin (artist)

Ben Rubin (born 1964) is a media artist and designer based in New York City. He is best known for his data-driven media installations and public artworks, including Listening Post and Moveable Type, both created in collaboration with statistician and journalism professor Mark Hansen. Since 2015, Rubin has served as the director of the Center for Data Arts at The New School, where he is an Associate Professor of Design.[1][2]

Ben Rubin
Rubin
Background information
Birth nameBenjamin Rubin
BornBoston, Massachusetts, U.S.
GenresMedia Art, Data Art, Sound Design
Occupation(s)Media Artist, Designer
Years active1993–present

Life and education

Rubin was born in Boston, Massachusetts in 1964. He graduated from Brown University in 1987 with an AB degree in Computer Science and Semiotics.[3] He went on to attend the Massachusetts Institute of Technology where he studied with Ricky Leacock and Glorianna Davenport, earning an MS in Visual Studies at the MIT Media Lab in 1989.[4] Rubin moved to New York in 1993. In 1998, he founded Electronic Arts Research (EAR), a multimedia art and design studio.[5] He co-founded The Office for Creative Research in 2013, along with data artist Jer Thorp and, statistician Mark Hansen.[6] Rubin joined the faculty of The New School in 2015, becoming the director of the Center for Data Arts.

Art career
Ben Rubin, And That's The Way It Is (2012) (39698180691)

Rubin's work uses computational methods, including Natural Language Processing and Machine Learning, to engage with cultural source material (art collections, literary works, public documents, news, and social media). His work takes a variety of forms, including sculpture, projections, sound installations, immersive environments, and live performance.

His works have been exhibited at Whitney Museum of American Art,[7] Reina Sofia Museum in Madrid, Art Institute of Chicago,[8] Fondation Cartier in Paris,[9] Aarhus Art Museum in Denmark,[10] MIT List Visual Arts Center,[11] Vancouver Art Gallery,[12] Skirball Center in Los Angeles (in a show organized by the Getty Museum),[13] Brooklyn Academy of Music[14] and San Jose Museum of Art.[15]

In addition to his own work, Rubin has collaborated with a wide range of people, including musicians and composers (Arto Lindsey, Steve Reich, Laurie Anderson, George Lewis, Richard Teitlebaum, Zeena Parkins), architects (Diller+Scofidio / Renfro, James Polshek, Rafael Pelli, Renzo Piano, SOM), artists (Anne Hamilton, Lorna Simpson), and philosophers (Bruno Latour, Paul Virilio). Many of Rubin's most important works were created in the course of his longtime collaboration with statistician Mark Hansen.[16]

Rubin has been resident artist at the Steim Foundation Amsterdam, Banff Centre For The Arts Alberta,[17] On the Boards Seattle,[18] and Brooklyn Academy of Music[19] and Bell Laboratories. In 2014, The Office of Creative Research was part of MoMA's Artists Experiment initiative.[20]

Public art

Rubin's commissioned work is permanently installed at the New York Times building and the Public Theater in New York, as well as at the headquarters of Adobe Systems in San Jose, California, and Brookfield Place, Calgary. In 2012, Rubin was commissioned by Landmarks, the public art collection of The University of Texas at Austin to create And That’s The Way It Is.[21]And That’s The Way It Is is, a text based video inspired by broadcast television news from Walter Cronkite's newscasts and other contemporary news feeds, won both the CoD+A Award and Americans for the Arts' Public Art Network Award in 2013.[22]

  • Shakespeare Machine, The Public Theater 2012
  • Beacon, Museum of American Jewish History, Philadelphia 2010
  • Teardrop Park, Battery Park City (with Ann Hamilton and Michael Mercil) 2009
  • Can You Not Tell Water from Air, Morimoto Sushi Bar, Boca Raton FL 2008
  • San Jose Semaphore, Adobe Systems, San Jose 2006
  • Four Stories, New Central Public Library, Minneapolis 2006
  • Blur, Swiss Expo ’02, Yverdon, Switzerland (with Diller+Scofidio) 2002
  • Video Beam, Brasserie Restaurant, New York (with Diller+Scofidio) 2000
  • Jump Cuts, United Artists Multiplex, San Jose (with Diller+Scofidio) 1996

Teaching

Between 1997 and 2002, Rubin taught at New York University's Interactive Telecommunications Program.[23] In 2004, he joined as Critic in Yale School of Art's MFA in Graphic Design program where he remained until 2006.[24]

Performance

In 1988, while still in graduate school at MIT, Rubin was hired as a consultant by Beryl Korot and music composer Steve Reich to develop technology for their multimedia opera, The Cave, which premiered in Vienna in 1993.[25] In 1994, Rubin began the first of several collaborations with Laurie Anderson, creating software and technical solutions for her performance tours, including Nerve Bible (1994), Songs and Stories from Moby Dick (1999), Dal Vivo (1998), and numerous installation projects.

Rubin was a founding member of The Builders Association theater company.

Starting in 2007, Rubin began an ongoing series of collaborations with the New York-based theater ensemble Elevator Repair Service (ERS), developing a performance installation called Shuffle (2009-2014) that remixed text from three 1920s American novels.[26][27] In 2013, Rubin won an Obie Award for his projection design for Elevator Repair Service's Arguendo, a theatrical piece based on U.S. Supreme Court oral arguments that debuted at the Public Theater in New York.

Exhibitions

Solo exhibitions

Group exhibitions

Awards
  • Obie Award for Projection Design for Arguendo 2014[39]
  • Drama Desk nomination for Projection Design for Arguendo 2014 [40]
  • CoD+A Award Winner, Public Spaces category for And That’s the Way it Is 2013
  • NYC Public Design Commission Excellence in Design Award for Shakespeare Machine 2013[41]
  • Public Art Network year-in-review, selection for And That’s the Way it Is 2013
  • CoD+A Awards top 100 projects, Public Spaces Category for Shakespeare Machine 2013
  • Public Art Dialog PAD Award for achievement in the field of public art 2012 [42]
  • Prix Ars Electronica, Golden Nica Award for Listening Post (with Mark Hansen) 2004[43]
  • Third Coast International Audio Festival Documentary Award for Open Outcry 2003
  • Webby Award, NetArt category, for Listening Post (with Mark Hansen) 2003
  • Wired Rave Award nomination for Listening Post (with Mark Hansen) 2003
gollark: And when you get a successful block the pool gets it.
gollark: From what I understand, when you get a close-but-not-there hash, the pool gives you some currency for it.
gollark: How are people not constantly doing this?
gollark: So... you can... easily defraud them?
gollark: What mechanisms do the pools have to stop you from joining them until you get a block then quitting and rejoining?

References
  1. "Center for Data Arts". Center for Data Arts. Retrieved 2019-07-26.
  2. "XR Center". www.google.com. Retrieved 2019-07-26.
  3. "Alumni | Modern Culture and Media". www.brown.edu. Retrieved 2019-07-26.
  4. "Alumni". MIT Media Lab. Retrieved 2019-07-26.
  5. Duncan, David (2011-04-25). "Ben Rubin". Art in America. Retrieved 2019-07-26.
  6. contributor, Tyler Woods / (2017-06-02). "This Brooklyn data and design studio is calling it quits". Technical.ly Brooklyn. Retrieved 2019-07-26.
  7. "Mark Hansen and Ben Rubin at Whitney". www.google.com. Retrieved 2019-07-26.
  8. "Interview with Ben Rubin". www.google.com. Retrieved 2019-07-26.
  9. "Fondation Cartier". www.google.com. Retrieved 2019-07-26.
  10. "Ben.rubin | REFF Romaeuropa FakeFactory". www.google.com. Retrieved 2019-07-26.
  11. "Digital Media RISD". www.google.com. Retrieved 2019-07-26.
  12. "[Video] ReForm | Data Becomes Art in Immersive Visualizations". www.google.com. 2015-06-25. Retrieved 2019-07-26.
  13. Rubin, Ben (2011-12-11), Amplify, retrieved 2019-07-26
  14. "Opinion | A Marriage of Technology and Art". The New York Times. 2007-11-03. Retrieved 2019-07-26.
  15. "Press". San José Museum of Art. 2019-07-08. Retrieved 2019-07-26.
  16. https://frieze.com/article/mark-hansen-and-ben-rubin
  17. "BEN RUBIN - ADA | Archive of Digital Art". www.digitalartarchive.at. Retrieved 2019-07-26.
  18. "Look and Listen, The Stranger". www.google.com. Retrieved 2019-07-26.
  19. "Opinion | A Marriage of Technology and Art". The New York Times. 2007-11-03. Retrieved 2019-07-26.
  20. "Artists Experiment MoMA". The Museum of Modern Art. Retrieved 2019-07-26.
  21. "Ben Rubin". LANDMARKS. 2015-01-14. Retrieved 2020-06-03.
  22. "Awards". LANDMARKS. 2016-12-05. Retrieved 2020-06-03.
  23. "ITP People Directory". itp.nyu.edu. Retrieved 2019-07-26.
  24. "Yale University School of Art: Ben Rubin". art.yale.edu. Retrieved 2019-07-26.
  25. Reich, Steve (2002-04-11). Writings on Music, 1965-2000. ISBN 9780199880485.
  26. McCracken, Grant David (2012). Culturematic: How Reality TV, John Cheever, a Pie Lab, Julia Child, Fantasy Football, Burning Man, the Ford Fiesta Movement, Rube Goldberg, NFL Films, Wordle, Two and a Half Men, a 10,000-year Symphony, and ROFLcon Memes Will Help You Create and Execute Breakthrough Ideas. ISBN 9781422143292.
  27. Fischer-Lichte, Erika (2014-04-03). The Routledge Introduction to Theatre and Performance Studies. ISBN 9781135083885.
  28. Duncan, David (2011-04-25). "Ben Rubin". Art in America. Retrieved 2019-07-22.
  29. "artnet". www.artnet.com. Retrieved 2019-07-22.
  30. "Bryce Wolkowitz Gallery". brycewolkowitz.com. Retrieved 2019-07-22.
  31. Smith, Roberta (2003-02-21). "ART IN REVIEW; Mark Hansen and Ben Rubin -- 'Listening Post'". The New York Times. ISSN 0362-4331. Retrieved 2019-07-22.
  32. Glynn, Ruairi. "Listening Post – Mark Hansen and Ben Rubin". Interactive Architecture Lab. Retrieved 2019-07-22.
  33. Smith, Roberta (2003-02-21). "ART IN REVIEW; Mark Hansen and Ben Rubin -- 'Listening Post'". The New York Times. ISSN 0362-4331. Retrieved 2019-07-22.
  34. Glynn, Ruairi. "Listening Post – Mark Hansen and Ben Rubin". Interactive Architecture Lab. Retrieved 2019-07-22.
  35. Smith, Roberta (2003-02-21). "ART IN REVIEW; Mark Hansen and Ben Rubin -- 'Listening Post'". The New York Times. ISSN 0362-4331. Retrieved 2019-07-22.
  36. "The Listening Post". 21st Century Digital Art. Retrieved 2019-07-22.
  37. "GLOBALE: Infosphere | 05.09.2015 (All day) to 31.01.2016 (All day) | ZKM". zkm.de. Retrieved 2019-07-26.
  38. "Grand Hotel - Amelia Black". portfolio.ameliablack.com. Retrieved 2019-07-26.
  39. "Here are Your 2014 Obie Awards Winners". Obie Awards. 2014-05-21. Retrieved 2019-07-26.
  40. Gans, Andrew (2014-04-25). "2014 Annual Drama Desk Awards Nominations Announced; Gentleman's Guide Earns 12 Nominations". Playbill. Retrieved 2019-07-26.
  41. "Design Commission - Thirty-First Annual Design Awards". www1.nyc.gov. Retrieved 2019-07-26.
  42. "Annual Award | Public Art Dialogue". publicartdialogue.org. Retrieved 2019-07-26.
  43. "Ars Electronica Archive". 90.146.8.18. Retrieved 2019-07-22.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.